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#16
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Last edited by BigAl84; 04-15-2026 at 07:43 AM.. |
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#17
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But in 1997 things seemed to be going fine. Sadly, Christine wasn't enthusiastic to continue with them. But don't forget they already had recorded Twisted. And although some friction was visible in the Destiny Rules video, they still seemed to be working well together. It's Fleetwood Mac, it's Lindsey and Stevie, after all, so it was never going to be a paradise. But don't forget Lindsey invited her to sing two songs in his 2005 Soundstage. You don't do that if it's a BS. I think it worked fine in the late 90s and early 2000s. So I guess it started to get worse in the mid 2010s, just when Christine started to knock knock. ![]()
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#18
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Looking back, there was definitely an abnormal dynamic going on (IMO). Stevie complained about the 2009 tour being "benign/boring" because there weren't any conflicts with Lindsey. Lindsey is no peach, but it seemed like it caused frustration when Lindsey did peel back from the drama. BuckVie is sort of a great example. Stevie didn't want to participate so they very quietly said fine and released it anyway. We all know how that ended. She would never admit it, but Stevie was pissed that Christine's return not only shifted the power/votes within the band, but also now there was new attention being given to Lindsey and Christine working together. It wasn't just the Stevie/Lindsey Fleetwood Mac narrative. She was so resentful of the 2014 tour shadowing her solo project that she had to run off and make sure she was on the cover of Rolling Stone.
I remember the day Buckingham McVie was officially announced and having two very distinct reactions. One being beyond excited and the other a very heavy sense of dread, knowing that this would not end well with Stevie Nicks in any way. It would almost guarantee a major upset in some shape or form, although it may not be immediate. She was ice cold to the project, then sat back and waited for any excuse to pull her power-move.
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Last edited by BigAl84; 04-15-2026 at 10:29 AM.. |
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#19
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Chris was thrilled to bits to come back, but not at all thrilled to realize she had not missed much in terms of the dynamics of those cranky Americans, which i think was far worse when she came back than it was in 97. But all of that aside, the rhythm section should have been allowed (like they needed f&^*ing permission??) to go on that tour with Chris and LB, and have a blast with just the four of them without all that stress and drama. If Stevie was pissed about the attention given to Chris and Lindsey working together, it was her own damn fault. She punished them all because she couldn't come up with any decent new material to contribute?? or because Lindsey actually enjoyed working with Chris?? Her childish and diva behavior cost them a lot, and you're right that she prob planned even then to pull a "power move" down the road, just because she could. ugh it all irritates me. --Lis |
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#20
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
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#21
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#22
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With the surge in Stevie’s popularity after American Horror Story, I get why Stevie and her people didn’t want to do the album. It would have been another TITN, which isn’t a good thing from her perspective. Why risk looking diminished compared to Lindsey and Christine? (Same applies to the Finn-Campbell lineup.)
After IYD, I think Stevie lost whatever enthusiasm she had for making new music. Even the album she did make was entirely old, previously leaked songs rerecorded in a couple of weeks, far from an artistic statement. It’s only taken her 15 years to make another new album. What I resent is Mick and John being kept off the tour, although that tour was so Memorex that I wonder if it might have caused further dissension in the ranks. I think Christine was just enjoying being back, but I could see John not totally digging it. But, they should have been allowed to call the band Buckingham McVie (not Lindsey Buckingham/Christine McVie) and have it be a quartet.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
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#23
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Re the album, even if stevie brought in some old demos for the band to work on, that would have been better than nothing imo. She must have tons of stuff they could have played around with. Be a team player now that your best friend in the world, Chris 🙄 has returned w such enthusiasm! You two were the ones who kept the peace, right?? Please. Such a party pooper. --Lis |
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#24
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Megalomaniac is a real thing. And a lot of people feed into it. As we have seen throughout history, being worshipped and adored no matter how awful one is, will somehow bring on the followers. And, rabid ones at that!
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Last edited by jbrownsjr; 04-23-2026 at 02:26 PM.. |
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#25
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This thread brought me back to reading one of my favorite "how the sauce is made" articles. It brought real clarity to how much Buckingham's genius had become obsession.
44 drum and percussion tracks, 26 guitar tracks, 14 keyboard tracks, 5 bass tracks, 76 backing vocal tracks, and a total of 189 tracks for a single song. They started songs as a 4 piece to build a basic track and then...So, yes, Mick played drums and percussion, but then you know there were a lot of programmed parts added by Lindsey, or John laid down some bass parts, but I am sure Lindsey picked up a bass too, Christine might have had a nice organ or rhodes part on the early track and then layers of synth parts that come in and out for split seconds probably got plugged in by Lindsey. It is tinkering to obsession. It is how he makes his art. I am not judging better or worse because music is subjective, but it is clear that technology allowed Lindsey to grow his craft, his way of making art, from 4 tracks, 24, 48, to 189.... https://www.soundonsound.com/techniq...feel-about-you |
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#26
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Also, I could see why Mick would have been kept off the tour, but I don’t see where John would have been the x-factor as far as management goes. Fans like us would have loved it, but I don’t see where his presence could have possibly hurt a Fleetwood Mac tour or muddied the brand. Mick? Yeah, he’s easily the visual. Most people couldn’t spot John in a police lineup.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
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#27
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They could of easily afforded the therapy that they needed to be able to create music together before Chris unfortunately passed away, and unfortunately Stevie probably didn't realise how important her input was to try to keep the band together at that time, because it is apparent that she is being blamed for how it is now. She may have tried to, but we just don't know! I'm sure she has regrets about what happened with Lindsey, as well! This is why it would be nice for the remaining "Fireflies" to be able to get together for at least one last time, for their legacy and their long suffering supporters and fans before time runs out.
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"I wish I knew which button to push, then I'd know how to please you. Songbird, you've got tales to tell. How many times can you describe your livin' hell?" -Bernard Fanning "I've already done everything you are doing." sn "But the most important thing was what was on her mind." sn "Think About It" ("Before You Go") sn |
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#28
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Nope. I respectfully disagree. No more go around. It got f****ed up and there’s no do-overs. And Lindsey needs to accept it. If he wants a final BN something-or-other that’s whatever it is. If he wants an solo album with mick and john on it again fine,whatever. But the remaining 4— nope. That’s like bobby ewing in the shower “it was all a dream” ie christines return would be like it ever happened. Eff off to them.
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#29
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Even then, even though that quartet released a Fleetwood Mac album, could it just be Buckingham Nicks?
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
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#30
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