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Old 10-29-2014, 07:25 PM
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nicole21290 nicole21290 is offline
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Quote:
Originally Posted by tabruns View Post
Interesting opinion, but just that, an opinion. Stewart couldn't be nearly the hack producer you're claiming here and have In Your Dreams and 24 Karat Gold getting positive reviews. You, personally, don't like it, but objectively there's no evidence he's the "terrible producer" you think.
This all amuses me because the first time we ever heard that Dave could possibly produce for Fleetwood Mac? That was Lindsey in 2009...

How far along are you in planning a new Fleetwood Mac album?

We aren't far along in any specific sense. My mantra is to work on my dynamic with Stevie. She was a little uncomfortable when we got on the road last time, for whatever reason. Part of it was that she missed Christine, part of it was that I was getting 50 percent of the face time onstage and she wasn't used to having a guy get all that space. I think it threw her context out a little. So this time around I am very much wanting to make everyone as comfortable as possible and have that be the most important thing. But we have discussed, when this tour is done, going into the studio. The only specific we know is that we are leaning toward finding an outside producer. I think it would help to have an overviewer. It was pretty hard taking the reins last time. Not so much with the music but with the band politics.

Have any producers in mind?

We had a short a list, but I have no idea. We've talked about everyone from Daniel Lanois to Dave Stewart to Rick Rubin. That pretty much runs the gamut of approaches. We have to meet with a few people and see how it feels.

Quote:
Originally Posted by tabruns View Post
I doubt it, because Nicks is usually the person who has sequenced Mac albums.

I think with SYW it boiled down to she didn't want "Come" on the album, she didn't like how Lindsey produced "Smile At You," and they had that argument over who was going to mix the album (the scene where John asks how much it will cost and Lindsey gives him an estimate and he's like "I can't afford that!" is priceless).
I'm pretty sure it was a sequencing issue, for the most part. I seem to remember it was that she didn't want to frontload it with the dark/heavy songs according to Linds, IIRC. Whatever the case, she was not happy with the end result which occurred while Linds stayed back in LA and the band was in Hawaii.
But he sounded peeved that, while the rest of the band went to Hawaii on vacation, he had to remain behind to complete mixing and sequencing the album. "Well, somebody had to finish the record!" he said. "So that (process) went through a whole series of political spasms and not-very-pleasant phone conversations. But we got there."
Quite a blow because usually...
"I'm a master at sequencing. I'm the one who sequenced for Fleetwood Mac. I sequenced "Rumours.' Everyone loves my sequences. They're fun."
Some believe THIS refers back to it:

I hear the islands calling
I hear angry words
Fly across the ocean
Like some, sea birds
Never stopping
I feel my blood racing
Can't believe what you are saying
I used to love you so much
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