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#1
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Uhmm - - - Isn't John McVie an awesome, awesome bass guitar player?
![]() And an integral, central part of Fleetwood uhmm . . . What was that second word again? From his amazing, but subtle work in "Over and Over," to the stunning love he gives playing off Christine in "Brown Eyes," to "The Chain," to his crucial work for "that new chick up front" who seems to be working out rather nicely, in "Rhiannon" - seriously folks, isn't his importance to Fleetwood Mac kind of underestimated? Where's the love!? ![]() P.S. - Oh - and in "Sara." ![]()
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So if the ghosts are gone then doesn't that mean I'm kinda screwed??
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#2
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I love the bass on "Love in Store", and that little part in the middle of "Temporary One" is basically my favourite part of that song!
I wont lie, his bass parts stand out to me on Christines songs more than the other twos. and then again, I love the bass on the SYW version of "Smile at You" "The Chain" does have to be my favourite though! |
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#3
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#4
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*hits self over head* John McVie is amazing. Love his work. I really have nothing bad to say about the rythem section of this band at all though. They both do such an amazing job, in the studio an live. [Speaking of...Temproary One just came on! ] Angel has a kickass bassline too though! god I cant think of one that really sucks...thats how amazing he is. |
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#5
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It wasn't until John McVie that I even knew how to hear the bass line in a song. Sounds dumb, I know. I remember someone telling me that once you hear bass in a song, you can never not hear it again, but it's such an important point of so many songs that I've always loved that it was John's work that ended my bass-ginity. I think my favorite of his bass lines are "Go Your Own Way" and "Tusk". Good stuff!
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#6
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no, i know exactly what you mean!! i'm the same way he just has this way of making you listen to what he's playing. def has a style of his own. |
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#7
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yeah I always felt Angel should've been more "rock n roll"...I remember seeing the Tusk documentary and the electric guitar seemed more prominent and gave the song a little more backbone. In the end they made it "overly bass-y"...but thats ok. The songs brilliant anyway.
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#8
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Yeah I've heard he has a certain "knack!" (Little jokie. )
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So if the ghosts are gone then doesn't that mean I'm kinda screwed??
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#9
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![]() ![]() Love those puns! |
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#10
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What I think is so great about John's bass style is that he HAS style! Most bass players simply back up the rest of the musicians, and try to blend in. John offers a complete counter melody almost a whole counter song, that gives each song a completely different spin.
Something neat I discovered recently: really crank up your speakers or headphones when you listen to Rhiannon from Live ('80). From 3:28 to 4:10, listen very carefully to John. That little riff he plays there is just so incredible... it will give you chills! Like Stevie once said about the bridge he plays for The Chain, it sounds like the monsters are coming to get you lol. |
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#11
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Only this year did I hear the tango b side song, Ricky. John plays so well on it that i often find myself listening to him and the rest of the band becomes back up for Johnny MacVie. Now that I think of it, I've been known to dislike a mac song here and there for various reasons, but never once have I thought "oh that john mcvie, he just didn't get that right" The hell with the rest of the mac, if Stevie can't tour without Chris I say John's so great, why doesn't he tour alone and play solo bass! I'd pay top dollar to see that! John, hope you're reading, we miss you on the ledge!
Last edited by DESTINYRU!ES; 12-03-2007 at 01:54 PM.. |
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#12
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He kicks butt on:
Oh Well I Loved Another Woman Black Magic Woman Rattlesnake Shake Searching/Fighting For Madge Station Man Tell Me All The Things You Do Sands Of Time Lay It All Down Bare Trees Child Of Mine Miles Away Forever Somebody For Your Love Keep On Going Believe Me Hypnotized Angel Coming Home Bermuda Triangle Born Enchanter Bad Loser Blue Letter
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
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#13
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His playing on Landslide blows, unfortunately. Songbird and Never Going Back Again aren't too hot, either. I guess the stress of his divorce really got to him.
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#14
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Smile At You Rhiannon (compare what he does to that live version from Buckingham Nicks) Hold Me Evidence Basically, he can take the most basic of songs and turn them into masterpieces. Brilliant, brilliant bassist. Think about it, this guy was on the break-out albums of Eric Clapton*, Peter Green, Danny Kirwan, Jeremy Spencer, Mick Taylor, Bob Welch, Stevie Nicks, and Lindsey Buckingham. The dude's a bad-ass. Simple as that. *Yes, Clapton had a name with the Yardbirds, but became a guitar hero on the Bluesbreakers album.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
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#15
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John has an inventive melodic sense. I like the way he & Christine intertwine on songs like Angel (Nicks) & Sands of Time, to the point that the less experienced listeners don't know whether they're listening to the bass or to the electric piano. I think those two borrowed licks from each other, & taught each other different approaches. I also think that John helped improve Christine's shuffle. You can hear it improve in major steps: in 1973, & then again in 1976.
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moviekinks.blogspot.com |
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