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#136
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Bring. it. on.
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#137
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And not all of Atwood's novel's work for me, either; I didn't like The Robber Bride because I found it too predictable and--I don't know, shrill or flat or both. And I could not get through Alias Grace. Haven't attempted Oryx and Crake yet. But when she's good, she's very, very good. Quote:
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I, too, am America. --Langston Hughes, "I, Too" She came out on the stage in ostrich feathers, beaded satin, and shone that smile on us and sang. --Robert Hayden, "Homage to the Empress of the Blues" Live not for battles won. Live not for the-end-of-the-song. Live in the along. --Gwendolen Brooks, "Speech to the Young" |
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#138
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#139
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Her performance in that movie is beautiful and profound, and that sounds all pretentious, but I mean it. She was damn funny--Some Lke It Hot is a testament to that; it would have just been another sex comedy/buddy comedy without her--but I'm always so sorry that she didn't get to do the dramatic things she wanted to do, because she would have been amazing, and maybe it would have been a little cathartic for her by making her feel she was a serious, respected actress.
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I, too, am America. --Langston Hughes, "I, Too" She came out on the stage in ostrich feathers, beaded satin, and shone that smile on us and sang. --Robert Hayden, "Homage to the Empress of the Blues" Live not for battles won. Live not for the-end-of-the-song. Live in the along. --Gwendolen Brooks, "Speech to the Young" |
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#140
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#141
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We keep just missing each other, I think, or really, I keep missing you! And Baby Makes Seven makes me want to cry and vomit and laugh and every time I read it. She's astonishing, and I think it's completely awesome you like her. And the one with the ageing hookers who start to die off, one by one; I can't think of the title. That play is so moving and funny. And do not get me going on Baltimore Waltz.
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I, too, am America. --Langston Hughes, "I, Too" She came out on the stage in ostrich feathers, beaded satin, and shone that smile on us and sang. --Robert Hayden, "Homage to the Empress of the Blues" Live not for battles won. Live not for the-end-of-the-song. Live in the along. --Gwendolen Brooks, "Speech to the Young" |
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#142
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The thing is, Orwell is so subtle and smart about it, and it's so much better than other writers who do all this: Oh, the pain! The pain! kind of thing. Just a few chlling moments and gestures, Julia and Winston are done in. You know, I don't know if you've ever read Wicked by Gregory Maguire, but I always feel like that about the love affair between Elphaba and Fiyero. It's beautiful and moving and the way it ends up just KILLED me.
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I, too, am America. --Langston Hughes, "I, Too" She came out on the stage in ostrich feathers, beaded satin, and shone that smile on us and sang. --Robert Hayden, "Homage to the Empress of the Blues" Live not for battles won. Live not for the-end-of-the-song. Live in the along. --Gwendolen Brooks, "Speech to the Young" |
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#143
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#144
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![]() Did you ever see Don't Bother to Knock? It was another good dramatic performance from her. |
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#145
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Thanks! ![]()
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I, too, am America. --Langston Hughes, "I, Too" She came out on the stage in ostrich feathers, beaded satin, and shone that smile on us and sang. --Robert Hayden, "Homage to the Empress of the Blues" Live not for battles won. Live not for the-end-of-the-song. Live in the along. --Gwendolen Brooks, "Speech to the Young" |
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#146
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The video to the Nicole/Robbie version is fabulous, though. He's trying to get her into bondage, so he gives her a riding crop on Christmas, and they retire upstairs to undress and use it. ![]()
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#147
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I have, and it was very good. Richard Widmark made a better foil for her than a lot of her later leading men, IMO. I think Niagra was a good performance, too, because when she's being chased into that bell tower, you feel her terror. But DBTK is probably better; she has more to do.
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I, too, am America. --Langston Hughes, "I, Too" She came out on the stage in ostrich feathers, beaded satin, and shone that smile on us and sang. --Robert Hayden, "Homage to the Empress of the Blues" Live not for battles won. Live not for the-end-of-the-song. Live in the along. --Gwendolen Brooks, "Speech to the Young" |
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#148
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And she didn't just dislike them -- she vehemently disliked them. I could take or leave Ol' Blue Eyes, but I love me some Eartha Kitt. ![]() Quote:
I would've liked to have seen it.
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"Although the arrogance of fame lingers like a thick cloud around the famous, the sun always seems to shine for Stevie." -- Richard Dashut, 2014 |
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#149
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Let me know when you see it, I love to gush over that movie.
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#150
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