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#1
03-07-2009, 10:03 PM
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Fleetwood Mac June 29,1977 Madison Square Garden torrent
http://www.dimeadozen.org/torrents-d....php?id=239658
another dusty ol' reel off the shelf... FLEETWOOD MAC June 29, 1977 Wednesday Madison Square Garden, New York, New York USA 1st of 2 nights at MSG Audience Stereo 2nd gen reel > DAT > CDR > EAC > FLAC Teac X-1000R > Tascam DA-20 > Tascam CD-RW900 Total Time - 92:28 Disc One 55:11 01. tuning & intro 1:22 02. Say You Love Me 4:28 03. Monday Morning 3:22 04. Oh Well 3:02 05. Rhiannon 8:25 06. Oh Daddy 5:38 07. Never Going Back Again 2:25 08. Landslide 4:15 09. Over My Head 3:28 10. Gold Dust Woman 7:48 11. You Make Loving Fun 4:46 12. I'm So Afraid 6:12 Disc Two 37:17 01. Dreams 4:42 02. Go Your Own Way 5:00 03. World Turning 8:30 04. Blue Letter 5:23 Encores 05. The Chain 6:04 06. Second Hand News 3:06 07. Songbird 4:32 Lindsey Buckingham - guitar, vocals Mick Fleetwood - drums Christine McVie - keyboards, vocals John McVie - bass Stevie Nicks - vocals http://db.etree.org/lookup_show.php?shows_key=105315 PLEASE DO NOT BUY OR SELL THIS RECORDING FOR FREE TRADE ONLY - SHARE THE MUSIC
__________________
"To acknowledge death is to accept freedom and responsibility." 
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#2
03-07-2009, 10:36 PM
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Thanks for the heads up on this one!!!
After seeing the Pittsburgh show... I am so excited to get my hands on stuff I don't have... I would give blood for a boot of that show!!! Thanks again!! 
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#3
03-07-2009, 10:40 PM
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 Although, I am wondering when the first boot of this tour will surface, it's been almost a week since the first show.
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#4
03-07-2009, 10:46 PM
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Donnie Wayne ~
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#5
03-07-2009, 10:57 PM
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It is on the first one (dime).
It was just uploaded on there... literally like MAYBE a couple hours ago! 
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#6
03-07-2009, 11:06 PM
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Quote:
Donnie Wayne ~
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#7
03-07-2009, 11:24 PM
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WOW! I must have really lucked out... I got it on the first try!!
I didn't realize it was not so easy to get an account on there!! 
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#8
03-07-2009, 11:34 PM
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Thanks for this!
__________________
 Would it last forever? You and I together, hand in hand we run away♥
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#9
03-07-2009, 11:43 PM
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Quote:
Donnie ~
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#10
03-08-2009, 12:11 AM
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It's not worth it... besides I was at the "Rumours" tour in Louisville Kentucky... F*ck Madison Square Gardens... Donnie Wayne ~
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#11
03-08-2009, 12:17 AM
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What type of torrent downloader do you use? If it is bittorrent I might be able to help?!? Don't throw in the towel just yet my friend...
__________________
 ...And Not All The Prayers In The World... Could Save Us...
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#12
03-08-2009, 10:27 AM
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The 2nd night at the Garden is also on tape, with a back-to-top-strength performance by Nicks.
__________________
 moviekinks.blogspot.com
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#13
03-08-2009, 01:10 PM
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 Maybe the 2nd show will show up.
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#14
03-08-2009, 02:02 PM
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I Web searched & found the Rolling Stone review on the Legacy. So with thanks to the Legacy: Rolling Stone Review Madison Square Garden, June 29, 1977 published in Rolling Stone Magazine, August 23, 1977 by Peter Herbst Two things about Fleetwood Mac's Garden show: Stevie Nicks failing voice was the audience's prime discussion topic before and after the concert; and Fleetwood Mac performed magnificently without Nicks's best efforts. Nicks clearly has become the group's centerpiece, a shaggy-haired love object who cultivates an onstage mystique that only the very young could thoroughly buy. Her mannerisms -- whirling dances (outstreched arms converting her shawl into butterfly wings), sotto voce introductions (from Rhiannon: This is a song about a Welsh witch) and sulky aimlessness between her numbers -- skirt corniness. Still Nicks has an undeniable magnetism and gets away with her devices more often than not. On this night, though, she couldn't summon the chops to get away with anything, Fleetwood Mac had canceled their previous evening's performance in Syracuse because Nicks was suffering from severe vocal strain. At the Garden she found it impossible to hit "Rhiannon's" higher notes -- though she struggled valiantly. And during "Gold Dust Woman," Nicks, wearing a witch's black hat and framed by a Halloween moon that reappeared from time to time during the night, growled hoarse incantations to rival Linda Blair's Regan without Regan's exquisite control. Even more, Nicks was nearly always physically unstable. She lurched about the stage, twirled slowly with all the grace of a druken sailor and, near the concert's end, wobbled along the stage's port and starboard precipices while frantic roadies followed to prevent a fall. What her deficiencies (temporary I assume, since some who saw the next night's show at the Garden said Nicks had righted herself) allowed for was the emergence of Lindsey Buckingham, Fleetwood Mac's slightly forgotten man (sandwiched as he is between airy Nicks and Earth Mother Christine McVie). Buckingham sang with startling force and range. Perhaps the fact that he hit his high notes so ringingly after Nicks consistently fluffed hers made his singing more dramatic -- he seemed genuinely grateful when the audience acknowledged his songs, almost always with its greatest applause. Buckingham writes and sings Fleetwood Mac's most uptempo numbers ("Monday Morning"), so he's a natural in performance. But his guitar work, on slower acoustic numbers like "Never Going Back Again" as well as on hard rockers like "The Chain," was always suprisingly and effectively electric. Buckingham used fingerpicking and hard chording to create an orchestral guitar sound and is primarily responsible for Fleetwood Mac's alluringly bright instrumental texture. On record, Buckingham's soloing has always sounded overly familiar, built as it is from the general guitar wisdom of the Sixties; yet taken as a whole, it's beginning to sound distinctive. Buckingham's penchant for understated fills and his control of timbre remind me most of Beatles-era George Harrison. Which is very much to the point. Fleetwood Mac, much like the Beatles, is a group of diverse personalities that mesh suprisingly well. Christine McVie is one of rock's most easily identifiable female vocalists, and most likable (her "Say You Love Me" and "Over My Head," both hit singles, opened to great rushes of applause). But it's as much a thrill to see Nicks and Buckingham harmonizing behind McVie as it is to hear her stately versions of those songs. Thought Buckingham's voice is not quite as distinctive as the others', his, Nicks's and McVie's singing are effectively disparate -- as different in intensity, approach and sheer sound as could be. And though the Beatles' voices were far more alike, there's a similar yoking here of strong egos to one purpose, much like all-stars who actually play as a team). And since this edition of Fleetwood Mac hasn't written a bad song in two albums, they always manage to score, no matter what. Bass guitarist John McVie and drummer Mick Fleetwood should not go unmentioned. Their combination of flowing percussion and spare, accented bass is one of the most delightful in all of rock. And Fleetwood Mac, as should be obvious, began and surely will end with Fleetwood and McVie.
__________________
moviekinks.blogspot.com Last edited by David; 03-08-2009 at 02:09 PM..
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