The Ledge

Go Back   The Ledge > Main Forums > Stevie Nicks
User Name
Password
Register FAQ Members List Calendar


Make the Ads Go Away! Click here.
 
 
Thread Tools Display Modes
Prev Previous Post   Next Post Next
  #5  
Old 10-14-2024, 03:05 PM
Macfan4life's Avatar
Macfan4life Macfan4life is offline
Addicted Ledgie
 
Join Date: Sep 2014
Location: Somewhere near Key Biscayne, nothing there so I came back
Posts: 7,675
Default

Quote:
Originally Posted by David View Post
I think Stevie wrote the words and her musicians worked out the music to follow the “Little Red Corvette” chord modulation. I think one of her keyboardists created the main synth hook that you hear in concert with the drums, but I think Prince added the sixteenth-note synth bass and the octave tremolo on the chorus, which turn the song into a little bit of a funk-dance track (right up Prince’s alley).

Here’s what I heard about Stevie and Sandy. When that falling out happened, the story goes that Sandy had finished recording her first album (Modern Records) and Stevie had added a lot of backup vocals and duet vocals. But for some (stupid) reason, Sandy took off a lot of her vocals and just kept “I Pretend,” “Saddest Victory,” and “Cat Dancer” backup vocals. So Stevie got very annoyed and basically said, “Fine. You want to do your solo album by yourself, go ahead.” Stevie then started planning another tour leg for 1984. She had originally planned to have Sandy open the shows, but when they had this fight, Stevie reached out to Julian Lennon to open the show at Dodger Stadium and the shows after that.

But that was the story going around in 1984 — Sandy wanted her album to stand on its own two feet and just use Stevie a little bit, whereas Stevie wanted to basically make a Sandy Stewart + Stevie Nicks album. Sounds like a young artist wanted her efforts to be prominent and the mentor superstar wanted to push a team effort to draw enormous attention to it.
I've heard you mention that possible second Wild Heart tour leg in 1984 before. Besides the Sandy falling out, maybe she and her record company thought Nightbird was going to be another hit and keep the momentum going. Did you not say before Stevie also wanted to release All The Beautiful Worlds on the B side of Nightbird?
The Against All Odds soundtrack was also released in early 1984. Violet and Blue was big in rock station rotation. After Nightbird and Violet and Blue faded from the charts, it was quiet in Stevie world for a long time.
I think if she had done a video for I Will Run To You, Nothing Ever Changes or Enchanted as a possible third single would have extended the Wild Heart's run on the charts and bled into 1984.
__________________
My heart will rise up with the morning sun and the hurt I feel will simply melt away
Reply With Quote
 


Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is On

Forum Jump


Billy Burnette Lp Self Titled On Columbia - Vg+ To Vg++ / Vg++ picture

Billy Burnette Lp Self Titled On Columbia - Vg+ To Vg++ / Vg++

$11.99



Billy Burnette - Self-Titled LP - 1980 1st Pressing 12

Billy Burnette - Self-Titled LP - 1980 1st Pressing 12" Columbia LP + Lyrics VG+

$4.50



BILLY BURNETTE - GIMME YOU - 1981 COLUMBIA RECORDS VINYL ALBUM - (VG/VG+) picture

BILLY BURNETTE - GIMME YOU - 1981 COLUMBIA RECORDS VINYL ALBUM - (VG/VG+)

$5.00



BILLY BURNETTE - (SELF- TITLED) - 1979 POLYDOR RECORDS PROMO VINYL LP - (VG/VG) picture

BILLY BURNETTE - (SELF- TITLED) - 1979 POLYDOR RECORDS PROMO VINYL LP - (VG/VG)

$5.50



BILLY BURNETTE  45 RPM Promo Record

BILLY BURNETTE 45 RPM Promo Record "SHOO-BE-DOO" 1978 Rock Unplayed MINT

$6.70




All times are GMT -5. The time now is 11:19 AM.


Powered by vBulletin® Version 3.8.11
Copyright ©2000 - 2026, vBulletin Solutions Inc.
© 1995-2003 Martin and Lisa Adelson, All Rights Reserved