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#1
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Okay, full, long-winded quote:
“I think, you know, sometimes she might find it difficult that I was lucky enough to find my soulmate late in life and had my first child when I was 48 and have three beautiful children and that was something that she never did. You know, she’s basically living her professional life...So I don’t know if that plays into it or not. I honestly don’t know.” ETA: https://youtu.be/3HZUDrSX1x8
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins Last edited by SteveMacD; 06-18-2020 at 09:35 AM.. |
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#2
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Was what he said mean? Doesn't that align with the spirit of the 2009 quote from Stevie I shared? I was at MusiCares at Radio City and Stevie talked about how she doesn't have anybody late at night after shows in response to Dave Navarro talking about loneliness after concerts in a MusiCares montage played on the screens. Were you one of Fleetwood Mac's attorneys in Lindsey's lawsuit against them? You could probably get a job as Stevie's publicist! |
#3
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I've never read so much pro Stevie commentary from Steve since Lindsey was fired from the band. Maybe he just likes to take the minority opinion and run with it. |
#4
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The one thing I will give credit to Stevie for is wanting to do away with the prerecords and diving into deeper cuts. Yeah, a new album would be great, but Lindsey has become so predictable with his production that even new songs don’t really feel new. LBCM felt more like a revisiting than something new or original. I’m ambivalent about Lindsey. I’ve seen him more than any of the others outside of Fleetwood Mac, and hopefully will again. And, I probably won’t see Stevie solo, for the record (although I’ll definitely heck out Crowded House and Dirty Knobs if they’re nearby). However, the prerecords, blatant vocal manipulations, set guitar arrangements, and psychobabble banter is rough to watch after a while. Of course he has a ton of energy on stage, he’s on autopilot as a player. There’s a banality to it. After seeing Richard Thompson, working for Guided by Voices, and, yes, seeing Mike Campbell, I prefer the elements of unpredictability and spontaneity with shows, and that’s simply not in Lindsey’s lexicon.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#5
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As far as Stevie insisting on deep cuts, how do you mean? Know I'm Not Wrong, Storms, Beautiful Child, Oh Well, 7 Wonders, Not that Funny, Oh Well were done from 03-15 Are you talking about BMW, Tell Me, & Hypnotized? She sang BMW, sure, but most of that performance was Mike & a solo from Chris. I wish she added a verse written by her instead "Ah, ah, ah, ah, ah, ah" |
#6
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The whole rhetoric of Lindsey being responsible for the stale setlist somehow came out of the whole debacle/split in 2018 and somehow stuck with many. Quite frankly, it's a crock of sh*t and I don't get how Lindsey got stuck with that label.
I highly doubt Stevie Nicks EVER muttered a single pre-1975 song title during tour rehearsals between 2003-2015. The ONLY reason she magically showed interest for that material was when Mick went into emergency PR mode and had to justify Lindsey's departure as business as usual "because our lineup has always changed throughout the years" despite the fact that just a matter of 4 years ago mick is quoted as saying that the 75 lineup has come to be recognized as a definitive lineup for the band. They talked up the "new band" and "new setlist" to sell tickets and then axed nearly all of the "new old" songs within the first 20 shows of the tour. But it's somehow Lindsey's fault for the stale setlist. Okay, sure. It's funny how folks have selective memory and forget that Lindsey wasn't exactly keen on doing the 2009 tour and doing "just the hits"... Or how they forget about him remarking that "We certainly cant open with The Chain again" - which is why they opened with Monday Morning in 2009.
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Last edited by BigAl84; 06-24-2020 at 02:40 PM.. |
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And let's get real here. The use of some pre-records is no worse than Mick Fleetwood hiding a drum tech behind his kit, filling in huge chunks that he otherwise played back in the day. So don't fool yourself into thinking that pre-records and similar things were an act of big bad Lindsey. The entire band used things like that to help them out.
It's hilarious that people magically have outrage about some pre-recorded parts and turn a blind eye to the army of backing musicians they've had playing behind them for the better part of 20 years. Oh but Lindsey!!
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#8
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That all being said, I am in full agreement with you that tagging Lindsey as the stale setlist guy is pretty comical. You gave all the backup and evidence for what a BS crap excuse this was by Mick and Stevie. That fans buy into this too is just ridiculous. |
#9
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And, as a fan of the Finns in general and Mike Campbell as a guitarist...It could have been worse. Quote:
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins Last edited by SteveMacD; 08-23-2020 at 09:33 PM.. |
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You're right - they should of called it songs from the vault and hired the Nashville wrecking crew to replicate 30-year-old demos note for note. That wasn't a revisitation or anything.
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#11
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I tried to listen to her 24K. It's really hard to get through it.
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#12
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A copy was given to me when it came out. I made it through it twice, trying to like it, and just couldn't do it again.
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
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