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#1441
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Quote:
With sorrow did I read of your loss. My father passed on June 16, 1992, the day Out of the Cradle was released. To this day so many words, sounds, and moods from that album bring me back and move me forward. |
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#1442
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...but isn't it great seeing so much love for it? I felt it coming that it was going to be great and I wasn't disappointed in the slightest, many of these lyrics point to a life that was long and well lived, with a still-bright outlook for the future. This band was always super romantic.
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#1443
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I've listened through the album once since I got it yesterday. I know it isn't Fleetwood Mac, but if it was it would be missing something. I'm not saying that something is Ms Nicks, but it seems to be missing a certain spark that we'd get from FM albums.
There is a certain magic that seemed to happen on FM albums, that Lindsey would always get Stevie to sound better than she did on her solo stuff, or there would always be a rockier and more coherent sound to Lindsey's stuff than on his solo albums. Christine, when she was around, just wrote catchy little tunes. So we have no Stevie, no coherent Lindsey and no catchy little Christine. That's my view after one listen, so will give it another chance if I'm out of the shop and driving around tomorrow.
__________________
[SIGPIC][/SIGPIC]
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#1444
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Quote:
" i'm going to the Hyde Park show… Oh wait buckvie" |
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#1445
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Quote:
It is a fine album with some great moments and a only 1 or 2 average to ok sequences. I remind myself that Christine is going to be 74 in a month and how many 67 year olds who have earned their retirement are still so involved in the creative process to not just write and sing, but produce, arrange, play, program, engineer their vision into craft? It is for a me testimony to the endless spirit of needing to be vital forever long, even if the definition of that vitality evolves. |
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#1446
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Quote:
I was trying to think of any other artist putting out music this vital at this stage of the game in their careers. I really can't think of any... I'm enjoying this much. |
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#1447
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This is what makes this even more impressive. Continued innovation and expiermentation, at there age. Imagine Lindsey had crafted this when he was 30, because it has the freshness of someone who is still hungry and curious. I can't think of any artist who is still doing this at this age. Couldn't be happier with this album. We should all be grateful and applaud just how much this rocks.
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#1448
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Quote:
Look, I don't hate it. I just don't love it and it's great that you and many others do. But this description of the album doesn't seem to be describing the same songs. Last edited by MikeVielhaber; 06-11-2017 at 01:54 PM.. |
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#1449
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I'm loving this album so much. I've been boring my family playing it loud in the house. It's an album I'm proud to play. I'm embarrassed to play certain parts of Mirage in public. I love Tusk but I'd be embarrassed to play certain Tusk songs. Every song on this album is strong...and quite contemporary despite the nods to the past. I think its up there with White album and Rumours in terms of the consistency of the songs. Unfortunately as I played the first four songs so may times I'm finding I'd rather miss them out at the moment. I'm sure I'll come back to them.
I voted On With The Show as my favourite song (for some reason it reminds me of REM, especially the first part of the song) but I think Game of Pretend might be catching it up. There's just no pleasing some people ![]() PS: this album is more 'Fleetwood Mac' than Say You Will.
__________________
'Where words fail, music speaks' Mick Fleetwood |
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#1450
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Quote:
) Listen to the vocal... first verse has the lead panned straight up the middle, with an almost gated/ double tracked just off to the left, while the Mcvie bass line is straight up the middle with a fuzz bass off to the right! So cool how they work with each other, making the listener feel like they are discovering something every time they listen back. I feel like I'm being given a free master class in music production from a living legend. For music/recording geeks like me this is as good as it gets. Then there is the flanged/delay backup vocal on the chorus off to the left. Helps build up the chorus without distracting you too much. Tough to really explain all of the things I hear, but I don't find this stuff anywhere else, in any kind of music. Lindsey is just an incredible artist. Sure it has elements or influences of Tango on there but it's definitely different and new.As for rocking... Music doesn't have to blow the windows out to rock. I think one of the best concerts I've ever been to was a Ryan Adams acoustic show. One man, one guitar, one voice. But if you're looking for rocking in the traditional sense, turn up the last minute or so of the album. There is no way anyone on this board; and we all love this band, didn't have goose bumps when Lindsey plays a solo like that. Makes you want to play the album all over again. |
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#1451
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Quote:
On this album there are many jewels to mine. |
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#1452
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Thanks Lennonfan. I think you are on the Hoffman forums too! (I'm wilbuck over there). I just really love this music.
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#1453
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Bought the album and am sitting through my first listen.
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#1454
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I've listened through a couple of times...but with it as background music, not intensely.
Only negative thing I have is that Lindsey repurposed "Sleeping Around The Corner". He just released that on "Seeds We Sow"...this is just redundant. Will post again after I tear the songs apart on a more focused listen.
__________________
Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
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#1455
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Quote:
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