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The one thing I will give credit to Stevie for is wanting to do away with the prerecords and diving into deeper cuts. Yeah, a new album would be great, but Lindsey has become so predictable with his production that even new songs don’t really feel new. LBCM felt more like a revisiting than something new or original. I’m ambivalent about Lindsey. I’ve seen him more than any of the others outside of Fleetwood Mac, and hopefully will again. And, I probably won’t see Stevie solo, for the record (although I’ll definitely heck out Crowded House and Dirty Knobs if they’re nearby). However, the prerecords, blatant vocal manipulations, set guitar arrangements, and psychobabble banter is rough to watch after a while. Of course he has a ton of energy on stage, he’s on autopilot as a player. There’s a banality to it. After seeing Richard Thompson, working for Guided by Voices, and, yes, seeing Mike Campbell, I prefer the elements of unpredictability and spontaneity with shows, and that’s simply not in Lindsey’s lexicon.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
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