Everybody Finds Out - Page 7

cliffdweller · #91 11-09-2005, 04:45 PM

Quote:

Originally Posted by Rickypt

The other option would be for Christine to return for a farewell tour.

Now THAT would be worth seeing

.

David · #92 11-09-2005, 04:54 PM

Quote:

Originally Posted by ELIUD

I'm sure the rest of the band is playing on the song. The drumming is Mick's best in my opinion. This is a link to the Enchanted Mistress website that is currently hosting a different mix of the song. They identify it as an "early mix" of EFO. But I've heard this before and I believe it is the Everybody Finds Out center channel mix from the DVD audio. Some of the music is pulled out of it and you can really hear Lindsey signature guitar style in the song.

The center channel things are great for hearing the bass lines, too -- helps you figure out the chords. Here's what I can come up with for EFO.

(Em) We see no change in sight (Am7)
Watching her decline (Em)
She gets on a midnight (Am7) plane
She's done it a thousand (Em) times

When (Em) love starts out in the (D/E) darkness
It (Am7) doesn't do well in the (Csus2/A) light
(Em) Affairs of the heart
That start (D/E) out in the dark
(Am7) Usually stay with (Csus2/A) the night

(Bm7) I know you (Csus2) don't agree
Every day you tell me
(Bm7) I know you (Csus2) don't agree

(Em) I know he loves me
(D/E) Every day he calls me
(Am7) He says he adores me
(Csus2/A) What can I say

(Em) You can't love him
(D/E) You can't have him
(Am7) I do have him
(Csus2/A) Most of the time

(Em) Anywhere we can
(D/E) Anytime he can
(Am7) Get away (Csus2/A)
(Em) Get away (D/E) (Am7) (Csus2/A)

(Repeat verse progression)

(Repeat bridge progression)

(Repeat chorus progression)

(G6) I know you don’t (Bm/D) agree
(G6) Well I know you don’t (Bm/D) agree

(Repeat chorus progression)

JazmenFlowers · #93 11-09-2005, 04:56 PM

Quote:

Originally Posted by David

The center channel things are great for hearing the bass lines, too -- helps you figure out the chords. Here's what I can come up with for EFO.

(Em) We see no change in sight (Am7)
Watching her decline (Em)
She gets on a midnight (Am7) plane
She's done it a thousand (Em) times

When (Em) love starts out in the (D/E) darkness
It (Am7) doesn't do well in the (Csus2/A) light
(Em) Affairs of the heart
That start (D/E) out in the dark
(Am7) Usually stay with (Csus2/A) the night

(Bm7) I know you (Csus2) don't agree
Every day you tell me
(Bm7) I know you (Csus2) don't agree

(Em) I know he loves me
(D/E) Every day he calls me
(Am7) He says he adores me
(Csus2/A) What can I say

(Em) You can't love him
(D/E) You can't have him
(Am7) I do have him
(Csus2/A) Most of the time

(Em) Anywhere we can
(D/E) Anytime he can
(Am7) Get away (Csus2/A)
(Em) Get away (D/E) (Am7) (Csus2/A)

(Repeat verse progression)

(Repeat bridge progression)

(Repeat chorus progression)

(G6) I know you don’t (Bm/D) agree
(G6) Well I know you don’t (Bm/D) agree

(Repeat chorus progression)

thank you!

Jyqm · #94 11-09-2005, 05:04 PM

Quote:

Originally Posted by Johnny Stew

Based on the musician credits, I'd assume they played drums and bass on everything (although it's possible Lindsey played those instruments in some places).

And of course in John's Penguin Q&A he claims that he has played bass on every track ever released on a Fleetwood Mac album. Assuming he just forgot about "Long Grey Mare" (that's the lone Brunning track, right?), I'll beleieve him.

The Tower · #95 11-09-2005, 05:38 PM

Quote:

Originally Posted by David

The center channel things are great for hearing the bass lines, too -- helps you figure out the chords. Here's what I can come up with for EFO.

(Em) We see no change in sight (Am7)
Watching her decline (Em)
She gets on a midnight (Am7) plane
She's done it a thousand (Em) times

When (Em) love starts out in the (D/E) darkness
It (Am7) doesn't do well in the (Csus2/A) light
(Em) Affairs of the heart
That start (D/E) out in the dark
(Am7) Usually stay with (Csus2/A) the night

(Bm7) I know you (Csus2) don't agree
Every day you tell me
(Bm7) I know you (Csus2) don't agree

(Em) I know he loves me
(D/E) Every day he calls me
(Am7) He says he adores me
(Csus2/A) What can I say

(Em) You can't love him
(D/E) You can't have him
(Am7) I do have him
(Csus2/A) Most of the time

(Em) Anywhere we can
(D/E) Anytime he can
(Am7) Get away (Csus2/A)
(Em) Get away (D/E) (Am7) (Csus2/A)

(Repeat verse progression)

(Repeat bridge progression)

(Repeat chorus progression)

(G6) I know you don’t (Bm/D) agree
(G6) Well I know you don’t (Bm/D) agree

(Repeat chorus progression)

Am7 ?? My short-circuited brain seems to remember that would be Cmaj7 . My piano at home needs a tuning, cuz I play this song in Ebm.

jkmaletic · #96 11-09-2005, 05:43 PM

Quote:

Originally Posted by David

The center channel things are great for hearing the bass lines, too -- helps you figure out the chords. Here's what I can come up with for EFO.

(Em) We see no change in sight (Am7)
Watching her decline (Em)
She gets on a midnight (Am7) plane
She's done it a thousand (Em) times

When (Em) love starts out in the (D/E) darkness
It (Am7) doesn't do well in the (Csus2/A) light
(Em) Affairs of the heart
That start (D/E) out in the dark
(Am7) Usually stay with (Csus2/A) the night

(Bm7) I know you (Csus2) don't agree
Every day you tell me
(Bm7) I know you (Csus2) don't agree

(Em) I know he loves me
(D/E) Every day he calls me
(Am7) He says he adores me
(Csus2/A) What can I say

(Em) You can't love him
(D/E) You can't have him
(Am7) I do have him
(Csus2/A) Most of the time

(Em) Anywhere we can
(D/E) Anytime he can
(Am7) Get away (Csus2/A)
(Em) Get away (D/E) (Am7) (Csus2/A)

(Repeat verse progression)

(Repeat bridge progression)

(Repeat chorus progression)

(G6) I know you don’t (Bm/D) agree
(G6) Well I know you don’t (Bm/D) agree

(Repeat chorus progression)

cool- but what is all this stuff? Is it notes on how to play it on piano or guitar? I've got the center channel mix of this song too, and it definitley sounds different thatn the finished version, but what does all this stuff mean?

Serrart · #97 11-09-2005, 06:16 PM

Quote:

Originally Posted by JazmenFlowers

I'm so upset that more wasn't done with this song. I've been thinking about this a lot lately. The strings and other instrumentation on this song is top notch, in my opinion. I love the little break towards the end (the "don't you know" part). It could have been an awesome video or single and a remix would have been amazing. I hate that it was just left on the CD. I really like it and wish it had gotten more attention.

I totally agree, it's a great song with a big potential and it could have been a wonderful single. Who's the genius who chose the singles?

Romy

Livia · #98 11-09-2005, 06:29 PM

The A&R man says, "I don't hear a single..."

Serrart · #99 11-09-2005, 06:37 PM

Quote:

Originally Posted by Livia

The A&R man says, "I don't hear a single..."

That explains everything. Probably Warner executives just put the titles in a hat and picked two.

Romy

goldustsongbird · #**100** 11-09-2005, 07:42 PM

Quote:

Originally Posted by JazmenFlowers

I'm so upset that more wasn't done with this song. I've been thinking about this a lot lately. The strings and other instrumentation on this song is top notch, in my opinion. I love the little break towards the end (the "don't you know" part). It could have been an awesome video or single and a remix would have been amazing. I hate that it was just left on the CD. I really like it and wish it had gotten more attention.

I realy like this song, including the break you mentioned. I agree it should've been released as a single. Stevie's got plenty of attitude... "I DO HAVE HIM!"
I could just picture her yelling this into the mic, doing a little hair shake. This would've rocked live!

Ghost_Tracker · #**101** 11-09-2005, 07:45 PM

Quote:

Originally Posted by JazmenFlowers

I'm so upset that more wasn't done with this song. I've been thinking about this a lot lately. The strings and other instrumentation on this song is top notch, in my opinion. I love the little break towards the end (the "don't you know" part). It could have been an awesome video or single and a remix would have been amazing. I hate that it was just left on the CD. I really like it and wish it had gotten more attention.

Three words -

1.) Melborne.
2.) Symphony.
3.) Orchestra.

PROBABLY in that order . . .

Hey, we can dream....

AliceLover · #**102** 11-09-2005, 09:13 PM

Quote:

Originally Posted by dissention

I thought only one recording surfaced; just the Columbus show and not the full rehearsal?

I'm convinced that the reason it was dropped was because it would have been too taxing on her voice to sing it every night.

Then why on Earth would they add Second Hand News which is obviously harder to sing than RTTG?

AliceLover · #**103** 11-09-2005, 09:15 PM

Quote:

Originally Posted by strandinthewind

I think it was more a function of her perception of poor audience reception. I think she can within reason sing anything anyway she wants and she will be okay. I think she just plays if way safe because she has had huge vocal trouble in the past, she is in her late 50's, etc.

If you listen to the Columbus boot it gets a great reaction right when she sings the first word and a good reaction at the end.