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#16
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However, I agree with you pretty much. IMO, Stevie's songs are best when they are left really true to their original form, with only the necessary production and nothing extra or superfluous.... Basically I want to hear a song that is Stevie's. I don't want to hear a song that started out as Stevie's but now sounds like it could be anyone's song...
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#17
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#18
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It's not the same thing for those songs mentioned. Stevie came up with the chords, or the musical foundation, for those songs. Not so for the new songs; she started singing her words along to the music Dave was playing. That's different. That's the same as writing along to someone's track. The only thing different is that you're looking at a person who is playing an instrument instead of at a tape machine. |
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#19
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#20
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I'm not sure what I think about Dave Stewart's likely input on this score. I said already that I'm not crazy about the suspended bits in 'Secret Love', and I've noticed that 'Stevie Baby' uses them too -- a lot -- so that might be something that doesn't jive with me over the whole album. Have to wait and see, on that one ... As for LB's role in SN's songwriting history, I think the evidence is overwhelming that his influence and input varied quite a bit at different times. The really interesting question is how much of what he did was not simply what any producer does? A bit of arrangement, a suggestion about structure, maybe a key change, a little sweetening here and there. None of these things are songwriting, or even co-writing. But they are what a producer does. Last thought: imagine for a second that we had as many Christine demos as we have Stevie demos, and were able to compare what LB did to what each of them brought in at the start? To me, that would be fascinating! Loz |
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#21
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