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I have never been a fan of this song. But someone stripped the backing vocals. Holy crap! The song is so much better. Her vocal is so good it does not need those overloaded backing vocals.
https://www.youtube.com/watch?v=RffNtfVwV8Y
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#3
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Gate and Garden is drowning in unnecessary background vocals which is a shame because Stevie's vocal is really good. All those extra layers and powerful background stuff is noise IMHO. Bella Donna was raw and making great songs. Jimmy did not even think there would be a single from the album. That is so crazy. I think Jimmy tried to steer Wild Heart more adult contemporary and pop radio friendly which is why its not as good as its predecessor. Then RAL was trouble because no one could draft her writing into pop songs so the whole project was geared at making a pop star which again failed because the album was not as successful as the other 2. But then again it was the mid 80s and most music was crap. I would not change a thing on Bella Donna. The Wild Heart I would change and tweak so many things. Its good but could have been sensational.
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Last edited by Macfan4life; 12-25-2023 at 03:53 PM.. |
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(Kenny G, anyone????)
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But no doubt Stevie let her friend play the dreaded keyboard intro on Nightbird and the basic piano on Wild Heart ![]() Its still a solid album but a few tweaks could have made it so much better.
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I dont know anything about that. Stevie attended a release party with Jimmy for The Distance and both suggested Even Now be the first single. The record company disagreed and released Shame On The Moon instead which went to #2. Even Now was the second single hitting #11.
Its the same musicians pretty much playing the same track even the ending is the same. The Distance The Wild Heart both sold 2 million copies Both produced at the same time by Jimmy Iovine and featured many of the same musicians. Both albums are named with the first letter "The" Enchanted and Even now have the same syllables and can be interchanged https://www.youtube.com/watch?v=5-3uDjxUD68
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Last edited by Macfan4life; 12-25-2023 at 08:58 PM.. |
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#8
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Since this thread is about Gate and Garden, I will say that I think it should have been one of the synthesizer songs. Not blaring synths. Gentle ones that carry the chorus along. I don't hate the plonking piano that is in the actual version; it just needed something different. |
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And she really tore into Tom for saying that and said how dar he.
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She's dumber than a bag of hammers.
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
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Ooh I never heard that. I know she sang "Wild Heart" while the track of "Can't Go Back" was playing during a magazine cover shoot. It's that famous video.
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I like this song a lot, even the original. I didn’t on first listen years ago, but now it’s a highlight of WH for me, probably in part because it’s not overfamiliar. I like the fact that the lyrics make no sense but are evocative and spooky, and of course that wonderful lead vocal building to an intense climax — the so-called “vamp” outro that she perfected on this album.
Hearing that lead vocal isolated is interesting. I think what it underlines most for me is that this song is a kind of rewrite of “How Still My Love,” complete with the plonking (love that, vermicious) trio of piano chords in the chorus and a very similar feel.
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There were reasons to be crazy. - Stevie Nicks, “Real Tears” |
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#13
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This sounds terrific! I still think it's her best vocal on the Wild Heart and it's so good, she needs no backing whatsoever. while not the best lyrically, the performance is just amazing. As for the album, I agree with Macfan that with some tweaks it could've surpassed Bella Donna, but I think only as a twelve track album as All the Beautiful Worlds and at least Belle Fleure and maybe even Sorcerer should've made the cut. Leave Sandy Stewart off and bring in Bittan and some a couple of other great musicians and they could've made this album go from good to spectacular. Here are my suggestions- with Wild Heart, less is more and a tighter 3 + minute track would've worked much better. Sable on Blond- use the discarded version, haunting and gorgeous, Beauty and the Beast more as a slow burn bluesy Tusk type version, not the strained orchestral vibe that didn't work as well. Nothing Ever Changes needed a grittier Edge of Seventeen rock vibe. If Anyone Falls, ditch the heavy synthesizer and give it a country-ish vibe. Enchanted, a slow destiny intro to a faster vibe, less cheese and more that's Alright quality songwriting. Nightbird- use a more Dreams instrumentation. And finally- Stand Back- I wouldn't change a thing- it's great as is and her second best single. what a great album the Wild Heart could've been instead of a so-so album with Stand Back on it.
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It's such a shame she didn't focus on protecting her, younger, voice and on her career. She said she sacrificed everything for it. She could of had everything she wanted and the 'eternal' respect of her fans. We are left to, only, wonder what could of been without the drugs and bad decisions? ![]()
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"I wish I knew which button to push, then I'd know how to please you. Songbird, you've got tales to tell. How many times can you describe your livin' hell?" -Bernard Fanning "I've already done everything you are doing." sn "But the most important thing was what was on her mind." sn "Think About It" ("Before You Go") sn |
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