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#11
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Sparky wrote
The Stevie SYW songs were subpar production wise. I don't think they worked at all. Any of them. I still can't shake that hideous Casio keyboard in Running Through The Garden. I thought it was a practical joke on first listen. So much of his production of her songs was a bungled modernization attempt, or a misguided throwback (why try and make SYW a modern version of Think About Me?). The only one I liked in terms of production was Everybody Finds Out and that belonged on a mix cd that would go straight to gay nightclubs. No pun intended. It stuck out like a sore gay thumb on a FM record. A lot of us thought the SYW songs were her best in decades, thanks massively to Lindsey's touch. Amazing how tastes differ, but her SYW work ended up infinitely better than TISL. In any case, it is hard to imagine, all quibbles about production aside, how showing up to sing into a mike for some songs in a studio with FM is so arduous for Stevie. She has a bigger chance at a hit that way than solo. Is it that she has little say in how the songs are produced? But spending endless months on the road with the guys is less stressful? |
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