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#31
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Unlike most, I found it hard to appreciate Stevie's solo work on BD and WH with a few exceptions. BD is really marred by songs that sound dull and amateurish IMO due to muddy, irritating production - a lot of it sounds she is mumbling and hollering through a blanket in a windstorm. WH is better, but it is only Nightbird, Stand back, and BATB that do it for me - they have a quality that is lacking on the rest. I was intrigued and hooked by Stevie and her FM songs and found her solo work to be somehow cheaper and sloppier in overall quality, much of the mytique and allure was drowned under dull instrumentation/arrangement and puzzling song choices. In all her solo albums I have found a few great tracks but most of it I can only listen to when I am in a certain space. I have always wished she's stop trying to "rock" and do more compelling ballads, which is where she shines, I think. FM stuff like Storms, GDW, Gypsy, even 7 Wonders, is unique and haunting, some (not all eg. EO17) of her solo midtempo and rocker work is borderline.
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#32
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Regarding I Will Run to You, I also did not like this song up until about a year ago where I decided to give it a couple more listens and my head was spinning because I discovered it's greatness. For all those who despise it, please give it another chance for me. It's a song for tormented lovers and we can all relate to that. Just the music by itself is brilliant sounding and her vocal is chilling. |
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#33
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Bella Donna is perfect. The atmosphere, the quality of the songs, the flow—it's all there. It's almost her greatest hits. I think people are putting this album down to try and uplift her later works. Notta. This album is a Diamond and they are the hardest things to crack. Bella Donna is why I am still a fan of her solo work. It made her solo career.
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#34
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#35
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Well my favorite album is Street Angel too as a whole. For me the easiest way too explain why is b/c Stevie's voice is more prominent and isn't pushed back by the instrumentation. My belief too is that Lindsey has ruined some of FM's songs by using heavy instrumentation to the front and pushing the vocals back as well.
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#36
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Planets of the Universe If You Ever Did Believe Candlebright Secret Love Smile at You Goodbye Baby Lady from the Mountains Sorcerer -- twice Running Through the Garden
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moviekinks.blogspot.com |
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#37
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It's an old trick many performers have used, to trash a previous work that didn't sell up to expectations to make it sound like the new cd is a must have, and that definitely was a factor. However, the title song 'Wild Heart'- I think many SN fans feel that the final 2 minutes of that vocal performance is perhaps her best singing ever recorded on a solo cd- I haven't ever heard anyone trash the vocal on 'Wild Heart' so feverishly before- but to each their own. If you skip to the next track when she gets to the 'children hopelessly enchanted' segment you miss the orgasmic climax of that vocal- start to finish, I love it. Most fans do. Tom Petty said it was 'epic'. But people hear things differently. I do agree about 'G&G' though. Oh, can't even remember- is it in the portion above- but SN has given good performances since the SA tour. The 'Enchanted' tour was SN in excellent form- and anyone who missed the mini-tour that was 'Two Voices' missed seeing the best vocal performances, in my opinion, since the 'Wild Heart' tour. Stevie on 'Hotel California' was beyond expectations, and it was the loudest ovation I'd heard her receive since The US Festival in 1983. She was sublime on 'New York Minute' vocally, too, and had fun with 'So You Wanna Be A Rock And Roll Star' w Henley as an encore. 'Two Voices' was a fully energized, recharged SN in absolute peak vocal form. I humbly add 'in my opinion'- which is never a bad idea, particularly when trashing entire tours, some of which you didn't even see, baby! A maturity in being a little humbler about your opinions which are no more valid than anyone elses would definitely make you a better writer and definitely less offensive as a moderator- I've never seen a moderator be so arrogant as you, Louie, but good luck, ye who knows everything. Of course you have the right to a differing opinion, but the ego, feh. Downhill it's going, here. There, Jannie, Michele, and to whomever concerned, someone did what any of you should have done- told Louie to stop being offensive. A confrontational moderator is not going to work here, at all. DUMB decision. There I said it, publically, and I am so glad that I did. Everyone is free to disagree with me, ban me, tell my mother, or just have a different opinion- which is something that never even occurs to little, pathetic louie in his ridiculously egomaniacal posts which I simply won't tolerate from a moderator. I no longer respect The Ledge or want it in my life. Louie, you are an ass-wipe. You always have been! Will never be back, I swear. I hope those it makes happy are pleased. It's so past time I got the hell out of here! so gbye, and best wishes, even to Louie, who simply has too much to learn for me to stick around. You write like a little boy made editor of a junior high newspaper. That is the truth for The Ledge to remedy. To any friends, and I had some, I will miss you. Though it won't matter to her, I know she loves Louie and I'm glad she does, I want to say that I was unkind to Danielle and now that I'm leaving, I'm sorry that I was. Being unkind is something I never came to The Ledge to be, and I take responsibility for it. I most will miss Jannie and Hejira and wish them both love and everything that is 'in your dreams', both of you. I wish I could have known you both better. Viv, stop bugging people for their phone numbers, you have too many friends already. I'll miss ya! But I still won't give you my phone number! Meowi, I never liked you. LOL. But Meowi, I wish you a wonderful life, and hey- you may be a hero now, you and Louie are a big reason why I started hating it here. But, hate is something I have shame about and need to eliminate from my life. In fact, I send everyone here parting wishes of love, success, and happiness. It was never my intent to become unkind, and it happened more than I wish it had. This is for real. My mind will not be changed. Love the new cd everyone, and have fun! That's the whole point of being here, after all. DONE. Last edited by Nikolaj; 02-25-2011 at 11:46 PM.. |
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#38
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I hated Street Angel when I first heard it. Now I have to say it's grown on me. Still not my favorite, but I love tracks like Greta, Blue Denim, LILAR, etc. It's all about the mood I'm in, like you said. Louie, I love ya more than my luggage, but I guess we have to agree to disagree. The Wild Heart is my favorite Stevie record. Are there songs that are pretentious? Yes. Do I still love them? Yes INDEED! ![]() Also, am I the ONLY PERSON on this board who ADORES "Gate & Garden"? I've not heard anyone say anything nice about this song. LOL. Anywho, reading everyone's opinions is great! It just goes to show how different we all are in our appreciations and love for all things Stevie. Tis a GREAT THING! To all those out there who take umbrage to other people's OPINIONS, and to those who wish to pick fights BECAUSE of those opinions, please take note! This board should be for healthy and FRIENDLY discussion. Can't we celebrate each other's differences? |
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#39
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Last edited by Jondalar; 02-26-2011 at 12:33 AM.. |
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#40
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Yikes.
I agree with Mitzo, who said that Stevie's solo albums lacked Fleetwood Mac's quality of craftsmanship & inventiveness. There really isn't anything in the music tracks on her solo albums that's worth talking or writing about. By contrast, Fleetwood Mac tracks get continual attention. Music lovers talk about their favorite Buckingham guitar solo, whether it's "Go Your Own Way" or "Tango in the Night" or "World Turning," or their favorite Fleetwood drum track ("Hypnotized" is one of mine) or the precision punch-lope playing of John's or even Christine's introverted keyboards, which sneak in the back door & wind up redecorating the entire house. Can you imagine anyone talking seriously about any music or orchestration on a Stevie Nicks solo album? What would anyone say? "What guitar solo on Rock a Little gives you the shivers?" "Don't you dig all the creative filigree that decorates I Still Miss Someone?" I mean, the idea is ludicrous from the get-go. There's so much on the Mac albums to engage the intellect & please the ear, apart from the songs themselves or even the lead singing. To this day, we speak of the Fleetwood Mac sound -- the sound of that band & the way it constructs a track around a song. It's the sound that has musically influenced dozens of other bands & thousands of other musicians. Stevie Nicks is the only thing happening on a Stevie Nicks album. If she falters, the whole castle crumbles.
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moviekinks.blogspot.com Last edited by David; 02-26-2011 at 12:36 AM.. |
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#41
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Yes!!! Gate and Garden & Sable On Blonde are my two favorite songs on the album...BECAUSE of those subtle nuances. You hit the nail right on the head!
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#42
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Yes, it was like she put a little moon necklace on each song, making them a little extra special to bring out the best of each song... her estrogen touch
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#43
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Gate and Garden as well as Sable And Blonde are amongst my favorites from WH as well. They float my boat!
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#44
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Sable On Blonde is definitely my fav from Wild Heart as well. I love I Will Run To You as well. Both of these songs are much more straight forward and understated like others have said. I really should put my grievances with the album aside and listen to these tracks more... I enjoy them very much. There. I said nice things about Wild Heart.
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#45
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