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#196
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I cannot remember how high she was on the Enchanted tour - err - I mean
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#197
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I'm hoping the Dreams show and the tour will be two separate entities. Especially when Eye Sack climbs aboard. Hoping. Last edited by Nixxxed; 03-21-2007 at 06:44 PM.. |
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#198
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Burn the witch!!!! (as my best friend always says when I start Steviebitching ) |
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#199
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Enchanted tour was in the original key. However, starting with the first "Baby, you could never look me...." part- she was trying to hit the note and couldn't and then backed off it completely (Sharon was singing the same part behind her). TISL and Vegas and Tom Petty, etc. ....... the key for the song was dropped a full third- three whole tones- down. Yeah, I remember the first time I heard it at the Universal Amphitheatre in SoCal and it was shocking. |
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#200
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![]() eh...glad i didn't go. I'm off to find out what's going on with the lindsey show |
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#201
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#202
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agreed.OTR gone? Foolish! BTW...We all think Stevie's vocals are "spot on" while we are there, but everytime I watch the bootleg back, her voice seems so tired and uninspired.
__________________
Curtis |
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#203
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a bit tired on the DVD of the Feb.6,2007 Hollywood, FL show.
Last edited by estranged4life; 03-21-2007 at 11:42 PM.. |
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#204
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Hell, by that logic, she'd be better off sticking only to songs she's recorded over the past 15 years, since they're already in her lower register and the difference between the live performance and the studio recording wouldn't be so noticeable. Here's a question for everyone... since the point was made about how low she sings "Stop Draggin'" now... would you rather she sing your favorite rarely-played/never-before-played song in a markedly lower key or not at all? That's not asked in a snarky way, it's an honest question. For example, if she sings "Storms" but has to lower it to a range that's not as demanding on her voice night after night, would it still be cool to hear, or would it diminish enjoyment of the song? How about "I Can't Wait" slowed down a little and sung deeper?
__________________
"Although the arrogance of fame lingers like a thick cloud around the famous, the sun always seems to shine for Stevie." -- Richard Dashut, 2014 |
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#205
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#206
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I think she can sing way higher than she does now, but she thinks she cannot sustain it. Maybe she can't - who knows. All I know is Circle Dance, R&R, and the stunning BC were all way higher than where sings some of the others. So, she can do it.
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#207
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She doesn't lower the key of hardly anything she does. She just changes the melody by lowering it quite a bit. I know Landslide has been lowered a whole lot and Beautiful Child was one half step down (funny that gldstwmn cited it as one that's in the original key). In fact, I am shocked that she doesn't lower everything even a half step because it would help her immensely. So I think she is worried about lowering keys, probably wanting to preserve the music the way it was and should be.
__________________
~ Nicki |
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#208
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does anybody have pictures of the merchandise at the shows?
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#209
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"Landslide" is still played in its original key of E flat. On the Tusk tour, she raised the key to G, because her voice was so thrashed she couldn't hit the low notes.
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I think that artists should always avoid changing keys, unless it is for a complete change of the artistic landscape of the song (like when Joni Mitchell reworked her tunes for an orchestra). If one is just changing the key because they can't (or don't want to) sing the higher (or lower) notes, then don't bother. |
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#210
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