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#46
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
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#47
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Rick Vito's "Intuition"...with great backing vocals by Christine & Billy...(the song eventually surfaced on his King Of Hearts album with Stevie singing backups...the Fleetwood Mac version, I think, is actually the better version) They could've resurrected Rick's "Got No Home" which he submitted for the 1988 Greatest Hits set and was turned down. I think it had the most potential for being a "hit single" than anything that WAS released as a single on BTM. And, infinitely a better song...a song that would've fit the overall "feel" of the BTM album...than "Stand On The Rock". They could've finished "Paper Doll" (which was also turned down for inclusion on the 1988 GH album)...but, again, how different would it have sounded than the finished box set version without Lindsey's contributions? We'll never know. But, for argument's sake, let's say it sounds nearly identical...there's another potential "hit"...sure, it didn't do squat when they released it as a single when the box set came out, but in 1990, it might've had more of a chance to garner airplay then than three years later.
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
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#48
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I agree that the post-Tusk era was not the best for Stevie Nicks. No great songs (besides Gypsy, and Seven Wonders that she cowrote). She was dedicated to her solo career, and later she was too much in drugs.
But... she IS Stevie Nicks. And Fleetwood Mac wouldn't be the same. Actually it wasn't the same when TIME was released. And I remember Mick's book. during the Tango sessions she was not so involved. And when they listenend the final records, she complained a lot because you couldn't listen to her. Of course, since she wasn't there but few days, as Christine replied. So they did more recordings with Stevie's voice, adding harmonies, etc. And.. we got the TANGO IN THE NIGHT we know. A great album. And Stevie was there. ![]() |
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#49
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#51
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Saying, "Fleetwood Mac wasn't the same," is like saying, "I changed my underwear this morning." At least I hope it is. |
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I'm assuming when you mentioned that without Stevie and Lindsey, the Time album was a totally different Fleetwood Mac.
Well, my view (and apparently Jyqm's, as well) is that having a whole new frontline of the band (as was on Time) is absolutely the same as when Bob Welch left and Stevie & Lindsey joined. It was a new lineup that was a whole different vibe than the incarnation before it. So, it is incredibly hypocritical of anyone to consider the Time album any differently than when the white album came out in 1975...it was a brand new Fleetwood Mac, different than the Fleetwood Mac that came before. The difference...the 1975 incarnation only had to carry on the tradition of the band, the 1995 incarnation had to live up to the whole Rumours mystique. EDIT: Jyqm, you beat me to it. And, yeah, the same with EVERY Fleetwood Mac personnel change...however the two most drastic were in 1975 and 1994. With every other personnel change, there was still a front person who carried over. In 1975 & 1994 the entire frontline changed. (Christine never considered herself part of the "frontline"): Kiln House: Jeremy and Danny were still there Future Games: Danny was still fronting Penguin: Bob Welch was still the main frontman & guitarist, even though Dave Walker was added. white album: all new male lead guitarist/vocalist; added another female lead singer Behind The Mask: Stevie Nicks was still the focus. Time: new frontline of Bekka & Dave Mason...no Christine (in concert)
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia Last edited by chiliD; 01-27-2006 at 04:56 PM.. |
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#53
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I agree... partially. Cause... I still think Stevie (and Lindsey) was better than Bekka and the others. I mean, it's not just to say "I changed my underwear..." because if you change Calvin Klein for K-mart underwear, or silk for nylon, there is a difference. and it's not only a tradition. There is a quality difference. Genesis was succesful after Peter Gabrile left the band. And with Phil Collins, I could say it was very different, but it was very good. The Bekka/Dave/... lineup couldn't make it well enough |
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And, even the Rumours incarnation of Fleetwood Mac couldn't replicate the success of Rumours, either. Tusk sold 4+ million copies, yet was considered a failure. Most bands would sell their souls to the devil to sell 4+ million copies of their albums.
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia Last edited by chiliD; 01-27-2006 at 05:08 PM.. |
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#57
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
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#58
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but Chili, you are talking in commercial terms, and I agree with you 100%. But OOTCraddle was well critiziced (at least). And Time.. I never read any good review about it.
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Isn't that the basis of the whole Time criticism? Most people who own it, really like it. Had Time sold even in Mirage or Behind The Mask quantities, do you think we'd be having this debate? Would The Dance even had happened? As far as critical raves...sure, an album can get all the raves it can in print, but it isn't it the cash register that really is the measure of "success"?
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
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And.. I don't even like Say you will as I do like the White album, OOTC, or BTMask (Sorry Lindseyettes!)Quote:
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