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#1
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looking at pretty amazing charting (and trending on FB, she's almost unavoidable all of the sudden!) of SN's upcoming album preorders, i asked in one of the other threads whether if hugely successful she might be tempted to go exclusively solo.
this response in particular i found thought-provoking: Quote:
right now, with numerous oldies tours and without an album in the last decade, FM seems to be just the means of capitalizing on their past glories and grabbing tons of money for its members... not the creative outlet. can it be that the last instance of creative tension in FM was actually in the early 80s, during Mirage era? Tango was mostly created by Christine and Lindsey with very little participation from Stevie, and Christine and Lindsey seem to complement each other ending in more of a creative synergy than tension, and their recent interviews seem to attest to that synergy being still strong and highly creative. the last album rumours-era FM released was SYW, and various fans (and SN herself, i believe?) have argued not only that the tension was not healthy or creative but that it was instead counter-productive - that Lindsey's songs were better in their original GOS shape without adding Stevie on them, and that Stevie's songs were better as demos, without Lindsey's contributions to them. and then there was their most recent output - EP, on which there was no creative tension considering Stevie was mostly absent from it, and contributed one song from 1974 which has been also argued by fans that is worse on the EP than the original demo. so where is that supposed creative tension in the last 30+ years and is it really still healthy or helpful? Stevie has been pretty adamant that she doesn't need or like tension in order to create anymore, while describing how great making of IYD was since there was no tension between her and her collaborators. meanwhile, FM album has been on hold since 2010. it was started and aborted in 2012, and then again worked on in 2014 with the addition of Christine, and is now again on back burner waiting. so how is the tension creative?? no new album for 10+ years doesn't seem very creative to me. ![]()
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
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#2
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I think there could be tensions if the Dave produced version of "Twisted" is great. Oh..and a hit single.
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#3
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Quote:
although, not sure i understand how the possible success of yet another Stevie's solo version of Twisted, without LB's involvement, would make any tensions between them in FM creative?
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
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#4
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I'll be shocked if a new album ever gets made with Stevie's involvement. I just don't think her heart is in it. The only reason I think she chose to tour is because of Christine and, of course, John's health and the possibility that time is running out for this full lineup. Some Lindsey and Christine tracks will probably turn up on another compilation to celebrate the 40th anniversary of the Rumours lineup. Stevie might add some backing vocals and donate a song from the vault produced by Dave. It wouldn't surprise me if she officially left the band after next year.
Also, Lindsey is not the producer he was 30 years ago. I feel he has become too locked into a particular sound that does not complement Stevie at all. I think the chemistry between LB and CM is good and could lead to more collaboration but the well has run dry for Buckingham/Nicks. Honestly, I would like to see them scale things back and cut some of the studio time and sonic gimmicks. I want to hear them sound like a band again and go out with some integrity. This is the only way I can see new recordings with SN fully on board happening. I hope I'm wrong. I love this band and want the final chapter to be more than a farewell tour with a tired setlist. |
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#5
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#6
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I'm hoping Dave has NOTHING to do with anything FM related. That album would sound like a few Solo Stevie songs sprinkled with Lindsey and Chris. Dave has a very simple way of arranging Stevie's demos, which are fine for a solo album showcasing Stevie in all her glory. A FM record, on the other hand, is the intermingling of every member, I would like to hear that.
The tension, I'm afraid, is gone. It's there, at a visceral level. No one is allowing others "under the skin" anymore. Saddens me to think those days have passed.
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Learn to be a stranger.... |
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#7
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Everything since has been an attempt to recapture that lightning in a bottle which of course is just not possible. "his plan for her was just not possible/she was so not that girl" But you know, when there's all that money on the table… I for one have been surprised that Lindsey has gone along for the last couple of nostalgia tours. I would have expected more of a fuss from him.. that is everything he's always said he wouldn't want to do. Again…. money talks. Tuition bills roll in. Wife opens a business. Suddenly a nostalgia tour can be rationalized. I sooooo hope Chris coming back can truly breathe some new life into this franchise, but honestly….. I have doubts. Cautiously optimistic. |
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#8
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Anybody could be creative if they put their mind to it at any age.
They just have to get into the mood for it.
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Skip R........ the Wildheart at Edge of Seventeen and the Gypsy..... My sweet Buttons .I love you. RIP 2009 to 08/24/2016 |
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#9
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Wow... I'm kinda surprised at what's been said here...
Stevie is rather consistant - she has always said that she brings everything she writes to FM - if they reject it, it's hers.... hence all the demos we're getting on this new album..... She has ALWAYS said that FM is her first priority. Yes, Christine coming back has thrown a huge kink in the plans that may have been set... However, the band now has to alter them. Stevie had previous commitments for another album - prior to Chris's decision... Contractully, she had to do her album - and what better time than to do it with all the publicity of the FM reunion? She's gotta get it out of the way to clear the time for this huge thing that's called "Fleetwood Mac" The last hoorah! ....and with LB and CM in the studio at the same time as recording in Nashville, wouldn't make sense that there would be discussions about what songs FM wanted? Regardless of whatever influences, Stevie's loyalties always remains with FM, especialty with Christine there. Say what you will, that has always been a constant. And, for her NOT to be a part of any "new" music would seem completely out of character at this stage. (And don't beat me with the TITN times - coming out of rehab does not compare to where she is now) i kinda think this was a HUGE conflict within herself - however, the rest of the band understood and they are making the best out of what they have to deal with... Timing, I'm sure, was NOT what the rest of FM may have wanted... However, I'm kinda of thinking that they are happy CM is back. And being an LB fan, I'm thinking his brain is is humming with music.....
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When you don't know what it is But you can't get enough of it |
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#10
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wasn't he doing something on one of her songs? for this record? though why they'd redo Twisted makes no sense for me Dave/Stevie/Lindsey all working together makes me laugh ![]()
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she thought she was out there...but nobody saw...
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#11
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Me too.
Is anyone really trying to suggest that Stevie's heart isn't with Fleetwood Mac?! She loves those guys! (even with the tensions) and she loves the adoration from the FM fans ![]() |
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#12
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Quote:
The band focuses far too much on the past when they really need to concentrate on the present. Surely they're all old enough to put aside their differences in order to make another stellar album to cap off a long and great career? I'm not sure if I'm alone in thinking this, but I think a lot of the so-called tension is merely a show nowadays that's put on because of a select few in their fan base who strive for the drama on and off stage. Last edited by He's So Unusual; 08-07-2014 at 08:50 AM.. Reason: Added something. |
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#13
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However, if Stevie's solo work she's been doing lately creates a NEW tension within the band, to me that would be bad for creativity. Hopefully that's not the case. Jamie
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#14
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A contractual obligation is a contractual obligation.
Stevie was apparently contractually obligated to do another solo album. I get that. I also get that the solo album she chose to give the record company is an album full of demos and previously released material that all of her fans already had. That it was the "quickest" she ever recorded an album tells me that she wanted to get it out of the way as soon as humanly possible. Why would she want to do that? I'm not saying there isn't any tension between Stevie and Lindsey, I'm just saying that Stevie legally had to do this record. I hope there's some tension between those two, the results are usually better that way. I think Stevie will come in with eight songs of her own, and I wouldn't be surprised if two albums come out of all the of the material they have. If this is Fleetwood Mac's last act (which I don't really want to believe), what a better way to go out than with two records of new material and a few years on the road? This is the one time I'm not questioning anybody's loyalty. If anything, Stevie's songs will be better if they're recorded after they have some mileage under their belts.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
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#15
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Life passes before me like an unknown circumstance |
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