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I actually am a lyricist. And I simply cannot say that the lyrics to Red Rover are objectively strong because I would be lying to myself. If I wrote a song like that I would not feel personally satisfied with it. But as I say, initially I liked it but it wore thin after a few listens and then began to sound tired, worn and cliched. Again - I agree with you that objectively, we can consider Silver Girl to be a weak song. I love it too, though! And why? Not because Stevie's voice sounds pleasant, not because the music is good (Stevie's vocal on Silver Girl is sub-par and the music is boring)...I like the song because it was written about Sheryl Crow. And apparently this multi-millionaire (Sheryl) has problems just like us. Sure she has money and privilege. But according to Stevie's lyric: Sheryl was born into the wrong generation - S. Crow regrets not signing papers/contracts. Sheryl is a "wild adventurer"...she is a person who makes mistakes, whose life is not perfect and who Stevie clearly adores and counts as a true friend. And it is this story that I love: this honesty and openness. The lyric is just a reminder to me of how much Stevie loves, cares for, stands up for and protects her friends. But the notion that a song can be "objectively strong" or "objectively weak" is an interesting one. For example, Rock Lobster by the B-52s, a song which so many people love, for me - is from a technical/instrumental perspective, a weak song. But it is so goddamn groovy! It doesn't take a virtuoso musician to play the opening riff but it just sounds so silly and fun that it makes you wanna dance and be happy aha. ![]() Would you consider Rock Lobster strong or weak from an objective standpoint? And within Fleetwood Mac: Running Through the Garden. Weak/strong? ETA: Let me just clarify the reason why I don't like Murrow or Red Rover has very little to do with the music and everything to do with the lyric. The guitars sound just fine. Mick is in fine form. But what I really connect to in a song is the words. And Lindsey offered in Murrow a very interesting political comment (well...it is more of a political rant but anyways...) about contemporary journalism being in a state of disrepute. Fair enough. I agree. But enough with the melodrama of "pneumatic drills and sharpening knives, blood in the sky, are you dead or alive?" He is just ranting and raving and its is incoherent and illogical - and Linds is seems like an intelligent person and he is still capable of writing better lyrics than the Murrow lyric. Technically Murrow is a brilliant song but the guitar playing is just showy and too noisy for me. Red Rover: I love the instrumental track. I hate the lyric. Same problem. Lindsey does not seem to have the skill to write lyrics which are accessible to the average listener, whilst remaining opaque so that there is no concern over people spreading rumours such as: "Oh my God did you hear Lindsey is finally Saying Goodbye to Stevie after 25 years and at last their relationship...is all over Red Rover?" Like sorry, Elle, I don't know if you like the lyrics is Red Rover or Say Goodbye for that matter - but I would be personally embarrassed to sing the words Lindsey does live when he performs Red Rover and Say Goodbye live in concert. Too cliched and transparent and all about Stevie, yet again. Stevie the woman who does not love him, and has felt rather indifferent about Lindsey for at least the past 15 years if not much longer. She counts him as a friend nothing more... and I think it is unfair for Lindsey to write these silly lyrics which are disingenous to the true nature of Buckingham/Nicks' relationship. Unfair on the listener. Unfair on Lindsey's wife/kids and unfair on Stevie. It's just ...fake. Last edited by secret love; 08-16-2013 at 09:10 PM.. |
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