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#271
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That explains your comment above about being late for work
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#272
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Touche'. However, I still maintain careful planning could have lessened the impact for most.
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#273
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That's what I tell people around the world. So in conversation, I loosely treat "L.A." as "L.A. environs" or "The Basin" or "The Southland." I'm only about 45 miles from the county line.
Quote:
The state capital has an above-ground metro system, but people are always getting shot on it.
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moviekinks.blogspot.com |
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#274
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Well, it's over now and hopefully we're back to normal tomorrow. I just think it was irresponsible for the Jacksons ( and LA City to consent) to hold this memorial at rush hours on a business day. Thanks to the Jacksons, hundreds of thousands (if not a million) of workers were subjected to freeway closures and severe traffic jams.
and most, imo, not MJ fans.Think about the downtown couthouses. Trials in session. Jurors and attorneys coming in late. This event could and should have been held this past Sunday. But no, the Jacksons wasted a week trying land the 95,000 seat LA Coliseum...an even worse idea.
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GO BIG BLUE! |
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#275
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^^
Plus, Donatella had to design all those gowns. I agree BTW - I am glad it is over and Sunday would have been better. |
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#276
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Quote:
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moviekinks.blogspot.com |
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#277
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Don't go overboard! I think you should have a day of rest tomorrow with a water bong close by!
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#278
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Unfortunately, LA's subway sysytem is not extensive enough for most people in the suburbs to make use of it. The central and west SFV are not served at all. Btw, the nicest subway systems I've ever been on are metro Tokyo and Singapore.
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GO BIG BLUE! |
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#279
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#280
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Quote:
Eddie Van Halen: "I am really shocked; as I'm sure the world is, to hear the news. I had the pleasure of working with Michael on 'Beat It' back in '83 — one of my fondest memories in my career. Michael will be missed and may he rest in peace." Van Halen guitar legend Eddie Van Halen appeared on MICHAEL JACKSON’s Thriller album for the song, 'Beat It'. Eddie reflects on his experience working with award-winning producer/songwriter QUINCY JONES and Michael Jackson, in the later half of 1982: “I used to have this old phone system in the studio. Phone rang, I picked it up and there’s this voice saying, ‘Yo, Eddie? That Eddie?’ There was lots of crackling and stuff. And I said, ‘Yeah, who’s this?’ But he obviously couldn’t hear me. So I hung up, figuring it was a fan. Phone rings again, and the same voice says, ‘Hey, Eddie.’ So this time I shout ‘Asshole’ and hang up. Phone rings a third time. ‘Hey, Eddie, Eddie, it’s Quincy Jones.’ Have I ever felt small. Certain people in the band at that time didn’t like me doing things outside the group. But Roth happened to be in the Amazon or somewhere, and Mike was at Disneyland and Al was up in Canada or something, and I was home alone. So I thought, well, they’ll never know. Seriously: who’s going to know that I played on a black guy’s record? Michael said ‘I love that high fast stuff you do.’ So I played two solos over it and said, ‘You guys pick the one you want.’ It was 20 minutes out of my day. I did it for free and later everybody was telling me, you could have got a royalty point out of that record. But it didn’t matter because Quincy wrote me a letter thanking me, and he signed it ‘The Asshole’. I framed it. Classic.’ 'Beat It' hit the charts on March 12th, 1983, lasting 15 weeks and reaching #1 in the US, Netherlands, Spain, #2 in Switzerland and #3 in the UK.
__________________
"To acknowledge death is to accept freedom and responsibility." |
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#281
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Quote:
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#282
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Thanks Brian J.
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#283
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Quote:
And speaking of tributes, I don't know how many of you saw the little boy from Wales, Shaheen, sing at the memorial, but just in case you didn't, here it is: I saw him when he auditioned for Britain's Got Talent and thought he was adorable. I guess MJ thought so, too, and invited him to sing with him in London. So, again, I gotta say - poor kid. Here's his audition: http://www.youtube.com/watch?v=yVU4IkzMNIo Apparently, all of the videos of this have embedding disabled, so you'll have to do the clicky thing. He starts off with Amy Winehouse, but ends up doing "Who's Lovin' You" - worth a watch for sure.
__________________
Malanderer, Badlander and Thief, Est. 1982 ![]() All the same, baby. All the same. "You never know what I'll do. I've resequenced my show. I'm a master at sequencing. I'm the one who sequenced for Fleetwood Mac. I sequenced 'Rumours.' Everyone loves my sequences. They're fun.'' |
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#284
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In my opinion, the most underrated Michael Jackson video is the Speed Demon sequence from the movie Moonwalker.
Filmed in Portland, no less! |
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#285
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