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#211
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"Do not be afraid! I am Esteban de la Sexface!" "In order to live free and happily, you must sacrifice boredom. It is not always an easy sacrifice" Whehyll I can do EHYT!! Wehyll I can make it WAHN moh thihme! (wheyllit'sA reayllongwaytogooo! To say goodbhiiy!) - |
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#212
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I don't think her production on TISL was all that stellar- just straightforward AAA rock, nothing new. However, I do think she's a great musician and a great singer. I would probably be more impressed with her songwriting abilities if she actually sat down and wrote an entire album on her own without having to collaborate with other people. That's just me, though. As to riding on Stevie's coattails, I don't really think that happened because Sheryl didn't need a ride and Stevie was wearing a jacket at the time so, I don't think there was much fabric for Sheryl to hang on to. |
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#213
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That's the biggest flaw I've always seen in the "Sheryl was riding Stevie's coattails" argument. When Stevie & Sheryl first met and dipped their toes into the waters of working together, Stevie was coming off of her lowest selling album and pretty much the lowest point in her career, in general. Tom Petty might have gotten a song written about him for his words of encouragement, but, through her deeds, I think Sheryl is probably just as responsible for helping Stevie regain her confidence, and recapture the spark that had always driven her. If not moreso. It wasn't a "riding coattails" thing -- it was a demonstration of mutual love, admiration and respect.
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"Although the arrogance of fame lingers like a thick cloud around the famous, the sun always seems to shine for Stevie." -- Richard Dashut, 2014 |
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#214
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If asking someone to write their songs because they can't seem to have a hit anymore isn't riding on the coattails of another's fame, then I dunno what is? ![]()
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Curtis |
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#215
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"Although the arrogance of fame lingers like a thick cloud around the famous, the sun always seems to shine for Stevie." -- Richard Dashut, 2014 |
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#216
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I think the relationship between Stevie and Sheryl definetely helped Stevie. I don't know that Sheryl benefited out of it, except for friendship maybe gained some fans as well... MANY Sheryl fans bought TISL, if you would have posted on Sheryl's board when the album came out, long time Sheryl fans, some very young, who didn't know much about Stevie at ALL bought TISL just because Sheryl was on it--and were eventually turned on to Stevie... The same as many of us fans buy an album, IE CMON CMON because of Stevie's contributions...
Like Sheryl's contributions or not, I don't think there's any denying that it was a beneficial relationship. Not only was Stevie talking in interviews, like people normally do for promotion--Sheryl was mentioning Stevie in SOME way nearly in EVERY interview she gave...they always say, no promotion is bad promotion.. I think it was a win-win situation for Stevie. She aligned herself with a respectable artist, not some new pop chick..so I think it worked..and I agree that had Sheryl not been involved at all, TISL would not have done as well as it did. Of course we all know it was no blockbuster, but it had a nice debut and moderate success.. Chris
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CHRIS M. |
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#217
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I was a Sheryl Crow fan before I was a Stevie fan - she's been successful since her debut album
- so I agree that Stevie's the benefiary out of that relationship ![]() But I don't really sit around analyzing their relationship...I'm a fan of both so I was thrilled when they started doing stuff together....I'm still a huge fan of both ![]() |
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#218
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I was thinking "oh, good, Stevie's got Sheryl in her corner helping to promote..." ![]()
__________________
"Do not be afraid! I am Esteban de la Sexface!" "In order to live free and happily, you must sacrifice boredom. It is not always an easy sacrifice" Whehyll I can do EHYT!! Wehyll I can make it WAHN moh thihme! (wheyllit'sA reayllongwaytogooo! To say goodbhiiy!) - |
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#219
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I agree completely. And about leaving a bad taste...Sheryl did that for me when she claimed someone else's writing as her own (LLV) and not only that, but also claiming that it was autobiographical. Sorry but that's poor form imo.She also didn't give the TNMC players much credit for anything on that album and they are the ones who created it for her, the sound, the style, all the arrangements, everything. Ethics anyone?
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