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#11
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Quote:
Also, see, I went with oboe because it's a funny-sounding word and I didn't want to deingrate the noble French horn by making it participate in my shenanigans. But the NyQuil thing is a great example of why no one should ever give me their cell phone numbers or let me text them. One day, it's oboes, and the next thing you know, I'm texting you at 4 AM, in a froth over how I can genetically engineer David Bowie's huge pants in Serious Moonlight with David Byrne's big suit in Stop Making Sense in order to make stylish yet cost effective clothing for the morbidly obese. True story. Fortunately, that friend is still speaking to me. Y'know, somewhat.
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Malanderer, Badlander and Thief, Est. 1982 ![]() All the same, baby. All the same. "You never know what I'll do. I've resequenced my show. I'm a master at sequencing. I'm the one who sequenced for Fleetwood Mac. I sequenced 'Rumours.' Everyone loves my sequences. They're fun.'' |
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