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#46
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Apparently, it bothered Lindsey, too.
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moviekinks.blogspot.com |
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#47
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![]() and, LB minded so much he involved his and others' people ![]() |
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#48
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They have also all said how the emergence of the Gang of Four -- the various lawyers & managers representing individual members -- signaled a major disruption in their once-streamlined processes & procedures. Have you ever been in a band? I have never talked to anyone in a band who said it was a good thing for outsiders to be involved in musical or career decisions for the band. At best, for some people, it was a necessary evil. Typically, it was the source of extreme resentment, frustration, & even rage among bandmates. The butting in of my drummer's wife virtually destroyed my band many years ago. Our story is legion. Quote:
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moviekinks.blogspot.com |
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#49
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Michele |
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#50
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They do have a history of having people around them, but Karen is not Howard K. There are hierarchies in entourages. If Ray and Karen want to go at it, hey, I'll get ring side seats. But you should be in the same weight category to fight. Michele |
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#51
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I'm only talking about outsiders proffering -- unbidden -- their views on musical matters to the band circle. My view is that the band has not allowed that to occur, for reasons that are clear to anyone who was ever involved in a music group. Can you imagine Sharon Celani, new to the circle at the time, dishing unsolicited comments to Lindsey about his new songs in 1978 at the Village Recorder? He'd have mopped up the floor with her. Mixing -- which is what the discussion appears to center on in the Destiny Rules clip -- is a musical matter, & Karen has no business jumping in ... unless the band asked her to (& if that happened, I take back all my criticism of her). Band members, depending on their personalities, will either confront a buttinski outsider or will sit silently -- & seethe. Neither option is good for a band. Crap like that builds & builds & finally explodes one day, in some fashion or another (violent fighting, leaving, legal action). Stevie's friends can do whatever they want if the recording project is a Stevie Nicks project. But when it's Fleetwood Mac, they should sit out in the lounge & work on crossword puzzles, like a family member waiting outside the E.R. I am also reminded of Christine's enormously amusing remark some years back about liking the fact that Stevie's singer friends were situated out of Christine's view -- so that she wouldn't have to look at them. That says it all.
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moviekinks.blogspot.com |
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#52
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God, what an awesome comment! Imagine having to look at Elvira's (Sharon's) white-girl zombie choreography for hours at a time. I'd retch.
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#53
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I haven't watched the whole thing in awhile, but I do recall Karen being an extremely tall, almost Amazon-looking woman. Not in a bad way, mind you, but she looked like she could take Lindsey down...which could be part of the reason he was squealing like a little girl in that argument segment..."Jeeesus Christttt!!" Or maybe that's how he argues. ![]() Note: Though, in truth, I'm thinking LB handled that situation effectively because it could have gone down a whole different route, though no less bitchy and whiny methinks.
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"Reality leaves a lot to the imagination." ~ JL Last edited by Nico; 06-23-2009 at 03:29 PM.. |
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#54
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Last edited by gldstwmn; 06-23-2009 at 04:19 PM.. |
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#56
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I thought he left LB after the last SYW tour.
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#57
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2. Stevie asked her to be there and Stevie is in the band. 3. You really should watch the whole thing. . . . buttinski outsider . . . . [/QUOTE] She did not butt in - she was asked. Anyway - this is way too much conversation about this The clip speaks for itself. |
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#58
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He used to date Sharon. I'm not sure if Karen would be more or less demanding than Sharon as a partner, but those "passive" ones are deceiving. Michele |
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#59
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And I was JOKING about taking LB down. I'm pretty sure people don't mess with him. He's quite calmer now, but he always gives me the impression that there's an explosive torpedo within. Love him though I do...
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"Reality leaves a lot to the imagination." ~ JL |
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#60
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