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#31
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#32
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Correction: Our dorkiness.
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#33
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#34
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There is also a weirdie noise at the beginning of "Isn't It Midnight" on my 4CD Chain box set. I can't tell who it is, but it's someone making a dorky "Nnnnnyahhh!" sound.
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Malanderer, Badlander and Thief, Est. 1982 ![]() All the same, baby. All the same. "You never know what I'll do. I've resequenced my show. I'm a master at sequencing. I'm the one who sequenced for Fleetwood Mac. I sequenced 'Rumours.' Everyone loves my sequences. They're fun.'' |
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#35
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#36
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Is it? It sounds vaguely male, but I suppose you never know with Stevie...
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Malanderer, Badlander and Thief, Est. 1982 ![]() All the same, baby. All the same. "You never know what I'll do. I've resequenced my show. I'm a master at sequencing. I'm the one who sequenced for Fleetwood Mac. I sequenced 'Rumours.' Everyone loves my sequences. They're fun.'' |
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#37
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It wouldn't surprise me though |
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#38
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It's reasonable to think the car horn in Sugar Daddy is intentional, given that it appears right after Christine sings "You can pick me up in a big fancy car." I aways thought that was a nice quirky touch.
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Life passes before me like an unknown circumstance |
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#39
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For the love of God, your vinyl AND your stylus: Do it with software!
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#40
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What software do you use?
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I never was there Was there when it counts I get my way You're so like me |
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#41
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Quote:
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Life passes before me like an unknown circumstance |
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#42
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It was stupidly worded, but it's hidden in that it's something you don't quite pay attention, and wasn't quite audible when the album first came out.
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#43
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#44
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and the hidden message said "Play it forward stupid"...
Gonna check it out on my 2008 Japan SHM-CD version (Warner Bros Records WPCR-13249) of "Rumours"
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"To acknowledge death is to accept freedom and responsibility." |
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