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#16
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All accounts say Lindsey flipped his lid at that meeting and "went for her" as if he were mad. But context is everything. Here's a guy who wrote half of the new album, produced and arranged it, fit three of Stevie's songs in at the last minute, and then is being told, by Stevie that he's welching on his commitment to the band, that he cares for no one but himself: I can see why he might have snapped.
Under much less intense circumstances, Bob Welch left the band feeling similarly drained and frustrated, as if his commitment to FM was keeping him from creating the music he really wanted to make. Peter Green left too, because he was beginning to feel trapped (the drugs couldn't have helped)... Lindsey' meltdown at Christine's house has to be understood in this context. I'm sure he's no picnic to work with, but he also gave A LOT to a band of people who, to him, must have seemed, at the end of his first tenure, grasping, greedy, and mercenary. |
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#17
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Quote:
Matt |
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#18
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Exactly...they were staying out of it. I still say there was more to that fight than Lindsey leaving the band...
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#19
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Quote:
Michele |
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#20
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Quote:
Indeed, when John makes the strangling motion, it's not clear to me whether he meant Lindsey strangling Stevie or Stevie strangling Lindsey, because she describes grabbing Lindsey first. Quote:
Michele Last edited by michelej1; 01-01-2009 at 02:54 PM.. |
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#21
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Where does Mick quote this? In his book?
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#22
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Quote:
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__________________
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#23
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Quote:
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moviekinks.blogspot.com |
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#24
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Yeah, in his book. Oh, since we are talking about books in this forum, I just wanted to point out to new fans that Mick has two books. One is My Life and Adventures in Fleetwood Mac which has extreme problems, but probably should be read for reading's sake. The other book of his is essentially a coffee table book (albeit a small one), with some narrative, but his words largely serve as captions. The book is most valuable for its many beautiful pictures of the group. I find it a historical treasure. That book is My Twenty-Five Years in Fleetwood Mac. Michele |
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#25
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Quote:
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Malanderer, Badlander and Thief, Est. 1982 ![]() All the same, baby. All the same. "You never know what I'll do. I've resequenced my show. I'm a master at sequencing. I'm the one who sequenced for Fleetwood Mac. I sequenced 'Rumours.' Everyone loves my sequences. They're fun.'' |
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#26
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Quote:
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#27
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^^^^^
To date, there is no one excellent history of the band. The best one, by Samuel Graham, was written in 1977 or 1978. Although parts of Mick's My Life and Adventures in Fleetwood Mac are valuable--especially when he's allowing band members past and present to speak for themselves--it's not a reliable, objective account. The whole bogus band section is a tad too mysterious, and one senses Mick's leaving out some incriminating information that might make Davis look a little better than he ought to. What's more, anyone who thinks "Oh Daddy" was written for him is capable of all sorts of little delusions. But when compared to Bob Brunning's book, Mick's tome is a masterpiece. |
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#28
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John McVie wins at life.
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#29
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-- Mark -- |
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#30
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Quote:
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
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