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Time for the third round of these! Here is a quick recap:
Stevie: ~2.5 octaves Bb2-Eb5 (up to E5 with falsetto) Lindsey: ~2.5 octaves A2-D5 (down to D2 with vocal fry and up to B5 with falsetto) As for Chris, she could have a wider range than Stevie and Lindsey. I would say she is an alto, while Stevie is a contralto. Sadly I haven't found many notes of note (hehe). The lowest I have heard is an E3 in Isn't It Midnight (definitely not her limit) and the highest is a sustained D5 in The Chain (how did I forget this one and not Butter Cookie (Keep Me There)!). Someone pointed out the In The Meantime album to be full of low vocals, so I'll have to have a listen. While I do that, if you can all point me in the direction of fairly low/high sounding performances from her, I'll keep a list in this post. Let the good times begin ![]() (The Rhiannon harmony is a C5!! Nowhere near her limit, she was sustaining these in her late 50s!) Progress: B2-D5 Fleetwood Mac / White Album: Gb3-Db5 Warm Ways (Ab3-Bb4) Say You Love Me (A3-Db5) Sugar Daddy (Gb3-Db5) Rumours: F3-D5 Songbird (F3-Bb4) Dreams (E4-C5) Don't Stop (B3-B4) The Chain (E4-D5) You Make Loving Fun (F3-C5) Oh Daddy (G3-C5) Butter Cookie (Keep Me There) (B3-D5) Tusk: Ab3-D5 Brown Eyes (A3-B4) Never Make Me Cry (Ab3-Bb4) Honey Hi (A3-D5) Mirage: Bb3-C5 Only Over You (Bb3-C5) Tango In The Night: E3-C5 Isn't It Midnight (E3-C5) In The Meantime: B2-A4 Northern Star (D3-A4) Calumny (B2-Ab4) Last edited by WarmSir3; 12-20-2009 at 12:57 PM.. |
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