Huge Fleetwood Mac Update - Page 7

TrueFaith77 · #91 07-13-2008, 08:55 PM

Quote:

Originally Posted by golden braid

He's referring to Planets of the Universe.

oh

u can imagine. . .

strandinthewind · #92 07-13-2008, 08:55 PM

Quote:

Originally Posted by golden braid

He's referring to Planets of the Universe.

So was Ms. Vicky

I am so misunderstood

RockALittle250 · #93 07-13-2008, 09:05 PM

It was John Shanks' magical touch that made POTU so great, and Lindsey himself admitted that to John and Stevie. Planets was modernized and made a little more mainstream, and it definately needed that kind of change, because the maxi-single went to number 1 on the dance charts, and the album version was Grammy nominated! I think Lindsey likes John's work, so maybe he would be the best choice for the producer of the Mac's new album. On the Destiny Rules documentary, I got the feeling that Lindsey wasn't too fond of Chris Lord-Alge.

strandinthewind · #94 07-13-2008, 09:19 PM

^^^

I am unsure if LB disliked CLA's actual work or that he was too busy to mix LB's production in a way that LB thought it should be mixed. Wasn't that the dilemma on the doc.?

Also, I like Shank's production on most of TISL. I just was not wild about La Nicks' vocal on POTU. I think the song TISL worked out great!

MacMan · #95 07-13-2008, 09:55 PM

Is Chris Lorde-Alge an actual producer or a mixer? I see his name a lot as a mixer, but not producer...

John Shanks, I think, did a great job on the TISL tracks, especially Planets and TISL... and I think her deep monotonal voice on both tracks works really well... especially Planets since it's kind of a dark song... And yeah, Planets didn't translate well at all live, which is too bad cause it sounds great on the cd.

RockALittle250 · #96 07-13-2008, 10:23 PM

Quote:

Originally Posted by MacMan

Is Chris Lorde-Alge an actual producer or a mixer? I see his name a lot as a mixer, but not producer...

John Shanks, I think, did a great job on the TISL tracks, especially Planets and TISL... and I think her deep monotonal voice on both tracks works really well... especially Planets since it's kind of a dark song... And yeah, Planets didn't translate well at all live, which is too bad cause it sounds great on the cd.

I believe he does both, but is prodominetely a mixer.

SpyNote · #97 07-14-2008, 12:26 AM

Quote:

Originally Posted by Madness Fades

I disagree, I think he did his best to bring the songs stevie brought up to an acceptable standard

My main problem with SYW is that it didn't sound like a classic Fleetwood Mac album, and that's what I (and I'd imagine many longtime fans) wanted. It sounded like one of Lindsey's solo albums, which would have been fine if this were his album. Christine should have been allowed to record material for it, which I recall she was willing to do.

BombaySapphire3 · #98 07-14-2008, 01:37 AM

Quote:

Originally Posted by SpyNote

My main problem with SYW is that it didn't sound like a classic Fleetwood Mac album, and that's what I (and I'd imagine many longtime fans) wanted. It sounded like one of Lindsey's solo albums, which would have been fine if this were his album. Christine should have been allowed to record material for it, which I recall she was willing to do.

I believe she was and we have Mick's unfailing greed to thank for her not participating.What could have been the band's finest album since Tusk was not to be thanks to that quality of his .

Gailh · #99 07-14-2008, 02:48 AM

Quote:

Originally Posted by BombaySapphire3

I believe she was and we have Mick's unfailing greed to thank for her not participating.What could have been the band's finest album since Tusk was not to be thanks to that quality of his .

Is there any evidence that Christine was willing to participate on the album? I've seen it discussed here and it is the generally accepted version but I don't recall reading any direct quotes from the lady herself or did I miss them?

Gail

TrueFaith77 · #**100** 07-14-2008, 05:41 AM

Quote:

Originally Posted by SpyNote

My main problem with SYW is that it didn't sound like a classic Fleetwood Mac album, and that's what I (and I'd imagine many longtime fans) wanted. It sounded like one of Lindsey's solo albums, which would have been fine if this were his album. Christine should have been allowed to record material for it, which I recall she was willing to do.

Well Mirage and Tango In The Night, for better or for worse, sounded like Lindsey solo albums, too (natural follow-ups to Law & Order and Go Insane). Say You Will followed the, admittedly, "classic-sounding" a) The Dance materials, b) "Twisted" (not sure what LB's involvement was on that one though), and c) "I Miss You." But Say You Will sounds like. . . Gift of Screws.

1) If Stevie had not wanted an album that sounded like Gift of Screws, she should not have agreed to build a Fleetwood Mac album around it.

2) If Mick had not wanted a double album, he should not have agreed to build a Fleetwood Mac album around Gift of Screws.

3) Presuming speculation about the reason Christine was not involved is true, then, yes, Mick's other blunder was losing not just her input -- an undeniable knack -- but also her songs, which would have necessitated . . . a double CD.

Quote:

Originally Posted by BombaySapphire3

I believe she was and we have Mick's unfailing greed to thank for her not participating.What could have been the band's finest album since Tusk was not to be thanks to that quality of his .

By accepting Gift of Screws as the foundation for a Fleetwood Mac album but reneging on the terms, Stevie and Mick betrayed Lindsey's vision and themselves -- but they did not destroy the art. It's still their finest album since Tusk -- because of the degree to which Lindsey was permitted to sustain his vision and to find the common voice, the call and response, in Stevie's songs. What's scary is how much greater -- and more successful and more impactful -- it could have been (with or without Christine). All things that, ultimately, would have served both Stevie's and Mick's interests. In the SYW doc, Lindsey keeps reminding everyone that their success (in all definitions of the word) depends on the band sticking together. That's what bands do. That's what band means. He was betrayed and, caught in a Catch-22, was forced to compromise his vision -- the stated (and audibly presented via GOS) aspirations the band had agreed to participate in -- that he thought they shared.

Consequently, we have a beautiful yet truncated work -- Say You Will -- that spawned two more hybrids (Under the Skin and Gift of Screws).

Musicman408 · #**101** 07-14-2008, 07:19 AM

Alright, I'll be short and sweet with this (assuming its true).

I don't want this to be a farewell tour, bottom line. I want to see Stevie/The Mac as many times as I can, since I am a new fan (2003) and missed out on the glory days.

I don't get the whole Sheryl thing. I don't hate her as a musician or anything, but not opening act for the Mac for SYW was amazing. I wouldn't have had it any other way.

I don't understand Stevie's anti Lindsey attitude. You know, you listen to interviews and she's always like "I love being in a band. I didn't want to go solo because I wanted to be in a band." Well Rock Momma, you are in an amazing R and R band, so why would you want to change that. I would die to be there.

I'm sure I'm leaving something out, but I do hope that they tour again, and since I will be away in college, perhaps I could go by myself, increasing my chances of getting front row seats......

Much Love,
Ethan

Oh, one thing I forgot. They need to hire me to play Christine's keyboard parts if she decides not to come back...... I mean, obviously....Right?

strandinthewind · #**102** 07-14-2008, 08:56 AM

Quote:

Originally Posted by Gailh

Is there any evidence that Christine was willing to participate on the album? I've seen it discussed here and it is the generally accepted version but I don't recall reading any direct quotes from the lady herself or did I miss them?

Gail

I read none by her as well. Maybe some of the In the Meantime interviews discussed it, but I do not recall that. I do recall La Nicks, Mick, and (I think) LB) discussing her willingness to participate but not go on the road, which was the problem. I understand the band's logic and essentially agree. Then, I hear Steal Your Heart Away and realize logic aside, it was a mistake because that song is pure Rumours era Mac and it is delightful in part because of CM's voice.

In the end, I say if La Nicks is resigned never to having a hit single again due to the reasons she has cited (kids lying on the floor smoking dope waiting for the next FM record

) -- then why not let CM record -- what do they in reality have to lose compared to the potential gain.

But, maybe now CM would not record with them. After all, that was over seven years ago and she officially left in 97.

Gailh · #**103** 07-14-2008, 09:26 AM

Quote:

Originally Posted by strandinthewind

I read none by her as well. Maybe some of the In the Meantime interviews discussed it, but I do not recall that. I do recall La Nicks, Mick, and (I think) LB) discussing her willingness to participate but not go on the road, which was the problem. I understand the band's logic and essentially agree. Then, I hear Steal Your Heart Away and realize logic aside, it was a mistake because that song is pure Rumours era Mac and it is delightful in part because of CM's voice.

In the end, I say if La Nicks is resigned never to having a hit single again due to the reasons she has cited (kids lying on the floor smoking dope waiting for the next FM record

) -- then why not let CM record -- what do they in reality have to lose compared to the potential gain.

But, maybe now CM would not record with them. After all, that was over seven years ago and she officially left in 97.

I seem to remember John saying something to effect that if she wasn't willing to "work" the album i.e. tour then there was no point in her recording. It seemed to me that on the last tour they "worked" Rumours more than SYW but hey that's just my opinion.

I don't know that Christine would even be willing to record with them again. It's been 4 years since ITM so perhaps she's had enough of recording as well as touring. I think it's very simple though. If she does want to record with them again she tells Mick exactly what it would take and Mick says "yes Chris"

I have a feeling that she's done with it all now. I do hope I'm wrong but that's my opinion.

Gail

strandinthewind · #**104** 07-14-2008, 09:30 AM

Quote:

Originally Posted by Gailh

. . . I have a feeling that she's done with it all now. I do hope I'm wrong but that's my opinion . . . .

I do hope she would too. But, she is in her mid 60's and "the call of the wild" likely is not that alluring to her anymore.

David · #**105** 07-14-2008, 10:14 AM

Quote:

Originally Posted by Musicman408

Oh, one thing I forgot. They need to hire me to play Christine's keyboard parts if she decides not to come back...... I mean, obviously....Right?

No. It's not obvious at all. You said a long time ago that you'd post some audio of your keyboard work on Fleetwood Mac songs, but you never did, as far as I know.