Originally Posted by sparky
"Lindsey left the band in 1987 and I haven't worked with him since. I learned how to work without him really well. As I told him, 'I don't need you to make my music come true, anymore.' I've been growing in new directions and, although I love him, in so many ways, doing a full album with him is like going backwards for me. I respect his talent immensely, that's why I knew I had to have him do Soldier's Angel with me, because I know no one else could translate the ominous, brutal message I heard in my head onto disc the way he could. But for a full album, I think we've moved too far apart to do our best work together any longer. I'd rather we just toured and had fun without the stress of battling to record 12 new Fleetwood Mac songs."
^
THIS.
I think this has a ring of truth. And for my money's worth, it is utterly and completely true. The Stevie SYW songs were subpar production wise. I don't think they worked at all. Any of them. I still can't shake that hideous Casio keyboard in Running Through The Garden. I thought it was a practical joke on first listen. So much of his production of her songs was a bungled modernization attempt, or a misguided throwback (why try and make SYW a modern version of Think About Me?). The only one I liked in terms of production was Everybody Finds Out and that belonged on a mix cd that would go straight to gay nightclubs. No pun intended. It stuck out like a sore gay thumb on a FM record.
As far as her pronouncement about people loving the new FM songs or no album is gonna happen, it makes sense. The enormous overhead of that clown show going into a studio is a money loser if people won't buy millions of copies. No way in hell will a new FM record sell millions of copies. Under any circumstance. And let's face it, FM is a business entity. It is clearly torturous for LB and SN to record music together, so why sacrifice a miserable year to do that when it won't even break even and most everyone pees and gets beer during the new songs? I don't blame them. Go out and pull your 600-750k guarantee a night. For the record, folks, I have done my pee and get a cocktail run during Rhiannon and Landslide for decades now, thank you very much. But never, ever, ever during GDW.
I think at this point, as far as SN is concerned, she would rather be the captain of her own ship when it comes to recording. She pulls legend rank on Stewart and Grohl, and almost anyone else she works with. I am sure the deference is intoxicating. Dave Grohl moons at her like a lovestruck teenager in those live videos. And who wouldn't? Oh. That would be Lindsey.
Why record a money losing record with FM when she can record with these people who worship her, and she can maintain creative control? What would you choose? The psychodrama of spending 8-10 months fighting with your now 35 years gone ex? Or spending the "best year of your life" with Dave Stewart? Please. You grab the tour money. You play the Daytime Drama Cheese moments with FM. (God knows here on the Ledge there is proof of the obsession with that moth eaten coke infused Fromeo and Shawliet story. Many fangirls with still viable eggs practically ovulate when those two so much as hold hands). So you dust off the Shakespeare and give the droves what they want. And then go do your own thing where you call all the shots.
For the record, I think IYD lost money too. Simple math. But at least it was her ship and she didn't suffer emotionally in the process.
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