Fleetwood Mac June 29,1977 Madison Square Garden torrent
 

http://www.dimeadozen.org/torrents-d....php?id=239658

another dusty ol' reel off the shelf...

FLEETWOOD MAC
June 29, 1977 Wednesday
Madison Square Garden,
New York, New York USA

1st of 2 nights at MSG

Audience Stereo
2nd gen reel > DAT > CDR > EAC > FLAC
Teac X-1000R > Tascam DA-20 > Tascam CD-RW900
Total Time - 92:28

Disc One 55:11
01. tuning & intro 1:22
02. Say You Love Me 4:28
03. Monday Morning 3:22
04. Oh Well 3:02
05. Rhiannon 8:25
06. Oh Daddy 5:38
07. Never Going Back Again 2:25
08. Landslide 4:15
09. Over My Head 3:28
10. Gold Dust Woman 7:48
11. You Make Loving Fun 4:46
12. I'm So Afraid 6:12

Disc Two 37:17
01. Dreams 4:42
02. Go Your Own Way 5:00
03. World Turning 8:30
04. Blue Letter 5:23
Encores
05. The Chain 6:04
06. Second Hand News 3:06
07. Songbird 4:32

Lindsey Buckingham - guitar, vocals
Mick Fleetwood - drums
Christine McVie - keyboards, vocals
John McVie - bass
Stevie Nicks - vocals

http://db.etree.org/lookup_show.php?shows_key=105315

PLEASE DO NOT BUY OR SELL THIS RECORDING
FOR FREE TRADE ONLY - SHARE THE MUSIC

Thanks for the heads up on this one!!!
After seeing the Pittsburgh show... I am so excited to get my hands on stuff I don't have... I would give blood for a boot of that show!!!

Thanks again!!:xoxo:

Same...I got excited seeing the word torrent in this section in hope for it being a 2009 one. But either way I am glad for the heads up on this one. Don't get me wrong. :nod: Although, I am wondering when the first boot of this tour will surface, it's been almost a week since the first show.

Which link do I download this from?

Donnie Wayne ~

It is on the first one (dime).
It was just uploaded on there... literally like MAYBE a couple hours ago!:wavey:

Thanks Agnes... but trying to sing on there to make a new account... is almost like trying to get Stevie on the phone right now...

Donnie Wayne ~

WOW! I must have really lucked out... I got it on the first try!!
I didn't realize it was not so easy to get an account on there!!:sorry:

Thanks for this!

I got signed on, but i cant figure out how to download it... Good Grief

Donnie ~

Screw it man... If it's this damn hard to figure out how to download... I'll PAY someone for a copy... NOT...
It's not worth it... besides I was at the "Rumours" tour in Louisville Kentucky... F*ck Madison Square Gardens...

Donnie Wayne ~

Did you right click on the link and "save target as"?
What type of torrent downloader do you use?
If it is bittorrent I might be able to help?!?

Don't throw in the towel just yet my friend...

This show was reviewed in Rolling Stone, I forgot which critic (& I don't see the review in the BLA). Stevie Nicks was hoarse & raspy, & "twirled like a drunken sailor," according to the writer. But the rest of the band got the thumbs up.

The 2nd night at the Garden is also on tape, with a back-to-top-strength performance by Nicks.

"Drunken sailor" seemed pretty dead on after listening to this show last night. I found myself laughing out loud a few times and thinking "come back to us girl" when she appeared to be going off in a different direction than the rest of the band. Also, the way the audience clapped along to the songs. It was obvious Stevie wasn't the only one high that night. :lol: Maybe the 2nd show will show up.

I think I sent it to Brian a long time ago. I don't remember.

I Web searched & found the Rolling Stone review on the Legacy. So with thanks to the Legacy:

Rolling Stone Review
Madison Square Garden, June 29, 1977
published in Rolling Stone Magazine, August 23, 1977
by Peter Herbst

Two things about Fleetwood Mac's Garden show: Stevie Nicks failing voice was the audience's prime discussion topic before and after the concert; and Fleetwood Mac performed magnificently without Nicks's best efforts.

Nicks clearly has become the group's centerpiece, a shaggy-haired love object who cultivates an onstage mystique that only the very young could thoroughly buy. Her mannerisms -- whirling dances (outstreched arms converting her shawl into butterfly wings), sotto voce introductions (from Rhiannon: This is a song about a Welsh witch) and sulky aimlessness between her numbers -- skirt corniness. Still Nicks has an undeniable magnetism and gets away with her devices more often than not.

On this night, though, she couldn't summon the chops to get away with anything, Fleetwood Mac had canceled their previous evening's performance in Syracuse because Nicks was suffering from severe vocal strain. At the Garden she found it impossible to hit "Rhiannon's" higher notes -- though she struggled valiantly. And during "Gold Dust Woman," Nicks, wearing a witch's black hat and framed by a Halloween moon that reappeared from time to time during the night, growled hoarse incantations to rival Linda Blair's Regan without Regan's exquisite control.

Even more, Nicks was nearly always physically unstable. She lurched about the stage, twirled slowly with all the grace of a druken sailor and, near the concert's end, wobbled along the stage's port and starboard precipices while frantic roadies followed to prevent a fall.

What her deficiencies (temporary I assume, since some who saw the next night's show at the Garden said Nicks had righted herself) allowed for was the emergence of Lindsey Buckingham, Fleetwood Mac's slightly forgotten man (sandwiched as he is between airy Nicks and Earth Mother Christine McVie). Buckingham sang with startling force and range. Perhaps the fact that he hit his high notes so ringingly after Nicks consistently fluffed hers made his singing more dramatic -- he seemed genuinely grateful when the audience acknowledged his songs, almost always with its greatest applause.

Buckingham writes and sings Fleetwood Mac's most uptempo numbers ("Monday Morning"), so he's a natural in performance. But his guitar work, on slower acoustic numbers like "Never Going Back Again" as well as on hard rockers like "The Chain," was always suprisingly and effectively electric. Buckingham used fingerpicking and hard chording to create an orchestral guitar sound and is primarily responsible for Fleetwood Mac's alluringly bright instrumental texture. On record, Buckingham's soloing has always sounded overly familiar, built as it is from the general guitar wisdom of the Sixties; yet taken as a whole, it's beginning to sound distinctive. Buckingham's penchant for understated fills and his control of timbre remind me most of Beatles-era George Harrison.

Which is very much to the point. Fleetwood Mac, much like the Beatles, is a group of diverse personalities that mesh suprisingly well. Christine McVie is one of rock's most easily identifiable female vocalists, and most likable (her "Say You Love Me" and "Over My Head," both hit singles, opened to great rushes of applause). But it's as much a thrill to see Nicks and Buckingham harmonizing behind McVie as it is to hear her stately versions of those songs. Thought Buckingham's voice is not quite as distinctive as the others', his, Nicks's and McVie's singing are effectively disparate -- as different in intensity, approach and sheer sound as could be. And though the Beatles' voices were far more alike, there's a similar yoking here of strong egos to one purpose, much like all-stars who actually play as a team). And since this edition of Fleetwood Mac hasn't written a bad song in two albums, they always manage to score, no matter what.

Bass guitarist John McVie and drummer Mick Fleetwood should not go unmentioned. Their combination of flowing percussion and spare, accented bass is one of the most delightful in all of rock. And Fleetwood Mac, as should be obvious, began and surely will end with Fleetwood and McVie.