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#46
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Michele |
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#47
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Back to EFO, yes it was retro... but it really did work. I even like that uber '70s synth orchestra at the end. The retro mono channel intro was cheesy too... but it shined and really worked once the full stereo sound kicked in a few seconds later. I think this is a good example of how Stevie's music and Lindsey's odd experimental production style can actually work together. It's high energy, the odd little Lindsey studio noises just add to the tension of the songwriting material, and you can hear the passion in both their voices... it's almost like they are dueling. |
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#48
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Thanks, Michelej1. I knew it! (Just glad I knew what I thought I knew).
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#49
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#50
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Having recently seen that BBC special Don't Stop and listening Mick say he and Stevie had a great relationship, but they always had to keep it in the dark, it reminded me of the EFO lyrics, affairs that start out in the dark, usually stay with the night.
I think the lyrics fit him and then in Don't Stop Stevie was discussing Sara and how Sara was banned from the studio and that makes me think of the line, "I do have him most of the time." Of course, I don't know when this song was written. It could have well postdated Mick. But I never thought about it resembling him until after watching that special. Actually, I don't necessarily think EFO is about Stevie at all, per se. But Mick's comments about never being able to be open about their relationship did leave me saying, aha. Michele |
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#51
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__________________
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#52
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Michele |
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#53
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