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  #16  
Old 05-14-2014, 11:40 AM
BlueLight BlueLight is offline
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Here's my 17-track wishlist. So excited beyond words to see what makes the cut!

The Dealer (Mistress Of My Fate)
One More Tomorrow
Julia
All The Beautiful Worlds
If You Were My Love (let's hope and pray she didn't listen to her SA outtake)
24 Karat Gold
Chanel Chanel
All The King's Horses
Belle Fleur
Starshine
Sanctuary
Foresaken Love
Baby Doll
She Calls You Missing
Forest Of The Black Roses
Have No Heart
Blue Water
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  #17  
Old 05-14-2014, 11:54 AM
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Originally Posted by WildHearted View Post
However... on the other hand... one of the reasons I was so shocked/excited about the new album was because I couldn't believe that she had been writing that much. And now it turns out she hasn't and it's all old songs...
Yeah, that was my initial reaction as well. Sadness that she didn't have anything new to share with the world. However, maybe she's just cleaning out all of the old material so she'll have a clean slate of new material to bring to the upcoming Mac album?

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Originally Posted by WildHearted View Post
Additionally, all of those songs were written when she had a very different vocal timbre and range so it will be interesting to see if she just goes for it vocally or if she alters them to fit her current voice. And there's a bit of a risk factor either way in that regard. So I don't know, I have mixed feelings.
Yeah, this is a big worryfor me. Could she even pull off a song like Mirror Mirror anymore? I'm guessing that's one she'd probably avoid recording, anyway.
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  #18  
Old 05-14-2014, 12:03 PM
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Originally Posted by louielouie2000 View Post
Yeah, that was my initial reaction as well. Sadness that she didn't have anything new to share with the world. However, maybe she's just cleaning out all of the old material so she'll have a clean slate of new material to bring to the upcoming Mac album?



Yeah, this is a big worryfor me. Could she even pull off a song like Mirror Mirror anymore? I'm guessing that's one she'd probably avoid recording, anyway.
Fans have been wanting this, and she has them, so why not do them? It'd be a shame if they were never finished/recorded. And as someone else pointed out, there's always the original demos to listen to if you don't like how they turn out.
I do think she'll alter the vocal range from what they were, and that's ok.

Jamie
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  #19  
Old 05-14-2014, 12:06 PM
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Quote:
Originally Posted by louielouie2000 View Post
Yeah, that was my initial reaction as well. Sadness that she didn't have anything new to share with the world. However, maybe she's just cleaning out all of the old material so she'll have a clean slate of new material to bring to the upcoming Mac album?



Yeah, this is a big worryfor me. Could she even pull off a song like Mirror Mirror anymore? I'm guessing that's one she'd probably avoid recording, anyway.
Maybe the new songs are for the new Fleetwood Mac album. If that is so, how can anyone possibly complaint? We are getting the demos plus new songs.
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  #20  
Old 05-14-2014, 12:10 PM
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I totally missed the part where the new album is strictly "from the vault". Hm. Works for me, I guess. I don't know her demos all that well so their reworkings never bother me as much as they do some.

It is disappointing in a way that she doesn't seem to be very prolific, but unsurprising. She'd always been very candid about the fact that her writing usually comes from unhappiness and emotional turmoil, and she seems to be very happy and content these days, so... yeah. Oh well.

To answer the question, who knows? Did anyone honestly see Secret Love coming? I do hope there are some demos that aren't known to fandom, though, so we don't see as much bemoaning of the production choices from people.
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  #21  
Old 05-14-2014, 12:11 PM
BlueLight BlueLight is offline
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Originally Posted by Jondalar View Post
Maybe the new songs are for the new Fleetwood Mac album. If that is so, how can anyone possibly complaint? We are getting the demos plus new songs.
I've been wondering the same thing. I think we're getting the best of all worlds here, and could not be more excited.
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  #22  
Old 05-14-2014, 12:53 PM
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I'm apparently in the minority in that I don't like Joan of Arc. Melodically and lyrically it's kind of a mess that never goes anywhere, to me. "Turn to the wall baby" is even worse than "What's the matter baby" in my book.

I DO like the feel of the FM recording - I love the drums and percussion, and that little sitar-like riff thing. But like I said, can't stand the song itself. So if they could take the instrumentation FM did and expand on that w/ some structural variation and write a different song inside of it...
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  #23  
Old 05-14-2014, 12:55 PM
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I've been pretty thrilled with the way all of Stevie's "vaulted" songs have come out (I even really loved the arrangement Lindsey gave "Smile At You"). So luckily I don't have any concerns about this. Though I can certainly understand why some of us might. These demos and outtakes have been as treasured and well-loved by Stevie's fans as her most famous songs are.

I'm hoping for:

Julia
The Dealer
If You Were My Love
She Still Loves Him
Something Exquisite
Belle Fleur
Forest of the Black Roses
All The Beautiful Worlds
Mirror Mirror
Space Needle
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  #24  
Old 05-14-2014, 12:59 PM
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Originally Posted by markolas View Post
The Rhiannon-related piano demos would be great to hear fleshed out.
When Dave tweeted the pic of him and Waddy at the mixing board, Stevie's "Rhiannon" painting was propped up on the console. So I'm willing to bet you're right about some of those "Rhiannon" demos making their way onto this album!
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  #25  
Old 05-14-2014, 01:41 PM
AnthonyMI AnthonyMI is offline
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Originally Posted by Johnny Stew View Post
Mirror Mirror
. It was released, officially, as a B side. I doubt she would release it again unless it was on a collection of B sides and outtakes.


Side note: someone found out that the version released was the WRONG finished version. The version released was a finished version from Rock a Little, and the one that was SUPPOSED to be released from during Street Angel was not seen or really known about until a couple years ago. Both were great, and very remarkably similar for being recorded so far apart in terms of "pre-Betty" and "near post Klonapin"
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  #26  
Old 05-14-2014, 01:52 PM
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I knew it! I knew it! When I heard she was making a solo album I thought it would be a good idea to dig up all her old demos and thought she would. I didn't believe she had enough new material to make a whole new album already and some left for the Mac. Maybe newly written songs and those demos that didn't make the cut will be given to the band. Not that the demos are worthless but just because one producer can't make anything out of one doesn't mean another can't make it great.
I'm not too familiar with the demos. I've seen some on YouTube but never looked into a way to put them on my I pod. I'm sure there is a way but I've got better things to do, as much as I love her. All I know is that Planets, sorcerer, moonlight, and the others that have come out in recent years are great
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  #27  
Old 05-14-2014, 02:10 PM
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ooh I forgot about Forsaken Love and it's one of my faves!

I'll add that to my list of
Birds of Rhiannon
Forest of the Black Roses
She Loves HIm Still
Have No Heart
Joan of Arc

Not sure dave can beat the FM version of Joan tho.

Not sure she has the range for China Doll's high notes anymore; and Blue Water, while I love what IS there, isn't finished or lyrically full enough for a releasable song. Too repetitive.

Have No Heart is a bit of a guilty pleasure; the version I've heard is very 80's production values and dated but if it were a bit less synth-y it could be great, it could have a vibe not unlike You Can't Fix This but with better lyrics.

Too bad most of her really old demos were just recorded straight onto cassettes; the ones she did in the studio could easily be buffed up ever so slightly and released in demo form. She'd never do that but that would be MY dream… to get great quality versions of the demos themselves.
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  #28  
Old 05-14-2014, 02:24 PM
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Quote:
Originally Posted by louielouie2000 View Post
I have incredibly mixed feelings as well. My inner fanboy is giddy. My pragmatic side is panicking. I was not terribly pleased with the way Smile At You or Lady From The Mountain (Moonlight) turned out. Don't get me wrong, if I'd never heard the demos, I'd think each song was fantastic. However, each finished song lost the magic quality the original demos contained. Even though Planets Of The Universe turned out great, would it have been better with a more classic vs electronic sound we ended up with? Possibly. I guess the thought of songs like If You Were My Love or Mirror Mirror being massacred is more upsetting than I care to admit.

Not to mention it's just a bit bizarre for me to swallow 65 year old Stevie recording an entire album of songs from her youth. Don't get me wrong, these songs are all from her golden songwriting era. But Stevie's in such a different place in her life these days. Plus, I hate to even go here... but there's a reason some of these songs never turned up on an album.




Can I take you out back & shoot you yet?

There are demos that I don't like either and about 7 songs I do want made. However, I'm sure Dave will add his creativity into the mix so mabye we will get something special. I'm expecting a lot of songs to turn out better.

I just think Stevie is incredibly generous for doing this. She is doing this for her fans. She is a flawed person like we are all but she does care that gives her fans something back. Makes me think more of her.
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  #29  
Old 05-14-2014, 02:38 PM
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Quote:
Originally Posted by AnthonyMI View Post
. It was released, officially, as a B side. I doubt she would release it again unless it was on a collection of B sides and outtakes.
That's a good point. Just seems to me like a "forgotten" song that she might want to revisit, but I'm sure you're right that it wouldn't have even been in the running since it has been released.
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  #30  
Old 05-14-2014, 02:44 PM
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for me...

The Dealer - and basically, repeatedly recorded 17 times... would make me happy.



Also - Gold & Braid - that was never released as a proper studio track, was it? I know the live version is good enough - but still, it was only ever a live recording.
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