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#1
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Oh, yeah...when was the last "overly commercial" Fleetwood Mac album? Oh, yeah...40 years ago. I think Lindsey's pendulum is a bit stuck in the "artsy" side...I think it is time he just pulled all the stops and went (in the words of Frank Zappa) "totally commercial".
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
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#2
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#3
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"Hits" albums always sell well, which is basically what The Dance was/is. Didn't hear any of the "new" songs get radio airplay. If it weren't for their archaeological work in dredging up a long-forgotten Rumours outtake, I doubt the album would've sold that well. As is, the whole thing was fueled by good marketing. If they'd just released the album without the MTV video, would've gone into rigor-mortis by week three.
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia Last edited by chiliD; 02-27-2007 at 09:41 AM.. |
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#4
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Whatever. It sold 4 million copies. You can give me all the backgroundstories you want, but I'd say it was a commercial blockbuster. Tango was a commercial monster too. Not in the least due to it's first single. Although Christine's songs made THAT a blockbuster and commercially valid album too.
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#5
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#6
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The Dance was done ONLY for commercial purposes. Not an ounce of creativity or artsy fartsy intentions were poured into the Dance. It was created to sell as many copies as possible and make the members as much money as possible.
Still, it was a great endeavor though, you'll never hear me knocking down The Dance. ![]() |
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#7
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The journalist, and the music industry insiders he spoke to, all said that 'The Dance' was going to be FM's last big chance to redeem themselves, and that they needed to make people forget about the years between '88 and '96. In fact, some insiders weren't sure that 'The Dance' would even be successful because of those years. I'm not saying that I agree with that, but I do think that all involved (band members, managers, record company) felt that Fleetwood Mac needed to remind the general public of all of the amazing songs they had, before they could ever even consider putting out an album of all-new material. Not to start another argument, but when considering all of the recent accusations levelled at her, it's interesting to note that Stevie was the only one who wrote a new song specifically for the 'Dance,' rather than just pulling out something she had already written.
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"Although the arrogance of fame lingers like a thick cloud around the famous, the sun always seems to shine for Stevie." -- Richard Dashut, 2014 |
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#8
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Yup. I'm in hell. |
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#9
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From the 'Enchanted' liner notes.... This was the demo I did the last week of March, 1997, to take to rehearsal on April 1st for Fleetwood Mac's version of "Sweet Girl." I thought you would enjoy hearing it in its first form. Christopher recorded our friend Big Al playing all the guitars, and me and Lori singing, in our home studio in Paradise Valley. We didn't have much time, and I wasn't leaving Phoenix without "Sweet Girl."
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"Although the arrogance of fame lingers like a thick cloud around the famous, the sun always seems to shine for Stevie." -- Richard Dashut, 2014 |
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#10
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Doesn't that mean she just demo'd it (or recorded it as a demo) and not wrote it?... It's possible that it could have been written months prior ![]() |
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#11
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What a load of crap. I wonder how much more respected Fleetwood Mac would've been had they told those "music industry insiders" to blow it out their asses?
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
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#12
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I don't see The Dance as a dissapointment, it was a reunion show and album. And that's it. The band enjoyed it, and people reeeally enjoyed it. |
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#13
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if nothing is perfect, it's still christine.
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