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#481
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I like demos for what they represent - the beginning of a song, the creative process, the raw track, but rarely do I think they are better than a finished, produced song. Gold Dust Woman might be one I like better... |
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#482
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#483
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By the way, if CTF is getting a video should we also expect a Reese Witherspoon cameo?? |
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#484
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#485
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I heard this today too - wonder if LB is playing on this one?
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#486
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#487
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If they're cutting songs, I just hope that the song about Twilight ends up on the cutting room floor.
__________________
"Just to hear Lindsey's voice with mine and Stevie's, I get goosebumps the size of chicken eggs." --CM |
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#488
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Not exactly 14 songs. A song or two are becoming bonus tracks.
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#489
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Oh, my bad. I didn't mean to sound snippy either btw. I just thought it had been confirmed.
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#490
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I listened to it on youtube...didn't knock my socks off...but "Edge of Seventeen" is right now!!
![]() I'm content with "Stevie of Olde." ![]() |
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#491
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David Wild posted today that Secret Love is his sixth favorite song off the album. That means this album may be all good if they choose the right songs for bonus tracks. There are always some oddballs floating around. |
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#492
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Poor girl must have been really stuck for something to write about... |
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#493
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oh it's right up her allie, ala, Beauty and the Beast, who knows, maybe it will be as good as that
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#494
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#495
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I would agree that the production on TISL does not sound dated and that's largely because most of the tracks don't have a melody or beat. It's more just continuous with swells, rather than beats.
That's what took me longer to get into it, but once I did I took a pretty deep plunge. It's more about emotion than hummability. I think the less hooky a song is, the harder it is to pin it to a particular era. I was thinking about Secret Love last night and its mood makes me think of Love Changes, although I think Secret Love is a better song. The way something momentous just fades away is heartbreaking in itself, the quietness of it. That's what got me about "Love Changes". The sudden emptiness, that washes over you without war or roar. There's no big collision, just a break down on the side of the road. When there's a traumatic event, a big fight, passionate outbursts, they are cleansing in a way. Cathartic. But when great love has a softer, lingering death and the ending comes amid other trivial matters, the every day, anti-climatic conclusion of it is sad. Secret Love is sing-songy and juvenile on one hand, but I think the music and Stevie's voice do capture the pain of what "secretly died" very nicely. Michele |
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