Lindsey hospitalized for emergency heart surgery

[lovethemac1]

Originally Posted by secondhandchain

Any respect I had left for Christine is GONE. What an awful article.

FLEETWOOD MAC'S CHRISTINE MCVIE ON 'AMERICAN HORROR STORY', PLAYING WEMBLEY, AND POTENTIAL NEW MUSIC
"I don't see any reason why we can't do another tour and make another record."

With a 50-year legacy of friendship, fallouts and iconic folk-rock hits, the Fleetwood Mac story is as epic as they come in music.


Over the years band members Mick Fleetwood, John McVie, Christine McVie, Lindsey Buckingham and Stevie Nicks have married, divorced, made up, fallen out, and continued to release some of the most defining pop hits of the last century - and the drama hasn't waned now most of them are in their seventies.

Disagreements over current world tour 'An Evening with Fleetwood Mac' led to Buckingham's sacking from the group in April last year, with the guitarist and vocalist settling a lawsuit against his former bandmates in December.

Talk of that lawsuit is strictly off-limits as Attitude meets Christine McVie ahead of Fleetwood Mac's two planned dates at Wembley Stadium this June, but the British-born singer is a characteristically open book when it comes to discussing the legacy of a band that has defined her life since 1970.

Despite standing as the (relative) calm at the centre of the Fleetwood Mac storm, McVie has had plenty her own ups and downs during the course of her career, most notably retiring from the group in 1998 for 16 long years after developing a debilitating phobia of flying.



Since rejoining the group onstage at Wembley in 2014 McVie hasn't looked back however, and as the 75-year-old songstrees discusses eveything from Fleetwood Mac's unlikely inclusion in American Horror Story to why the popularity of her signature track 'Songbird' has been both a blessing and a curse, it's clear she's having the time of her life...


You've had a bit of a break from touring over the last few weeks - do you feel fully rested and recuperated?

Ha! Well, I was over in England - I live in London - and I've just moved into a new house, so I can't say that it was a particularly restful time, because you know when you move house, that's pretty stressful.

That does seem like a bit of an undertaking during a year-long world tour!

[laughs] I mean at least it's my forever home so I'm very happy there. But glad to be back on the road again.

How are you finding being on tour this time around?

We've had an unbelievable time. I mean, you probably know that Lindsey's no longer in the band, and Mick… I don't know how he does it, [he] manages to find the right people at the right time, and we now have Neil Finn from Crowded House and Mike Campbell who was in Tom Petty [and the Heartbreakers] - great guitar player - and these guys are so talented and they fit in so well with what we're doing. It's created a real buzz over here [in the US], it's unbelievable. It's a bloody great show, it really is. We're all loving it, loving it!



It must be quite intimidating for Neil and Mike to suddenly join band with such a massive legacy.

Well they come with their own pedigree, you know? They're great artists with huge hits in other bands, so they were fairly confident. They were nervous I think, to begin with, but now it's phenomenal. They're having a ball up there. We all are.

Just how different is day-to-day life on the road now compared to the '70s and '80s?

Life on the road now is a lot more sober than it was back then. There were an awful lot of drugs flying around back then in the '80s. We live quite comfortably and we can't do a show every night because we're all a bit too old, so we have to be a bit selective about how many gigs we do a week. As we get a couple of days off here and there to rest the weary bones, we're just having so much fun. It's probably the most rewarding time of my touring life ever, I think.

You've talked about how one of the main reasons for your hiatus from the band was your fear of flying - is that something you're still having to contend with?

No, no – well, I went in for treatment to cure my fear of flying. I was stuck in England and the only way I could go anywhere was by boat or train, so that was a bit limiting to say the least! [chuckles] And of course I wanted to travel. I ended up booking a ticket to see Mick, who lives in Maui, Hawaii, and ironically he phoned me up and said 'Chris, I'm coming to London, are you going to be around?!' And I said 'I bought a ticket to come and see you!' So he said 'Well wait for me to come over and we'll fly back there together.' And I swear to God, I've never thought about [my fear of] flying again. I fly to Africa, I've been on tiny planes, landing on airstrips with wildebeest [on them]... I embrace flying. And we travel in two small planes, the band, we don't all go in one big plane, and it's a painless thing, thank God.

You're performing two nights at Wembley in June - how much does it mean to you as a Brit performing in front of a home crowd?

It's phenomenal, just phenomenal. Especially as [London's] my home town. Even though I did spend 30 years in the US I've always been an Englo-phile, or whatever they call them. I always miss my roots and that's why I'm happy to be living back in London again. As much as I love travelling and I love Malibu, it's such a joy for me, Heathrow Airport. [chuckles] That runway, I go 'Ah, I'm home'. Whatever kind of mess [Britain’s] in, I love it.



Well that does come in useful on a tour like this.

It does come in handy, yeah!

Of course fans at a show like 'An Evening with Fleetwood Mac' are going to want to hear the classics, but for you as a performer are there any particular songs you still relish playing live, or perhaps dread?

Well you've got to remember you're performing to new people every night, so you have to pretend to yourself that you're playing it for the first time. You play it with as much vigour, and it's always slightly different each night. You aim to make it the best gig [yet]. We set our goals quite high in this band, we really want to be the best we can be. I think 'Songbird' was one song I got a bit tired of doing, and in the show at the moment we don't do that at the end - Stevie and I do a little duet, which is really sweet. But 'Songbird' isn't off the plans, we might do it in England, I don't know. But all the other songs I adore.

'Songbird' is probably the song you've had most critical acclaim for over the years - are there others you look at and say 'I want that to be my legacy as a songwriter?'

I suppose there are a few really, but I think 'Songbird' has to be the one, because that's the one I wrote in half an hour.

I'm always floored when I hear that.

Me too! I wish they could all be that easy. [laughs] I had the words, the melody, everything. And guess what I didn't have? A tape recorder! I had to stay up all night and keep playing it so I could call an engineer first thing in the morning to let me go in and put it on tape so I wouldn't forget it.



Thank God you did, there'd be a lot of very disappointed people if you hadn't.

Well I would've been the most disappointed, because nobody else would have heard it! But there are quite a few songs obviously that I love; 'You Make Loving Fun', 'Oh Daddy'… We have a such a big catalogue of songs that for different reasons are just wonderful songs.

People say that a lot of the magic of Fleetwood Mac's song writing came down to the emotional turmoil you were going through, be it relationships, drugs... Is it harder to find that inspiration now you’re in a better place in your life emotionally?

I'm too happy to write songs now! [But] I can get [still] there, I work well under pressure. If someone said to me 'We're doing an EP, we're putting it out in March', I could probably do it. But if I'm not under any particular pressure or heartache, I don't do so good. I have to be involved in love to write love songs.

There's been a lot of talk of new Fleetwood Mac material over the last few years, and obviously you had your joint album with Lindsay a couple of years ago - are you guys working on fresh material?

With the new band? No not yet. There are a couple of songs we've had in mind with Neil, and he seems like he'll be easy to work with, but we're not thinking about a new record… yet. This world tour is going to take most of the year. Maybe next year. Nobody's made any decisions about that yet.



This definitely isn't a farewell tour then?

Oh I don't think so. We never say never, this band. I think as long as we're all vertical and we've got our health I don't see any reason why we can't do another tour and make another record. I can see no reason why not.

In the last few years we've seen shows from Glee to American Horror Story bring Fleetwood Mac’s music to a fresh audience - did you catch any of those episodes, and do keep abreast of the ways your music continues to influence popular culture?

Only to a degree. I just hear all the time from generations where their parents play Fleetwood Mac albums at home and the kids pick it up. They're 12, 13, 14 years of age and they come to see us, and they're right there by the stage, these kids that know all the songs. Stevie is an icon and gets involved in a lot more things than I do, so she's probably helping to keep the Fleetwood Mac legacy alive with all these things that she loves to do. I tend to be a bit more private. You know, I go to Waitrose and do my shopping on my own!

So we won't be seeing you as a singing witch with Stevie on American Horror Story any time soon?

Hey, if I was offered I may not say no - I've never been asked! I don't know if it's really my strength, or my cup of tea. We'd have to see...



I think a lot of people would love to see that duo on screen...

Well, suggest it to the producers!

The campaign starts here!

[Sceptically] The campaign starts here, right... [laughs]

Finally, if you could hop in a time machine right now and re-live one era of Fleetwood Mac, when would it be?

Oh, it would have to be the '70s... It would have to be when Rumours came out. The excitement, the buzz of realising you've written one of the best albums ever written; we were just flying high off that knowledge. And every week it was number one in the charts, for about a year. We flip-flopped with The Eagles and Hotel California. But it was just a phenomenal time. Too many drugs, too much alcohol, but that was a crazy, crazy year. That era was unbelievable. But having said that, I'm really enjoying what we're doing now, most of all...

This interview made me feel sick to my stomach. I thought she was so much better that this, obviously she is full of it, and spouting whatever is needed at the time she is interviewed. It better have been done before Lindsey's heart attack because if it wasn't, man, she's a piece of work.

To go on and on about how wonderful and happy and amazing everything is, GAG ME WITH A SPOON..........I did not enjoy reading this.

[BombaySapphire3]

Sheesh what an old hag..in some ways she is worse than Stevie. At least Stevie had a very tumultuous history with Lindsey and a very acrimonious breakup . Christine just finished an album and a tour with the man where she was gushing over how much she loved working with him. These people have no shame .What an abomination of a band they have become.

[luminol]

Originally Posted by BombaySapphire3

in some ways she is worse than Stevie. At least Stevie had a very tumultuous history with Lindsey and a very acrimonious breakup . Christine just finished an album and a tour with the man where she was gushing over how much she loved working with him. These people have no shame .What an abomination of a band they have become.

Agreed.

I can't believe this interview.

Awful.

[Jondalar]

Originally Posted by elle

every stevie fan buys 5-10 copies of everything she puts out. just go look all the posts every time she released an album or a song. all her fans there brag how many copies they bought.

That was when they were fans... I was one of those people... I’m saying she lost a lot of those fans. I’m not really a fan anymore.

[michelej1]

We heard how mad Chris was when Bob Welch sued them. I suppose she feels that way now.

[HomerMcvie]

While she is the heroine of my life, and I've tried my best to ignore some of the bad things(which began with her keeping Bob Welch out of the r&rhof), it's nearly impossible to give her a pass any longer.

FRAGILE OR NOT, her only loyalty seems to be to Dick. F*ck her greatest creative partner. Corporate shill indeed.




PS- note how I didn't feel the need to quote that BIBLE length interview...

[louielouie2000]

For what it’s worth, Christine has always gushed about whatever she’s currently promoting, while belittling whatever project she’d worked on previously. She’s done it with her pre ‘75 Mac albums, she did it with her solo albums, now she’s seemingly doing it with Buckingham McVie/the Mac Lindsey years. I remember when she denigrated In The Meantime after she rejoined the world, and I was absolutely flabbergasted. I thought that album was the best collection of songs she’d ever released (still do). After all these years, Chris is simply a well oiled PR machine. She’s arguably better at crafting an exacting message & repeating it ad nauseum than any of them. If Lindsey were ever to work with her again, she’d do the same thing- gush over him while discrediting Crowded Heartbreakers. It’s just what she does. You don’t stay in the pop music business 50 years without towing the line. Not that her words here don’t dismay me, but I also know not to take them at face value.

[BigAl84]

Denial. So much denial in this band.

Denial of their own age
Denial of the productive time they have together
Denial of how they currently sound on stage
Denial of the magic that was the combination of the 5
Denial of any kind of family bond they should have

I don't even have the words for that Christine interview. Sounds like Stevie and Mick have gotten a hold of her ear. Or as freakin spineless as it is, she's doing exactly what she is told. Azof is looming over this band now...She's got to keep it civil until September. Surely a warning was given when Lindsey let it slip that she reached out to him...

So much of their behavior isn't new, it's trickled in at different points in time and true colors have been revealed before. This is just one really terrible culmination of all of it coming together at once and they really look like a group of rotten sh*ts at this point with no regard or respect.

It's so incredibly crushing to invest so much of your life to enjoying this band, the music they made together, and the overall belief that there were some deep waters that held them together, that at the end of the day they really cared about one another and VALUED all the the progress they made post 1997. To see it all crumble is heartbreaking.

Yes, we will always have the music. However it will be forever changed when so many can no longer respect those who made that music we all loved so much. A loss of perspective is an understatement. This is a group of folks in their 70s still pulling the same drug fueled irrationality of their youth. Egos, adoration, and money have replaced the booze, sex, and cocaine. As much of a gift Christine's return was, it ultimately upset the power equilibrium within the band in a way that we'll never fully understand.

We thought they came out the other side as better people, that turned out to be false for the majority of them.

Sad.

[Aisling]

It’s like she’s in a cult or something. Blink twice for help, Chris. Truly disgusting interview.

[cbBen]

Posted 45 minutes ago. How do you make these biller, Elle?
Attachment 13164

[HomerMcvie]

Originally Posted by cbBen

posted 45 minutes ago
Attachment 13164

Invalid attachment, Ben.

[cbBen]

https://twitter.com/KBChrush/status/1095934979660345344

[aleuzzi]

Originally Posted by louielouie2000

For what it’s worth, Christine has always gushed about whatever she’s currently promoting, while belittling whatever project she’d worked on previously. She’s done it with her pre ‘75 Mac albums, she did it with her solo albums, now she’s seemingly doing it with Buckingham McVie/the Mac Lindsey years. I remember when she denigrated In The Meantime after she rejoined the world, and I was absolutely flabbergasted. I thought that album was the best collection of songs she’d ever released (still do). After all these years, Chris is simply a well oiled PR machine. She’s arguably better at crafting an exacting message & repeating it ad nauseum than any of them. If Lindsey were ever to work with her again, she’d do the same thing- gush over him while discrediting Crowded Heartbreakers. It’s just what she does. You don’t stay in the pop music business 50 years without towing the line. Not that her words here don’t dismay me, but I also know not to take them at face value.

Precisely. She has done this many, many times. Plays good soldier for whatever configuration she’s involved with. I also agree that ITM remains her best collection of songs! That she has dismissed that effort so easily and totally is sad. If it had made big $, her response would have been different.

What bothers me the most about the interview is the way she is so readily willing to put creativity aside, stall work on new music (which, even in this interview it’s clear she’d be ready to start at a moment’s notice) just to toe the corporate line. Mick and Stevie call the shots and she goes along with it all. Meanwhile, whatever song ideas she has (and by all accounts she has many) languish until what...she’s 80?

[BigAl84]

They should get Billy and Rick back for the next tour and call it the 8788 Revival because they will all be about 87 or 88 years old!!!

[Phil]

Or perhaps, just maybe, Christine and the others simply grew tired of the wife beater's passive-aggressive, spiteful nature and outmoded musical ideas? Just sayin'...
PS Is he dead yet?