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She also complained soon after its completion (and later) that it was a "rushed job" and a "desperate effort" to capitalize on her success with Chicken Shack. However, most of the reviews of the record itself have been positive. Rolling Stone Record Review in 1982 gave it four stars. An article from that same publication around the time of Christine's 84 album called it a "classic."
It's worst critic is Christine herself. I think a more balanced assessment of the record is that it works very well as soft pop-blues for late 60s radio, but that Christine's voice lacks the depth and texture she exhibited on the first two Chicken Shack records. The reason for this is fairly obvious: she was stretching her capabilities and moving beyond twelve-bar blues. Thus, her songs and her performances are transitional. Compare the Christine Perfect version of "Crazy Bout You Baby" with her live-in-studio version with Mac six months later and it's a different story: with her husband's band, she sounds entirely comfortable and almost fully evolved. |
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