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#1
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#2
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![]() Quote:
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#3
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![]() It’s a great tune but missing Lindsey Buckinghams magic to make it even better.
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#4
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![]() He would have cut the bass and keyboards "call and response". Glad he's not on this.
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#5
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![]() He’d have un-grooved it, turned a funky pop tune into a quirky ditty. I prefer the heat and sexual overtones on this.
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#6
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![]() I’d rather Bob Welch be on “Come Out To Play” than Lindsey come within a hundred feet of this.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#7
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![]() He would add barking every time she sung, "won't you come out to play"
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#8
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![]() And he could drag the Fairlight out of storage…
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#9
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![]() And tap the mic for drums.
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#10
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
#11
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![]() But when I hear ITM today, I still marvel at how good it is. Dan Perfect may not have had a sense of "narrative arranging" but he knew how to get a great, contemporary sound. He also seemed to work effortlessly with his Aunt. For her part, Christine's songs are split between R&B-influenced pop and folk-influenced pop, showing off equal sides of her "split" musical personality. I think "Anything Is Possible," "Forgiveness," "Bad Journey," "Liar," and "Friend" are great "up" tunes! And then there is "Giving it Back"--which is the most Fleetwood Mac non-Fleetwood Mac song of the 2000s.
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#12
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#13
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![]() Give me Puffs or give me death!
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
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