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#31
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Last edited by Macfan4life; 09-12-2026 at 02:52 PM.. |
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#32
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Neil Young would beg to differ.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
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#33
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A southern man don't need him around, any how...
I actually met him(at sound check) working security at one of his concerts. I was 19. He walked up and started talking to me, and I was having a heart attack, that Neil Young was having a conversation with me(talking about how bad the acoustics are, at Indiana University's Assembly Hall). He was very nice.
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
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#34
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Diamond Rio has always been my favorite. Fantastic harmonies, and top notch musicianship.
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
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#35
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By the mid 90s I also read—though I don't recall where—that Christine and Stevie stepped away from touring but would still agree to collaborate on Mac albums. However, when Mick (supposedly) wouldn't let Stevie include Silver Springs on Timespace, that was the "last straw" for her, and at that moment she wanted nothing more to do with Fleetwood Mac. That’s how the Time lineup came to be formed later on.
I say "supposedly" because I also read somewhere that it was actually Warner that didn't authorize Silver Springs to appear on a Modern Records release. And Mick couldn´t do anything. Don´t know if that was true.
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#36
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But the documentary that used to be in Netflix was much more interesting. I watched it lot of times. ![]()
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#37
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[QUOTE=HomerMcvie;1306597]No one will ever replace FM in my life, ALTHOUGH the Eagles have always been neck and neck with them(but I didn't follow their personalities- because Don and Glenn have none, like I did with FM).
Fleetwood Mac will always be my # 1 but LBT is happening! |
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#38
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![]() --Lis |
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#39
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--Lis |
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#40
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Quote:
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
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#41
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No, the author was not an Eagles member, and I bought it in the 90s.
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#42
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I listened to a podcast with Dennis Dunston a few years ago. He said Stevie wasn't mad about the book. They just made it seem that way for the publicity. How true that is who knows. I think Chris was ready for a break. Without Lindsey, it is not the same band. And Stevie said she and Chris made a pact, but I don't believe that one too much. I think she felt it wasn't the same without Lindsey also. I'm sure her management encouraged her to leave FM and do more for her solo career. Of course the Kolonopin addiction didn't help things either.
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I have changed, but you remain ageless |
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#43
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Why did Stevie and Christine decide to leave the band? Certainly they felt outraged at Mick’s revelations contained in his autobiography published in 1990. Nicks felt particularly aggrieved with regard to his “kiss’n’tell” account of their earlier affair. She also wanted to pursue her solo career. Nicks had always been the most commercial successful of the five as a solo performer. As a prolific and talented songwriter, she had often found it terribly frustrating that only two or three of her songs ever appeared on Mac albums. Christine was simply tired of the madness which seemed to have surrounded the Mac for the previous two decades. After all, John would wryly comment that “the only two people in this band who haven’t had an affair are Mick and me!” Although Mick would put up a brave front to the press, claiming that Fleetwood Mac had not really broken up, but were merely “taking a break”, few believed him. After all, the true architects of the band’s success from the mid-Seventies onwards had been the writers: Nicks, Christine McVie and the departed Buckingham. John and Mick rightly prided themselves on their respective roles within the band. Their resilience and stamina had kept the often-beleaguered group afloat for years, but neither of them claimed to be any more than highly efficient members of one of the best rhythm sections in the world. They needed talented singers and writers if Fleetwood Mac were to survive. All Mac members retreated into solo mode, with varying degrees of success. Fleetwood Mac would be placed on hold for a while. Stevie Nicks’ estrangement intensified when, to her fury, Mick Fleetwood would not allow her to place her beautiful song ‘Silver Springs’ on the Greatest Hits package she was carefully compiling (Timespace — The Best Of Stevie Nicks). It wasn’t quite his fault. Mick, who owned the rights to Fleetwood Mac songs, had signed a deal with Warner Brothers, who would not give permission for ‘Springs’ to be released on another record label. Stevie dramatically announced that she would never again have anything whatsoever to do with Fleetwood Mac. Mick Fleetwood reluctantly resigned himself to the loss of the two major players in the Fleetwood Mac organization, and started to do what he had always done best. Pick himself up, and look to the future. Just to add to Fleetwood Mac’s problems, Rick Vito also left the band. Good old musical differences were cited. Only Billy Burnette remained from the Behind The Mask line-up.
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#44
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#45
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And I love history. That's why I'm very intrigued by this episode.
I don't quite understand when Bob said "Mick owned the rights to Fleetwood Mac songs" What exactly did he own? I tried to understand these business elements so I did some research yesterday. It was fun, but I’m still confused. In the White album CD book, all songs have the same: (©) Gentoo Music, Inc – BMI. I understand BMI is a music rights management company, and Gentoo Music is an inactive publishing company for historic music catalogs. But since Rumours (actually I checked my 2004 CD book), Lindsey’s songs have (©) Now Sound Music (ASCAP). Christine’s songs have Careers-BMG Music Publishing Inc. (BMI) and Stevie’s songs have Welsh Witch Music- All rights administered by Sony/ATV Music Publishing. The Chain song has those three companies plus Molly Mac Musci (BMI) and Rattleman Music (BMI). No need to look for the members related to these two. The Tusk songs feature the same companies associated with each member as on Rumours. Except Beautiful Child, who said Unichappell Music Inc (BMI) and Music for Unicef. That makes sense since Stevie donated "Beautiful Child" and all of its royalties to the UN fundraising campaign. However I don’t know if those publishing companies’ links with each song have changed over time or depend on each release, because I found a picture of the Silver Springs vinyl record, and it has Gentoo Music/Welsh Witch Music. I suppose all the Rumours original album songs have the Gentoo Music/ along with each member's respective company, does anybody know? I don’t have an original Rumours, but in the 1992 The Chain boxset, Silver Springs (and all Rumours songs) does not have the Gentoo Music/... It has just Welsh Witch Music. And in the Timespace CD only Beauty and the Beast and Desert Angel have the Welsh Witch Music. Why don't the other songs written by Stevie have Welsh Witch as publishing company? Anyway, again the core question… what did Mick exactly own? If he owns Gentoo Music, was that how he prevented Silver Springs from being included on Timespace? Why did he use Rattlesnake Music for The Chain instead of Gentoo? Was it because there are/were several owners of Gentoo Music? And… How much power does the record label have over those publishing companies? ![]()
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