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#16
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I'm quite willing to like this album if I could find it likeable. Despite all the criticism of TISL I liked it the moment I played it and played it constantly. IYD will get a couple of plays (going to listen again while I wash up and tidy the house), but I suspect like all those recent Lindsey Buckingham solo albums it will get quickly forgotten. I know that everyone here loves it, I'm sorry I don't. I was looking forward to the album, but perhaps not as excitedly as some of you. |
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#17
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If you change the shuffle settings to album, it should play the tracks in sequence.
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#18
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#19
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#20
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good work. yeah, it does record the track numbers - it's embedded in the metadata for each file. ![]() |
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#21
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You know what they say? You can't please everyone!.... Have some cookies, maybe you'll change your mind. Last edited by Heartboy; 05-01-2011 at 11:05 AM.. |
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#22
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I agree. Although, I don't think Stevie's voice has sounded this good in years, the songs, for the most part sound flat in that there's nothing behind them as far as emotion for me.
I like her voice here, just not many of the songs or the way they're performed.
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"Yes, it was a strain on her, watching the castles fall down..." |
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#23
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![]() Finally have internet again and just had a listen through and my first impression is WOW!! I LOVE LOVE LOVE it!!! Just having NEW music from Stevie is a gift! I'm going to have to give it a few listen to's before I can say what I love or hate about certain songs, but first impression, very impressed! The reason I laugh at that above is because I have to get my 16 year old daughter to do everything for me when it comes to electronics ![]() |
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#24
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Just listened to it again. This time I listened to it with a more critical ear. The only song i would ax is Everybody loves You. Other then that, I'm very pleased. And Stevie needs to work with Dave Stewart again. If another album is down the road that is.
Mick
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The large print giveth And the small print taketh away -Tom Waits |
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#25
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This album, for me, reminds me a lot of TISL. There's a good amount of the album I can listen to on repeat, and a good amount that'll really have to grow on me. For instance, for TISL, songs I instantly loved were;
- TISL - Sorcerer - Planets - Every Day - I Miss You - Bombay - Fall From Grace - Love Is The rest of the album had to grow on me for months, and one track even years. For IYD, it's pretty much the same thing. Songs I instantly love are; - Secret Love - IYD - WSS - New Orleans - Moonlight - Annabel - Ghosts - Italian Summer The rest are going to have to grow on me. Now, I'm not saying I hate them, I'm just saying they haven't caught on yet. There's not one track on either CD I completely dislike, which makes both TISL and IYD two of her best solo works for me, I can honestly say. |
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#26
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So you've never fully enjoyed anything Stevie's done solo, yet you feel underwhelmed from In Your Dreams, and you're shocked?
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#27
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I liked it the first time I heard it. I've listened now a half dozen times (I'm still holding back a bit until I have it in my hot big old hands) and I love it. No, I LOVE it.
I think Stevie does things, with her voice, she's never done before. I think there is a grandeur and depth that hasn't been there in a long time. A real passion. She is the Poet back in her grand storytelling role. Nothing tentative, nothing held back. I was thinking about this yesterday. The Unleashed tour? Bull. THIS is Stevie, unleashed. It's beautiful. I will say this about all her previous recordings. There are at least 3 or 4 songs on each that I continually skip over. As a matter of fact, when I was setting up my iPod, I only included 1 or 2 songs from each record. There are two songs I'm not overly crazy about on IYD (Soldier's Angel and the Ghost one). But, I still appreciate them enough (and am growing more fond of them with each listen) that I don't skip over them at all. And that's never happened before. So, yeah. The fact that she's recording, at this age, when she has been discontent with the business end of things, and the fact that all this sounds original and current...is a total blessing. I'm not underwhelmed at all. So, I guess I shouldn't be on this thread, but ... I felt like encouraging you to give it a few more listens. No expectations of what you should or shouldn't feel...just let the music and the stories wash over you. (Sheesh, I sound like a New Age Guru). |
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#28
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i don't know if i am underwhelmed, but my first reaction listening was that i love some songs, but some did not feel quite right upon first hearing.
maybe it's just me, but some songs sound like she tries too hard to squeeze in all the words she wants, or sings them in an odd or uncomfortable way, off beat rather than on certain beats. but i've had this issue with her songs for a while. probably first noticed it on osotm. some songs did not seem to be sung in a smooth and polished, finished way. like juliet, for example ("dancing to the beat of some man's anciet drum"). lindsey or jimmy never would have put that on the album, you know what i mean? they'd have her streamline it or something, or say nope, just not ready for an album yet, it's not working. it's like bella donna is flawless, seamless, perfection. wh and ral are similar, they have the smooth polished song feel. then osotm happened. and many songs on each cd after that has had at least a few songs on it with this issue, to me, anyways. but i suppose i should be used to this by now, it's sort of become her style. and it's probably just me because i never hear complaints of it. maybe it's just how it sounds to me. i also dread when she has a "cause" song and insists it will be on her next album (whether or not it's one of her better songs to record). like desert angel. i love it, but like, well, it's never gone on any sn mixed tapes or cd's i've ever made, you know what i mean? and illume. with new orleans, i am pleasantly surprised i like it as much as i do. a few lyrics stick in my side, but listening a few times i get past it and can flow with it. anyone else wish we could hear john shanks give his hand on soldier's angel? (my favorite songs from tisl are the ones he worked on). i do love lindsey though, so, i'll take it. i'd love a buckinghamnicks cd next! (decided to put my thoughts on soldier's angel in a seperate thread..... i'm loving iyd, but some songs will take a few times of me listening to them to get the flow. over all, i'm really happy with it. since we know sn will never work with jimmy i. again, i can certainly deal with how iyd came out. dave did great working with her very wordy lyrics, and many songs do kick some butt!! i don't dislike any. bd and wh will probably always be my faves, but this will rank up there with ral and sa to me, and half of tisl. i'd give it 4 out of 5 stars, easily. |
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#29
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I think people are entitled to not like things.
![]() I haven't listened to IYD since Tuesday (not sure if the RS stream is still up); I thought I'd take a break from it and wait until the copy I ordered from B&N arrives. Anyway...I don't think it's her "best album ever," but it comes pretty close. The only song I don't especially care for is Everybody Loves You (that intro and Stevie's "cahn't" irritate the hell out of me). |
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#30
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I was going to start a thread called "If Anyone Doesn't Fall in Love"....
But you beat me to it. Anyway, I'm just going to get it all out in this one shot, and then I'll shut up I'm super happy that you guys all love the CD and I hope it does really well for Stevie's sake. I hope that she tours behind it and that the tour is really successful. I like Stevie's voice a lot on this CD, and I like the production. Also, it sounds like she tried to update her sound without totally reinventing herself (I for one understand when songwriters get bored and want to reinvent themselves but I usually hate the results ), and if she really did have a great time making the CD and it leads to more CDs, then more power to her. I really like Secret Love and Annabel Lee, even though I didn't really like the demo for the latter. For What It's Worth and In Your Dreams are pretty good. And I for one really like the vocal on Soldier's Angel. But...For me, for the most part, the songs on this CD are pretty pedestrian. I'm hoping that when I listen to it more on my stereo, or in my car, it'll sound better, or that maybe with time I"ll come to like some of the songs more. For me, the last part of the CD is just boring. I'm a huge Italphile, but I just can't get into Italian Summer. I don't know how to say this any differently, but it just doesn't sound like a Stevie song. I like her lyrically simple country songs (That's Alright, Rose Garden, etc.) and mysterious, minor chord songs (Rhiannon, Sisters of the Moon, How Still My Love, Planets of the Universe, etc) and her rockers (Fall from Grace, Outside the Rain, etc) but Italian Summer and You May Be the One just sound like pop schlock to me. And the thing is that I really want to like this CD, but I don't. ![]() Also, no one has mentioned politics here, and I feel a little wary about doing that myself, but it's a problem for me on this CD. I like Stevie's voice on both New Orleans and Soldier's Angel, but each has lyrics that just make me mad. I love that Stevie took time to visit US soldiers in hospitals. She obviously has a big heart, and so I really don't to be misunderstood here. But the line "righteous war", to me, is just vile. I know that this isn't the place to debate the war in Iraq, but personally the idea of a "righteous war" is really awful. Also, the line about forgiving in New Orleans really puts me off. The federal government completely abandoned the poor. So again, maybe it's just me, and if you disagree, that's totally fine, but for me personally the idea behind this song is so facile and simplistic to the point where it seems emotionally unauthentic. Anyway, I don't have friends who are into Fleetwood Mac and Stevie the way I am, so I appreciate having this forum. I'm glad that there are so many of you who love this CD, even though I don't. Kevin |
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