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#46
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I say his voice sounds better than ever because it does. It's deeper, more masculine, sexier. I went to three of the SYW concerts and was blown away by his performance-not by his stage antics-but by the sound of his voice, the passion with which he plays, and by his electrifying presence. My best friend, who is decidedly NOT a fan of Fleetwood Mac, went with me and was "amazed" by LB as well. I fail to see how you can imply that the sound of his voice is "an embarrassment" to the band. |
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#47
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It's all a matter of personal taste. As Victoria said, I prefer his more masculine sounding voice to his balls-being-tweaked voice from the seventies. He has more power to his voice than he did back then and I think it's changed for the better. Sure, he hits lots of bum notes and sometimes screams too much, but rock music isn't meant to be perfect. Unlike Stevie, he still has enough vocal stamina and control to be able to belt out tunes like a rock star, imo.
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#48
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~Suzy |
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#49
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Actually, I happen to agree with MFM in that his voice has really gotten quite a bit worse over the last couple of years, esp in the higher bits, he sounds very strained for most songs which is a shame (why can't he and Stevie share the vocal coach?). I'm worried that the Mac will eventually cease to be if we can no longer hear the singer singing GYOW, Don't stop and the like..maybe Stevie could take over his vocals as well..she was in my opinion helping him along quite a bit on this last tour..don't get me wrong his guitar playing is still great, maybe even better in parts, and he makes up for any singing troubles with his talent in that dept
![]() Incidently, I think Don Henley still has a super voice and sounds just like he used to..Joe Walsh on the other hand is better playing his guitar....
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mich Last edited by tuigirl; 07-05-2005 at 02:40 PM.. |
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#50
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Well, that is a little unfair - Stevie has more range, but shows it rarely a la B&B in its current mode and Circle Dance. Maybe its just the old stuff that is rote. |
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#51
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#52
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I thought B&B showed power and range, esp. when she hits the A. I am not alone in that, even Tower agreed with me ![]() But, I do agree that she rarely uses it and that pisses me off a little, esp. since 2000 - TISL was painful to listen to though I give her leave while she was sick, but the rest of it was as well, esp, SDMHA ![]() |
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#53
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Great arguement there..... Quote:
I'm not talking about the depth of his voice, I think he sounds better deeper than very high pitched, I'm So Afraid is proof of that.. What I'm talking about is the vocal range of his voice. He's trying to sing the songs as he used to instead of changing his approach to accomodate his diminished range. Stevie is a classic example. She doesn't have the range she used to either but she has changed her approach and sings the songs differently as a result. I'm not a fan of hers but I have to admit she impressed me on the SYW tour because I expected it to have suffered far more. I think maybe you need to hear more of Lindsey live over the years to make a proper judgement. I'm not a vocal coach but even I can tell Lindsey was strained on the last tour. Quote:
Not quite the same really...... |
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#54
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). It hasn't been the same since Enchanted for me.Quote:
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#55
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Never Dance with the Devil He Will Burn You Down |
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#56
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- Jake
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“The hair went from perm to growing out perm to really bad growing out perm to almost straight to good straight to long straight to beautiful straight to a lot of work straight back to the perm.” |
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I think Lindsey's voice was best in the 70s. I love it on Without A Leg To Stand On, Blue Letter, and Crystal. I like the OOTC songs as well, but I prefer the early vocals.
- Jake
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“The hair went from perm to growing out perm to really bad growing out perm to almost straight to good straight to long straight to beautiful straight to a lot of work straight back to the perm.” |
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#58
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In my earlier post I talked about how a singer's range doesn't necessarily make them a better singer in my eyes.Look at Marianne Faithful for instance. She had a better range in her youth, with her angelic girly voice but I'd take her world-weary smokey croak of Broken English any day. Range means nothing to me. Celine Dion has range, but I'd prefer Lou Reed's speak-sing, Roger Daltry's passion or Neil Young's slightly-out of tune sweetness any day. As for Lindsey, I just prefer his deeper voice now. I don't care that he hasn't got the range any more.
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"I want to come back as a Yorkshire Terrier, owned by me." - Stevie Nicks Last edited by trackaghost; 07-05-2005 at 04:33 PM.. |
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#59
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Lindsey and Stevie HAVE lost a lot of their range, period. There is no disputing that. That happens with age. It's whether or not they can still use what they have presentably that is the question. They can still pull off making records, and doing live shows, without all of us out in the audience cringing.
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#60
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The point is that Lou Reed, Dylan, even Daltrey write and sing songs that suit their voices. OK, they don't have the range but at least I assume they know it because the songs are suited.... Lindsey is trying to sing the songs as he used to. Now his range has decreased he should adapt the songs to his voice and he isn't doing so. Which is why you get the strained vocals.. I'm sure he could get some of his range back with coaching. The greater his range the more tools he has to use. The more tools an artist has, the more they can improvise in theory.. |
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