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#226
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I must say when I initially heard the snippet I was unimpressed. Certain parts were definitely strained and not on "point", but after having given the total song a few listens I think its definitely grown on me. Its a bit slow to start but the strength each recitation of the chorus gives is haunting and powerful. I think the rawness and not directly on pitch in certain points gives it authenticity and underscores the pain of the song.
I hope this is the case with Star Shine and I don't care which are my least favorite snippets so far. |
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#227
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__________________
I'm not the man you think I am. My love has never lived indoors - I had to drag it home by four, hired hounds at both my wrists, damp and bruised by strangers' kisses on my lips. But you're the one that I still miss. Neko Case |
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#228
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At first when someone said it seemed like he was posting to try and get back in Lindsey's good graces I thought the notion was absurd......But after his take on Lady I am thinking it is the case lol
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#229
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I like all the Europeans and Aussies and New Zealanders on this site. It's getting some flavor.
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#230
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But guitars, backing vocals?? Nooooo. He clearly misses the point. The appeal of the demos was the intimacy of the production-- just Stevie and the piano. What he sees as under-produced I see as just right, on this song. |
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#231
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One of Fleetwood Mac's most enduring, beloved songs -- and one from Richard's time with the band, no less -- spotlights Christine's voice and her piano. That alone should be a strong reminder to Richard that sometimes less is more.
How he can think that "Lady" needs guitar, backing vocals and more production is beyond me. It's gorgeous in its simplicity. That piano and Stevie's voice are the be-all and end-all for those 5 minutes.
__________________
"Although the arrogance of fame lingers like a thick cloud around the famous, the sun always seems to shine for Stevie." -- Richard Dashut, 2014 |
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#232
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I couldn't disagree more regarding a more elaborate style of production, though. It took some serious guts for Stevie to release something this raw & flawed, and I'm honestly very proud of her for taking that risk. I think if this song were more lushly produced, it might come across as disingenuous. Lady will never be a favorite of mine, and I probably will never listen to it on the album, but I'm grateful to have it. It's a huge statement about who Stevie is right now, it's a clear snapshot of her unfiltered talent.
__________________
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#233
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#234
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#235
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Yes, I am a firm believer that Stevie benefits from a good editor. |
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#236
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And yet you have songs like "Blue Water" at 4:46 and "24 Karat Gold" at 4:09 which, in demo form, clock in at nearly 6 and a half to 7 mins each. I think it bodes well that the two of those tracks were scaled back. But back to "Lady"...still adore it even if it does run too long! ![]() |
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#237
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If they were going for radio play with "Lady," then I would say that, yes, it does need to be edited down. However, for album tracks, I don't feel that it -- or any of the four songs Jondalar mentioned -- is too long.
Of course, I have to admit that I'm partial to long, epic-length songs. Even if sections are repeated.
__________________
"Although the arrogance of fame lingers like a thick cloud around the famous, the sun always seems to shine for Stevie." -- Richard Dashut, 2014 |
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#238
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#239
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