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#11
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Quote:
But for Mirage, he had to back off or dial it all down. They told him there would be no more band fragmentation in the building of tracks, no more recording his own bass or drums or keyboards at home and then using those recordings in the finished product. For Tango, he was forced by circumstance to exert more control than on Mirage. Stevie and John weren't around, and Mick was baked all day. Only Christine and Richard worked with him on a sustained basis to get that album finished, and they all had to employ all manner of tricks to fake the sound of a whole band participating fully. It's important to remember that Stevie has had major problems with several of her solo producers. Many of those relationships have gone sour for some reasons we know and many we don't: Iovine, Glyn Johns, Rupert Hine, etc. I think Stevie has a sensitive gag reflex in the studio, maybe because she's not as self-confident as she could be.
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