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#121
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#122
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Believe it or not I've never jumped up and down over "Talk to Me."
I'm hoping to someday go to E-bay and find the paper napkin Stevie wrote this song on. "That Made Me Stronger" was also a "What was she thinking?" moment for me.
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So if the ghosts are gone then doesn't that mean I'm kinda screwed??
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#123
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Stevie didn't write Talk To Me. The paper napkin song is Edge of 17, at that time written as Age of 17.
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#124
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__________________
Life passes before me like an unknown circumstance |
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#125
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I agree about That Made Me Stronger. It's ok but definitely on of the weakest tracks on Trouble In Shangri-La.
__________________
I'll follow you down until the sound of my voice will haunt you...you'll never get away from the sound of the woman that loves you... |
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#126
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But answer me this: how did all of those tracks get onto TISL and "Space Needle" didn't, especially since Stevie's been quoted to say that she selected the final cut hoping to create an album focusing on pain within paradise? Ughhhh that still aggravates me. |
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#127
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Everyday is the unwanted stepchild I've never stopped beating.
Anything with an extended guitar or drum solo. I'm just checking my watch while waiting for the singing to start. |
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#128
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Lindsey: Not That Funny - More or less by default. I enjoy pretty much all of Lindsey's Fleetwood Mac material.
Christine: Sugar Daddy - Blah. A complete throwaway track. Stevie: The Second Time - Not only is this a completely uninspiring song, but Stevie's performance of it is completely uninspiring as well. It doesn't deserve to be associated with the name Fleetwood Mac. Matt |
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#129
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#130
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Well, throw it my way, because I think it's the best thing she ever did. It's also the best piano-playing she ever did.
__________________
moviekinks.blogspot.com |
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#131
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#132
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Also, her B3 work -- never top-notch inventive in my book, as you know -- is at its most interesting here. She throws the speed up on the rotary & keeps it there, & plays single patterns in the higher registers, which is the tradition B3 attack in blues & rock. Chris also gets a mini-counterpoint going with two lines driving simultaneously but on different tracks in the organ part (probably recorded separately). The song itself has a great melody line, & her very confident vocal is the star of all the white album vocals. (Both Lindsey & Stevie were better singers on the following album.)
__________________
moviekinks.blogspot.com |
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#133
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Hear, Hear!
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#134
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Amen, brother!
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#135
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Yes, she positively belts this one. Her vocal on this song, along with her contribution to World Turning demonstrates her R&B skills.
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