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#61
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I agree the video Hold Me was an evidence that they couldn't stand each other. If the band's mood had been different, they might have even tried to make a video for one of Lindsey's songs, to maintain balance. Although I don't know which one I would have chosen. Mirage wasn't Lindsey's masterpiece as far as singles go.
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#62
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#63
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#64
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From the demos I've run across on YouTube (if dated correctly), it appears Stevie had written "Gypsy" in time for it to have gone on Bella Donna.
Jimmy Iovine or Benmont Tench (whom Iovine gave the task of reviewing Stevie's demos for songs to consider for the album)–or both (though it is the producer's ultimate responsibility)–somehow overlooked it, passed on it, or failed to get a good enough arrangement to reveal how good a song it is; and the oversight (or failure) became Fleetwood Mac's good fortune. Or, as Stevie has said, FM to some degree had right of first refusal on her songs and exercised it on this one. Because without that song, Mirage becomes a markedly different album both commercially and artistically. One of the demos (or run throughs) on YT is with the Heartbreakers. Perhaps that performance is part of the sessions or pre-production work for Bella Donna. Tom Petty says [I believe in VH1's Behind The Music documentary on Lindsey Buckingham (link below)] that Stevie has given him material to produce that he didn't know what to do with, whereas Lindsey knew exactly what to do with it. Perhaps "Gypsy" is the song (or among the songs) to which Petty is referring. https://vimeo.com/442119289 Last edited by cbBen; 07-04-2025 at 11:13 AM.. |
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#65
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Stevie's songs including the utterly majestic "Gypsy" were what she had saved for us after recording her first album, Bella Donna, which was about to sell ten million copies and make Miss Nicks the Queen of Rock. Some leftover! "Gypsy" is one of Fleetwood Mac's greatest works of art; for me it really crystallises that whole period of the early 1980s, when we were in our mid-thirties and beginning to look back on our lost youth.
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#66
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If she did earmark it for FM, it demonstrates she still had a good enough head on her shoulders at that point to discern which of her songs would work better in which context. Maybe she even cut "Gypsy" for Bella Donna and, on hearing the results, thought, "For this one Lindsey is the more suitable producer" (and/or "FM is the more suitable band"). I wonder how Lindsey would have produced songs such as "After The Glitter Fades" and "Kind Of Woman." Last edited by cbBen; 07-04-2025 at 07:19 PM.. |
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#67
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Does anyone really believe a word that comes out of her mouth?
She's a DELUSIONAL NUT.
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
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#68
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https://www.youtube.com/watch?v=xoMMnt131pg
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#69
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Although in Little Lies, I'm not sure if all five were together on the same day at the filming location. But I still see more interaction between some members than in Hold Me.
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#70
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Mirage and Tango had similar tensions for sure. But the band had been away for 5 years so there was effort to appear together even though Tango was mostly a Lindsey solo album.
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#71
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#72
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Usually, the opposite is true. Or, she makes sh*t up. I don't believe hardly any of the stories she tells as far as... "when we made this.. blah blah blah..."
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#73
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So since I was checking some Facebook pages about charts, several related posts have been appearing on my feed for a while now. This one from a week ago shows Mirage.
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#74
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Mirage shot up the charts very quickly and surpassed the chart peak of Tusk in just three weeks.
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The next week following this chart, Mirage hits #1 after 4 weeks on the charts. It would stay there for 5 weeks and then get knocked off by John Couger's American Fool. American Fool stayed at #1 for about 2 months. During that time Mirage stayed at #2.
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