Band Face Off - Round 33

[Serrart]

Originally Posted by amber

Does anyone know of a song where's Joni's voice isn't so high and trilling that dogs come when you play it?
I'm not really familiar with a lot of her material.

Two of my favourites:
Both Sides Now (2000 version)
http://s56.yousendit.com/d.aspx?id=0...01RQQ4LRU5M101

Blue (version with Sarah McLachlan)
http://s56.yousendit.com/d.aspx?id=2...G3K1V5BDYL8JK6

Romy

[The Tower]

Originally Posted by amber

Oh, I have to buy something? mmm, not so much then.
Thanks, though. I will add it to my two mile long list.
Her voice didn't suddenly become all Stevie esq, though, did it? Does she yell?

You are such a retard.....

Joni started out a folk singer in the mid-sixties singing with her then husband, Chuck Mitchell. She ditched him and lumenaries of the day starting putting her songs on their releases- most notably "Both Sides, Now" by Judy Collins.

She finally started releasing albums on her own. The first three are the ones that are "high and trilling that dogs come when you play it" as you put it:

Song for a Seagull
Clouds
Ladies of the Canyon

At this point, her relationship with Graham Nash, with whom she was deeply in love, ended because he wanted to get married and she wanted to remain a free woman. This breakup ushered in her confessional period, which consisted of the next two albums:

Blue
For The Roses

Joni was constantly restless and was always changing her guitar tunings into all manner of odd configurations. David Geffen and Elliot Roberts were managing the business side of her career. She moved back to LA from Canada (moving into David Geffen's house) and got involved in the early '70's jazz sound which moved her into the next phase of her career:

Court and Spark
Miles of Aisles (live)
Hissing of Summer Lawns

She met Jaco Pastorious and was infatuated with his experimental bass stylings. Restless and disillusioned with life in general, she took a road trip with friends and drove from LA to the Eastern seaboard (she didn't have a driver's license, but she did it anyway). This trip inspired most of the songs that appeared on her next album. This album and the one released after it were, for me, her last great albums until she "came back" in the early '90's.

Hejira
Don Juan's Reckless Daughter

Jazz bass player Charles Mingus was dying from Lou Gehrig's disease and asked Joni to write songs and add lyrics to some musical ideas he had. She went for it and received a lot of negative reviews as well as quite a bit of backlash from the jazz elite. I'm not all that impressed by the album:

Mingus
Shadows and Light (live)

Moving on, Joni was more disillusioned than ever and her songwriting began to get bitter and jaded. The early 80's period was mostly complaining about the ****ty state of politics and culture in general. For me, this was her low period- working with people such as Thomas Dolby and using lots of synthizers to poor effect:

Wild Things Run Fast
Dog Eat Dog

Her early 80's actions were really just the final nail in the coffin for Joni's long journey of trying to remove herself from the recording industry. Her next four albums would be her "second coming", so to speak. Her voice had completely changed to it's mid-low alto ravaged by years of heavy smoking- though still beautiful in my opinion:

Chalk Mark in a Rainstorm
Night Ride Home
Turbulent Indigo
Taming the Tiger

Now in her mid-fifties, Joni pretty much gave up on the concept of songwriting- her lifelong love of painting was now her primary creative focus. She released two more albums- both of which were orchestral reworkings of hits and misses. The Joni fan community was effectively split on these albums- some really hated them and others found a kind of poignant "September Song" feel to them (I'm in the latter).

Both Sides, Now
Travelogue

With the release of Travelogue, Joni retired from the music industry.


So to answer your question Amber- here are the following albums I recommend for one who is looking to get into Joni's music.

First purchase:

Blue
Court and Spark
Miles of Aisles

These will give you the most ear-friendly introduction to Joni's unique style and wonderful songwriting. After that I would recommend:

Hejira
Night Ride Home
Turbulent Indigo

More exploration into different styles. Hejira is a masterpiece, but it's not as masses-friendly as the first three. After getting a taste for Joni's experimental songwriting, I would move on to these albums:

For The Roses
Ladies of the Canyon
Hissing of Summer Lawns

At that point, you got the meat of Joni's catalog. You can spice with Song to a Seagull, Clouds, Don Juan's Reckless Daughter, or even Taming of the Tiger. I would steer clear of her early 80's stuff. Chalk Mark is uneven- though some truly love it.

There's your Joni primer. And, no, Joni doesn't yell.

[amber]

Originally Posted by Serrart

Two of my favourites:
Both Sides Now (2000 version)
http://s56.yousendit.com/d.aspx?id=0...01RQQ4LRU5M101

Blue (version with Sarah McLachlan)
http://s56.yousendit.com/d.aspx?id=2...G3K1V5BDYL8JK6

Romy

Thanks Romy.
I like her voice on Both Sides Now.
The Blue harmony is pretty. Although it's definitely MacLachlaned.

[ontheEdgeof17]

I voted for C. King. Her songs could not be beat at the time of her peak in the music business.

[amber]

Originally Posted by The Tower

You are such a retard.....

I'm a retard? Who just typed all that out for someone who just said she didn't like Joni's voice???


Thanks for the info, Tower.
wait, what does "you can spice" mean?

[Brwn_eyes0511]

This was hard...but I had to go with...

Carole King

[The Tower]

Originally Posted by amber

I'm a retard? Who just typed all that out for someone who just said she didn't like Joni's voice???

The retard comment was more related to the "does she yell?" part. Joni is the complete opposite of your beloved yeller, Laura Branigan.

The reason why I typed all that out is because most people associate Joni's "voice" with her very early period and I wanted to show that she was more than just that trill/folk chick.

wait, what does "you can spice" mean?

If you want to add stuff to your Joni albums, those listed are more for the Joniphile type people. I'll translate it into Stevie-speak.

"If you're not familiar with the works of Stevie Nicks, I would start out with Belladonna and Rumours, then move on to The Wild Heart and Tusk. After getting into Trouble In Shangri La and Mirage, you can spice it with The Other Side of the Mirror. I would stay away from Street Angel."

[Jyqm]

Originally Posted by amber

Thanks, Quim!!!
So, I don't know what you think "low" and "not trilling" is, but Party People is neither, to me.

I'm not sure what you think "trilling" is, but I'll be damned if hear any of it on "People's Parties," except on maybe one or two words.

No, the song is not her lowest singing for most of it, but she goes quite low in the last 30 seconds for the "laughing it all the way" refrain. And almost none of it approaches the near-falsetto of most of her earliest albums - those are indeed high and trilling.

[amber]

Originally Posted by Jyqm

I'm not sure what you think "trilling" is, but I'll be damned if hear any of it on "People's Parties," except on maybe one or two words.

No, the song is not her lowest singing for most of it, but she goes quite low in the last 30 seconds for the "laughing it all the way" refrain. And almost none of it approaches the near-falsetto of most of her earliest albums - those are indeed high and trilling.

trilling is when she goes up and down with notes scurrilly and rapidly. You know, rapid up and down note change.

[Jyqm]

Originally Posted by amber

trilling is when she goes up and down with notes scurrilly and rapidly. You know, rapid up and down note change.

Right. As I said, I'm really not hearing it on "People's Parties," with the exception of maybe two words.

[amber]

Originally Posted by Jyqm

Right. As I said, I'm really not hearing it on "People's Parties," with the exception of maybe two words.

Oh, I heard it through the whole thing pretty much.

[amber]

Originally Posted by The Tower

The retard comment was more related to the "does she yell?" part. Joni is the complete opposite of your beloved yeller, Laura Branigan.

The reason why I typed all that out is because most people associate Joni's "voice" with her very early period and I wanted to show that she was more than just that trill/folk chick.


If you want to add stuff to your Joni albums, those listed are more for the Joniphile type people. I'll translate it into Stevie-speak.

"If you're not familiar with the works of Stevie Nicks, I would start out with Belladonna and Rumours, then move on to The Wild Heart and Tusk. After getting into Trouble In Shangri La and Mirage, you can spice it with The Other Side of the Mirror. I would stay away from Street Angel."

Oh. I knew she didn't yell. My point was kinda....if she doesn't yell, I don't like it...

[shackin'up]

easy. jackson browne. one of the best all american boys ever.

[markolas]

If Carole King beats Joni, I'm gonna have to choke a bitch.

[Moony]

I can't belive people actually voted for that wife-beater, Browne.