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Quote:
I think bethelblues is saying that the direction LB wants the songs to go in versus the direction Stevie wants her songs to go in has not "gelled" in a long time and this may be close to the root of the problem. It may also be more than the LB production of her songs that she is unhappy with she may just not like the influence LB will have as a musician playing on her songs any more. Maybe she's tired of the LB sound and his domination of her songs. If Lindsey would just simplify things and rock out once in a while like he used to.( An excerpt from the 17 Reasons This 'Rhiannon' Clip Is the Coolest Thing in the Universe thread "And Lindsey playing the Les Paul sounds so much more rocking than his Turner") Is LB capable of just playing the part and making Stevie happy or does his ego get in the way? Why does LB always have to be in charge? They're Stevie's songs why can't she have them turn out the way she want's with out a WWIII protest from LB? As you have pointed out "Consider that drastic change of style between Then Play On & Kiln House, or Heroes Are Hard to Find & Fleetwood Mac" so change is nothing new to this band so why not let her shake things up a bit? And sorry but if Stevie is standing up for her songs from a creative standpoint then she's not a diva. If Stevie wants nothing to do with LB being involved with her songs and is refusing to work with him in the FM environment period then that is a major problem. As a business man and co-owner of the Fleetwood Mac corporate empire I don't think there is any chance of Mick parting ways with Stevie and giving up a substantial portion of his future income just to get one last record out. If the new album becomes a major wall between Stevie and LB and it were to get to the point of one of them saying "Either he/she goes or I go" which one will Mick choose? Whatever happens it will be fun to watch. |
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