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#16
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I feel like a broken record, but the man needs to release the album independently. Far less successful and celebrated artists have released albums independently and done well with their endeavors. At this point, the priority should be getting the music OUT, period. The people who want to buy it will buy it and having a mainstream label is hardly a requirement for getting tours or promotional appearances booked these days.
The one date that is gone is probably a venue jumping the gun. It happens a lot. I would expect that date to reappear in a few weeks when they are actually allowed to let the public know about it. |
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#17
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Last edited by CADreaming; 05-16-2011 at 09:44 PM.. |
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#18
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cool, hope that's it.
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#19
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but, again, during the UL he was saying there will be a mac album and if it depended on him there would be apparently. he's still saying he thought he'd be doing something else last year, but since he unexpectedly had time on his hands he decided he might as well fill it. so he depended on stevie there, and she pulled the plug on it. box set was depending on WB again... --> no WB involvement = good thing ![]() |
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#20
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hello, it's May!! I don't doubt Lindsey will have my dreams come true. I shall have that CD on blast, flying this side and that side of the california coast, drinking in every show as without water since the GOS tour. I'm frick parched and I've some Lindsey, else I DIE. haha.
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#21
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I can't imagine that his recent solo work (which is already recorded?) would be rolled into a Fleetwood Mac album. I read a recent interview where he said that he didn't want to do that again -- that it would be better to collectively create the album, along with an outside producer, so it wouldn't all be resting on his shoulders.
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Life passes before me like an unknown circumstance |
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#22
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Penquin Head :
That last paragraph is more truthful and sounds like a wife saying..."Look, calm down...we will work this out!" You remember how stressed he got on the video of him looking for a producer! ![]()
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"Once you said... Goodbye to Me... Now I Say Goodbye to You!!!" LB |
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#23
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Last edited by CADreaming; 05-17-2011 at 06:56 AM.. |
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#24
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I mostly agree with what CADreaming is saying. Yes, it would be nice if Lindsey could release his albums independently and have it all work out right. I just worry about it. I mean, all these years, he's had the backing of a big record company. Yes, they didn't promote him the way they should have, but at least he knew he'd have a place with them, even if the album didn't sell. He's taking a huge chance to sign with someone else. If he does, he may never have the backing of WB again. It's too late in the game to chance this.
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#25
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see interesting excerpts from david lowery's blog (cracker, CVB) about labels, independent labels, and putting CDs out on your own (or start own label) that i quoted few months ago (almost nobody seemed to care ) - he argued that he did not want to do his own route mainly b/c he would need to pay for studio time, engineer, the band etc - again, LB already has most of this stuff in place / does it himself anyway, and he already hired independent PR, plus he seems to be using his networking potential more lately (emphases are mine):"In 2007 after more than 20 years of recording and touring with the help of a record label or two, I was dreading the fact that we didn’t have a record label anymore. Our various one-off deals had run out and it didn’t seem like anyone was much interested in giving us the kind of deal to which we’d grown accustomed. Sure we could have got deals with various labels that would have offered us 50/50 profit splits or small advances. But check this out. Any contractor reading this will immediately grasp how expensive it is to record an album: Like it or not the minimum amount of time to mix and record and album of 12 songs is about 18 days. I know no professional highly regarded bands that will make albums at a quicker pace (unless you go the live in studio route**). So say there are 4 people in the band. Then you need and audio engineer and an engineers assistant. aside from the engineer’s assistant everyone is a highly skilled specialist. So you are looking at 5 people who should be compensated in the range of 250 – 500 a day. Then there are the studio costs. The cheapest home studios charge 300 a day. What if you had your own studio? well did you get the mixing console and microphones for free? The computer software or tape machine for free? NO. Minimal cost for setting up the crudest pro level studio is 25k. Protools HD hardware and computer is 20k by itself. What about lodging or travel? So trust me when i say an 18 day record ultimately costs a minimum of 36k. You may defer payments to your side musicians or engineer or even the studio. But when the CD comes out they will need to get their money. Further I would bet nearly every modern (post 1980) album you own was recorded in more than 18 days. There are exceptions, but no one has made a career of recoding “live in studio”. Then you must consider the costs of marketing and distributing a CD or even download only. Again you can’t even get noticed by the bloggers unless you hire a specialist an independent publicist or two. They use their personal contacts to bring (even a cracker ) an album to their attention. The popular and influential bloggers, like the magazine reviewers are overwhelmed with submissions. It wouldn’t even matter that we are a “brand name. “ Commercial even large non-comm radio? Forget it. You need to hire one of these independent radio promoters that essentially bribes stations with “promotional buys” or events. Okay. ”But aren’t you gonna make a lot more money if you sell the CDs yourselves?” Yes. But most people don’t realize that an album that sales less than 25k its first week can chart as a top 5 album now. A few years ago that would have been impossible. Maybe 100k minimum to get you in the top 5. I just looked at the Sound Scan report for one of our much more successful americana peers. Their last album. touted as their “highest charting”, sold less than 50k copies in the US! I’m not even gonna embarrass them by mentioning their name. Suffice it to say that Cracker’s last album sold considerably less. You see how this “start your own label” thing is ultimately a sketchy proposition? You put considerable capital at risk and it’s a distraction from the necessary creative “work” an artist must do. It is generally profitable for someone like us to put out our own record, but not guaranteed. Not saying I wouldn’t put out our own albums on our own label again, if I had to… Just saying I don’t want to." http://300songs.com/2011/01/23/69-de...song/#comments Last edited by elle; 05-17-2011 at 07:58 AM.. |
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#26
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and please read what i quoted above from another insider / musician. he does not need to sign with anybody. he has most of the stuff already done / in place (other than promotion, which he doesn't get from WB anyway). |
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#27
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^Your enthusiasm is appreciated, but not totally realistic for Lindsey at this point in his career. By the way, having Irving Azoff as a manager ain't too shabby of a deal. So, I'm not concerned that he'll be missing some tremendous career boost if he doesn't go indy -he won't ever be a chart topper, or sell millions of cd's or downloads. Even Fleetwood Mac won't ever reach that sort of pinnacle again. But, he will have an avenue to put his stuff out there, so in the end of the day it doesn't really matter if it's done via WB or an independent. He is 62 years old and has had the best of both worlds.
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#28
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but see i don't see it as enthusiastic - i see what i'm saying as realistic. (with the caveat of course that i really don't know what i'm talking about )and reality is this - lindsey solo doesn't sell many records, but he accepted that a while ago - and at this point he's considered a rock legend. many legends don't sell much but get great reviews and keep putting out CDs on their own small labels and keep touring - b/c they are artists and driven to do that. and people appreciate it. so i see two options -
to me the choice seems clear. i want it now (well, september)! and judging by the newly appearing tour dates that you and others have found, this seems to be happening. what am i missing? Last edited by elle; 05-17-2011 at 10:04 AM.. |
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#29
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That it's going to happen regardless...
elle, do you seriously think I don't know exactly when his bday is?? ![]() The difference between major label and indy or your own label is money. If you have the option of using their budget vs. using your own personal money you go with theirs. And who wants to sell cd's out of the trunk of your car? Distribution is also vital, although as I've said it has changed a lot. Look at what Stevie has sold even with all the promotion she's gotten. Trust me when I tell you all the players involved know what they are doing and will successfully milk it til it's dry...and LB won't be left out at all. It's going to be fine. ![]()
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Last edited by CADreaming; 05-17-2011 at 10:27 AM.. |
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#30
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yeah i was puzzled a bit(in my defense, i have a late summer bday and hate it when people always add another year to my age b/c they go by the year, not bday) |
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