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  #16  
Old 07-28-2003, 09:02 AM
WednesdaysChild WednesdaysChild is offline
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I love Think About It because it's the only song where we KNOW that Stevie is talking about Christine. We know they are/were friends, but they never really talked about each other via their songs...and you can also see how apprehensive Christine was about remaining in FM.
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  #17  
Old 07-29-2003, 01:01 PM
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Quote:
Originally posted by gldstwmn
The Heartbreakers just smoke on this song, especially Stan Lynch, IMO. That could have something to do with why it hasn't been released. The magic of those early sessions with Petty, The Heartbreakers and pretty much a who's who of all the best side players would be hard to replicate.
As more & more of those Bella Donna-related reel-to-reel masters surface & are circulated, I am completely amazed at just how much studio work Stevie did with the Heartbreakers. Apparently, they started in between breaks of the Tusk Tour -- like in April 1980 & again in July -- & just kept it up through the spring of 1981 (they tracked "Julia" a month before "Bella Donna" was released, which is very curious). They did tons & tons of songs together, with other guys like Roy Bittan joining them. When Stevie used to say that "Bella Donna" was recorded in a month or two, I used to believe her. But obviously that's not really the case -- she seemed to have been recording with the Heartbreakers & other musicians all the time during that year-long period. I wonder if the Petty fans even know about any of this, or have any of this stuff. They'd probably be in heaven if they heard it because the Heartbreakers are all over it, stopping, starting, chatting, fiddling around on their guitars & drums & organ. Somebody should be keeping track of all the dates & tracks. I know that photos have been sent around online with some information, but we should have it all grouped.

We've learned more about the "Bella Donna" session dates & tracks from these masters over the past two years than we learned from that entire Peter Lewry book, which purported to be an official guide to the Mac's entire studio work, but which was really just a farce.

Once again, the fans dig up the goods & the details, & the "official" sources fail.
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  #18  
Old 07-29-2003, 02:32 PM
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It's too bad she didn't decide to use some of this for a fourth disc on the box set because now we'll probably never get to hear it officially. We only know of what has surfaced. I have to wonder about what we haven't heard yet and might never hear. She did sessions for RAL all over the place and I have to believe there were more outtakes from those sesssions besides Reconsider Me and the other few we've heard.
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Old 07-29-2003, 03:37 PM
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  #19  
Old 08-11-2003, 03:46 PM
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sorry for my belated reply... but I love The Dealer! I so wish she would have released this YEARS ago. I have demos of her doing The Dealer from 1977 Rumours - 1986. I have the Rumours demo, the Tusk demo, the Master R2R from 1981, demo with Tom & demo in 1980 and also a smoking demo from 1986.

My only gripe about the song as the years have gone on, its gotten less away from the smoky voiced Stevie and gone more into a rock -n- roll type of song. I still love all the versions Ive heard though!
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  #20  
Old 08-19-2003, 08:10 PM
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Default Dealer

Isn't that other version, Master of My Faith, with Walter Egan? I thought it was Tom Petty as first too, but now I'm not so sure.

I think Dealer's time has come and should appear on Stevie's next solo record.

Who knows what she actually calls the song. It be could like Planets of the Universe, which we all knew forever as No Light, or Candlebright as Nomad.

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  #21  
Old 09-03-2003, 01:08 AM
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The demo I have is called Master Of My Fate and it's definitely Tom.
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  #22  
Old 09-04-2003, 09:40 AM
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Default Think About It demo

Can someone point me in the direction of the Mac version of "Think About It"? Thanks! You can PM me or respond here.
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Old 11-13-2003, 04:01 PM
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  #23  
Old 11-13-2003, 06:47 PM
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Default Thanks for the heads up!

I've been wanting to hear this for a while! I'm thinking this sounds like Walter Egan too. I believe I also read somewhere (his Q &A on the Penguin?) that he wanted to record this for one of his albums, so it would make sense that they recorded this together. I'm guessing that there is no Tom Petty version since I've only ever seen one duet version of this song discussed anywhere.

I've never understood S & L's attraction to Mr. Egan. I thought Not Shy was such a stunningly mediocre album. Maybe I'm missing something..nah!
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  #24  
Old 11-13-2003, 07:31 PM
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If anyone wants the Tom Petty version, I'd be happy to send it.
David are you out there? Do you know anything about this track?
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Old 11-13-2003, 09:29 PM
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  #25  
Old 11-13-2003, 10:28 PM
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Yes, that's the same one.
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  #26  
Old 11-13-2003, 11:02 PM
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Quote:
Originally posted by darklinensuit
I like this song, too, especially the last few lines.
People will think I'm nuts for thinking this, but I have a feeling she might not release The Dealer. IMO Stevie is self-conscious enough to worry that critics will look at the title and say this song is all about her drug addiction, and I think she tires of hearing about that.
Still, it's a great song, and I hope she does release it.

- Jake
Just think about what the critics would say about "Melacine" (The Witch) They would have a field day But it is such a cool song IMO, different for a Stevie song, but
it should have been released on the Enchanted Set
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  #27  
Old 11-14-2003, 12:58 AM
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Default Re: Thanks for the heads up!

Quote:
Originally posted by Sugar

I've never understood S & L's attraction to Mr. Egan. I thought Not Shy was such a stunningly mediocre album. Maybe I'm missing something..nah!
Stevie's harmonies make that album.
Certainly the lyrics are bland.

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  #28  
Old 11-14-2003, 02:20 AM
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Quote:
Originally posted by gldstwmn
If anyone wants the Tom Petty version, I'd be happy to send it.
David are you out there? Do you know anything about this track?
I have heard the pretty common recording of "The Dealer" & I think some of the recordings with the Heartbreakers. Aren't the Heartbreakers recordings dated, like a lot of the other reel-to-reel stuff? Anyone have those ID3 tags handy?

The older one I'm thinking of has Stevie playing Christine's electronic piano (a Yamaha CP-30) from the recording period for "Tusk" -- so that's like last half of 1978 & first half of 1979. Stevie must be in the studio using Christine's piano, because Stevie herself would never have bought a CP-30: they have very limited use as a combo instrument. This "Dealer" couldn't be any earlier than 1978 because that was the first year of production for the instrument.
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  #29  
Old 11-14-2003, 01:50 PM
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Quote:
Originally posted by darklinensuit
I People will think I'm nuts for thinking this, but I have a feeling she might not release The Dealer. IMO Stevie is self-conscious enough to worry that critics will look at the title and say this song is all about her drug addiction, and I think she tires of hearing about that.
- Jake
You're right. You're nuts! Whatever reason the song was never released (only Stevie really knows), you're presumption seems so far off base.

Regarding her drug addiction: Stevie has displayed a rare class among drug addicted celebrities. She never used that experience for promotion, to grand stand or to gain sympathy for her struggle. She delt with it privately and kept it very quiet.

Only years after the fact did she reveal what she went through. And she did so unapoligetically and matter-of-factly, without any pandering or self-pity what-so-ever. She addresses the subject, however vaguely, in her song "Welcome To The Room, Sara." She's not shy about talking about it, as lesson to learn from.

Who says she's tired of hearing about that? That's a far-flung presumption. Maybe it's just you who's tired of hearing about it. The fact of matter is, these days it's just cited as a small part of her history.

The Dealer? So what if some critics think the song is about drugs! Is it? Probably not...she refers to "card shark." Shows that there are other kinds of dealers. And so what if it is about drugs. Does that make a song inherently a target for critics any more than any other song?

It's silly, simplistic and short-sighted thinking to assume the song wasn't released for the reasons you cited. If Stevie was as worrisome and self-conscious as you seem to think she is, how do you explain Gold Dust Woman?
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  #30  
Old 11-14-2003, 02:41 PM
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Quote:
Originally posted by PenguinHead
You're right. You're nuts! Whatever reason the song was never released (only Stevie really knows), you're presumption seems so far off base.
The fact of matter is, these days it's just cited as a small part of her history.

It's silly, simplistic and short-sighted thinking to assume the song wasn't released for the reasons you cited. If Stevie was as worrisome and self-conscious as you seem to think she is, how do you explain Gold Dust Woman?
I believe the drugs are cited as a large part of her history.I recall that the Downtown Live interview focused on the drugs more than anything else.

How do I explain GDW? For years she claimed it had nothing to do with drugs.

And when WTTRS was released, Stevie was just out of Betty Ford. It's been sixteen years. I think it's "short-sighted" to assume Stevie's outlook or direction has not changed in that time period. I remember the quote at the time of Street Angel: "Eight years sober and the stories STILL get passed around." She did not sound pleased about discussing drug rumors.

Does Stevie care what critics and fans think? Many of us believe she is over Lindsey, but he revealed recently that she still did not want to be on the song Come because she thought people would think it was about her. So yes, Stevie is at least somewhat "worrisome and self-conscious."

- Jake
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