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#1
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My late husband used to say..” I’m having a Bob morning”…meaning the whole day would be nothing but Dylan.
Well I had a Mac morning today..and played The White album, Tango in the night and Say you will. Now I like Say you will …always have..but it’s just grown and grown on me. In fact it’s right up there with Rumours for me… I like most tracks on Say you will, there’s only maybe two I’m not keen on. And some tracks are very good. I honestly don’t understand why people don’t like it. What is the problem with Say you will ?? Why is it people don’t like it ?? Last edited by sue; 05-10-2025 at 12:00 PM.. Reason: Forgot something |
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#2
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No Christine=no Fleetwood Mac.
(It's too dark without her)
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
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#3
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I agree it is dark, without Christine .without her light melodies and hooks …..but over the years I’ve accepted that.
It is what it is. It took me ages to get over this isn’t really Fleetwood Mac. (It was the same for me when Peter left…they just weren’t the same …until Lindsey and Stevie ..) |
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#4
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This is the only message board about a band where people hate the music from the band
![]() Of course Say You Will is missing Christine. But that was not an option and an unfair criticism. Its like hating Rumours because Bob Weston did not play on it. Say You Will is very Tusk like in its approach. Its insanely creative with songs like Illume and Come. Everyone hates them but seem to love The Ledge or I Know I'm Not Wrong. Stevie's songs kick ass on the album. I always find it odd that Say You Will suffers the same criticism as Tusk. Its too long, its too dark, its too cold, its not commercial enough and the band blamed Lindsey after both releases. But who cares if you dont like it. What I wish people acknowledge is Fleetwood Mac never played music like this before. Its packed with guitar, thumping bass, banging drums and insane grooves and melodies. Strip all the singing and its an insanely musical album. Everybody Finds Out is a masterpiece.
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#5
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But there was something about it and I persevered…..it took me a good two years to appreciate it. Yes it is a bit Tusk like, and both writers give up some great songs. Some really artistic material, and deep too. Especially as you say, Stevie. I actually consider it the last Mac Album…. Not Buckingham Mcvie….(which is nowhere near as good..gonna get slated for that) |
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#6
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My deluxe version was GIVEN to me by my cousin's roommate. She bought it and HATED it.
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
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#7
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In terms of the songs themselves, I find them to be generally very good. Stevie's songs on this album are incredibly diverse and are in my opinion her best set of compositions since the Tusk album. "Illume", which I initially found to be excessively long and monotonous, is a rather unique song in that their catalog in that it's essentially built around a guitar riff, drum loop, and a single chord. There are lots of interesting layers that were carefully overdubbed, as is the case for several other songs on the album. Lindsey's batch of songs largely came from the 1990s, which was amongst his best creative periods as an artist. "Red Rover" builds upon his guitar-oriented composition approach with multi-tracked vocals and some unique percussion. Based on observations I've seen, even people who are lukewarm on Say You Will have praised the musicianship of John and Mick, who provide a very musical rhythm section on this album. I'm certainly pleased that they released this album, which was a far better note to end on than Time. I just wish that they continued in this direction for another Fleetwood Mac release, but we did get several solo releases soon after as a minor consolation. They could have easily done something in either the late 2000s or the 2010s though. |
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#8
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Like you I was not wowed by SYW the first few weeks I had it. When I started to work out and run with it every night is when I started to love it. Listen to it with headphones and you really appreciate the music.
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#9
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Dark is a good definition. But I’m not sure why I don’t like the SYW album enough. My first thought was that it’s because it doesn't sound enough like Fleetwood Mac, and that’s why I usually don’t listen Murrow Turning over in His Grave, Illume, Miranda, and Come. I skip those songs. But in fact I do enjoy the others songs, though none is within my top list. I feel those songs I like aren’t Fleetwood Mac enough. It’s more like listening solo songs.
Of course Christine absence is one reason. But I fell something else is missing. Probably Richard Dashut’s touch, or Dashut+Caillat. Or because their voices, especially Lindsey's, are not the same as on previous studio albums. I like BuckVie more than SYW, so it would seem the main reason is obvious. But I think it’s the sum of everything I have mentioned.
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#10
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There will was never going to be a Rumours 2 especially without Chris. I am thankful they did not go the adult contemporary and super pop just to sell albums and please people. We all like different kinds of music. Thats wonderful. This board would be so boring if we all liked the same stuff. What makes me mental when discussing this album on this board over the years. I remember someone posted that they hated Illume because you cant sing along to it. Its a very solemn poem that Lindsey decided not to go the solemn route and did it very angry. Its not supposed to be a sing along song like Seven Wonders. Its like when some look at paintings of The Scream or Mona Lisa and say "I don't get it." Music is like painting as Lindsey often says. It can be art. Then people say the songs sound nothing like Fleetwood Mac while one of their favorite songs is Caroline which pretty much was lifted directly from a Lindsey solo album and sounds nothing like Fleetwood Mac. In fact very little of Tango sounds like Fleetwood Mac but that criticism is only given to SYW. Dear Lord, Come has too much guitar in it. But what about all the fake programmed stuff on Tango that had almost zero guitar.
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Last edited by Macfan4life; 05-10-2025 at 04:07 PM.. |
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#11
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Out of curiosity, what were the two songs you mentioned you don’t care for? |
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#12
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When I first bought SYW I hated it. There was something I found cold and impersonal about the production. By this time, Stevie’s voice more noticeably nasal and some of Buckingham’s songs seemed dry and self-important. But about a month after it was released, I loved it. Illume, Throw Down, Red Rover, Say Goodbye, and Everybody Fins Out were and are my favorites. But also the title track is pleasant and Miranda is cool.
It feels like a substantial album. Meaty. Muscular. John and Mick come off really well. But…the middle section sags. Dull, dull, dull. Peacekeeper is not a convincing single and Silver Girl is yawn-inducing. I remember reading an interview at the time where it was revealed that Christine would have worked on it had she been allowed. That pissed me off. I understand touring an album where her songs might turn out to be the highlights could prove difficult without her on stage. But still. When ITM came out a year later, I found the bulk of it more FM than anything on SYW. I challenge anyone who doesn’t think Giving It Back isn’t a quintessentially FM song. It is, much like Trouble was for Lindsey in 1981. |
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#13
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Interestingly, Christine didn't write that song. Billy Burnette and George Hawkins did.
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#14
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And Everybody finds out…I don’t like Stevie’s voice on that one. |
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#15
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Since Mirage, Christine co-wrote many of her songs. But she still retained her style and invited others into her unique process. |
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