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#16
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Well to be fair, I think most of the rules are for the benefit of the entire trading community. For example, it can't hurt to remind people again and again that burning live shows with gaps is a no-go. By being demanding, traders do maintain the overall quality of bootlegs. After all what you trade for today is what you'll be trading with tomorrow. And no I don't have a trade page (well not yet) ![]() |
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#17
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The ones who DEMAND that you replace their discs if there is even one fingerprint. The ones who require priority mail (I'm not a bank, folks!). I'll send priority mail if I feel like it and I like the trader, not if someone requires me to do so. I will not replace a disc because it has a fingerprint on it; if that results in me being branded as a bad trader, so be it. I'm talking about the ones who make it a requirement that you send first and don't send out your discs until two weeks after they receive theirs. People take trading too seriously, as if it is a divine thing. It's not. It's fans sharing music with each other for the benefit of hearing good music that they normally wouldn't be able to hear. And I know I referred to it in my previous posts, but the ones who love to trade and expand their collections, but only with "certain" stuff. The way that some asshole traders sit on the masters like they own them. It makes me sick and I will not do any trading with "traders" like that. After everyone expanded their collections, they have the nerve to act like they own the masters? Screw them. ![]()
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#18
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plus hope they have fun finding a studio that will do copyrighted stuff... and who is the greedy fans i keep hearing about ? the fans i know are all so nice and care about everyone! P.s Why is every one wanting these so called "masters" I heard they are selling somewhere on the chain list ... sounds to me like every one wants a free ride or something?] |
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#19
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And no one here is wanting a "free-ride" really... simply a chance to have the same songs in their collection that other fans have, either by 1:1 trades, or 2:1 trades.
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"Although the arrogance of fame lingers like a thick cloud around the famous, the sun always seems to shine for Stevie." -- Richard Dashut, 2014 |
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#20
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Most of the studios I know "personally" will not allow someone to use their facilities to do digital transfer from analog sourced tape of copyrighted material... That is a BIG "No-No" in the eyes of studios & their owners and is frowned on by the RIAA...(Btw, just about ANYTHING that involves music is frowned upon by those RIAA putz'!!!) Brian j.
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"To acknowledge death is to accept freedom and responsibility." Last edited by estranged4life; 09-16-2003 at 05:31 AM.. |
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#21
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#22
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Then I guess there has been a great lack of communication within the trading community about the reels as these have been circulating freely so far. Sorry but it's anyone's guess how these things surface in the first place unless people are TOLD about it, and displaying these among trade pages with other boots if you do not want to "give them away" is not the way to go IMO. Especially when your trading rules clearly dictate you won't sell anything... I perfectly understand how costly this can be to the devoted fan who's paying for this material to see the light of day. I am certain there are quite a few people who would glady help if only they were told where to turn their contributions. And I'm not talking about helping some freeloader increase their monthly income by selling copies of something they got for free... |
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#23
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I enjoy the live Fleetwood Mac 2003 shows moreso than the "master reels"...The current crop of live shows seem to be the best sounding of the FM/SN shows to appear yet.
So even though I see both sides of the "master reels" (The Stevie/F.Mac & The Beatles communities have different views on "reels"...What works in one community wont work in the other & vice-versa.) I have basically decided to focus ONLY the live music of Fleetwood Mac/Stevie Nicks! Brian j.
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"To acknowledge death is to accept freedom and responsibility." |
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#24
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I've been a die-hard fan & collector since late 1985/1986, and I probably have a smaller collection than half the people here. But hey, it's not the size that counts. ![]() Everything in that collection means something to me... either because of the music contained, or the generosity of the people who sent it to me. And I completely understand that someone has to pay to get these masters, and then pay to have them transfered to a digital source. I'd never expect that person to then send them to me for free. My recent comment was in regards to the folks who get them later, and then try to sell them to other fans. No one should make money off of Stevie's music, other than Stevie herself. That's all I was trying to say. ![]() And my initial comment was in regards to those who say, "oh yeah, I have ______... it's fantastic! I listen to it all the time! But I won't trade it with anyone." To the "have nots," that feels like you're rubbing it in their faces.
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"Although the arrogance of fame lingers like a thick cloud around the famous, the sun always seems to shine for Stevie." -- Richard Dashut, 2014 |
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#25
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#26
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It's "second hand news," of course, but I trust the sources. Thankfully, so many people in the fan community (including several who post here, and those who run some of my favorite sites) are outstanding folks, and are generous above & beyond the call of duty. ![]()
__________________
"Although the arrogance of fame lingers like a thick cloud around the famous, the sun always seems to shine for Stevie." -- Richard Dashut, 2014 |
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#27
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No one should profit from bootlegs. It's wrong, but I've seen it happen even on these boards. However, it's fans that believe in buying bootlegs that perpetuate that kind of bull****. No true fan would sell bootlegs for profit.
Also, if someone has enough dough and resources at their disposal to buy/receive the master reels at Modern Records, who is to say that they don't have access to a studio that will transfer them for free or a nominal amount of money? We don't know, therefore we cannot comment. But, if the person who had them transferred traded them to someone, should the trader who received them be able to sell them?! I think not. sarabelladonna1- You must not be in on the swing of things if you think there is no "underground Stevie things going on." There certainly is and a lot of fans can attest to the elitism that has cropped up as of late. ![]()
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#28
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I never have and never will make $$$$ off trading (Even though I have a ton of the Beatles music that can fetch more $$$$ than almost 99% of my Stevie/F.Mac music!!!!), Matter of fact I take a loss on trading but money doesn't mean much to me as much music does...I enjoy music more than ANYTHING!!!! But I have HAD people pull the ol' "I have something you dont dont have...Nah, Nah, Nah-nah Nah" BS on me...Must've felt bad when I ended up with "that concert" (Paul McCartney-9/24/02 Chicago, IL-ALD Recording, The only "professionally" recorded show from the second leg of the US tour) a couple days later and sent that person an email tellin' 'em to F.O.A.D.!!!! Brian j.
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"To acknowledge death is to accept freedom and responsibility." |
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#29
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Pip |
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#30
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I'm new to trading (thanks to Brian and his generosity!) and am just building my collection and whatnot...and I think if I had not come across such a large trading network I would have purchased a few things to get myself going. I don't agree with it though, which makes me a bit of hypocrite, but I guess if you want something---you'll get it however you can.
As for these tapes---had I had the cash, I would've bought them, had someone transfer them for me, then returned the tapes to Stevie herself. How I would've done the returning is beyond me, but I would've figured it out somehow. ![]()
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************************* "We may be making, maybe in some ways making the best music of our lives, but what's under that is the tenderness--and the care that still exists and somehow managed to survive through all of those times, and through all the twists and turns that we have taken."--Lindsey Buckingham ************************* |
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