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#16
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I love these pictures! But I'm not familiar with this magazine. Is it a American or European mag? I have to get it!
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Life passes before me like an unknown circumstance |
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#17
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Quote:
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Sometimes to be near you, is to be unable to hear you, my love.... |
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#18
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Actually she was on a cover of "M" Magazine in May, 2011... It's a music magazine.
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#19
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Hey Dave, Stevie, find a recording studio, now, and make us a smokin' hot new album.
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#20
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I always like to try skeet shooting.LOL......... Sorry I could not resist...LOL........................ I had to much apple cider tonight......................
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Skip R........ the Wildheart at Edge of Seventeen and the Gypsy..... My sweet Buttons .I love you. RIP 2009 to 08/24/2016 |
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#21
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LOL
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#22
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Reading the byline or whatnot actually makes the first one more poignant to me, like he's kind of absorbing her lost dreams, though I am hunky dory with the unexpectedly sensual interpretation too.
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#23
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Too funny...Seriously I did that years ago with Rock a Little once I clued in how bad it was.
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#24
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No offense to Dave Grohl as I think he is amazing and all...but this cover ticks me off due to the fact that we're still using 10-year-old photos of Fleetwood Mac and not a single new photo of them has emerged for promoting the tour.
That's my only gripe. But, I think she does look beautiful here. |
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#25
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Michele |
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#26
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It could be worse .They all could pose in front of Oprah's Photographer and look like crap.Her Photographers must of skipped the day in Photography school when the chapter on lighting was taught .
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Skip R........ the Wildheart at Edge of Seventeen and the Gypsy..... My sweet Buttons .I love you. RIP 2009 to 08/24/2016 Last edited by Macfanforever; 03-24-2013 at 10:53 AM.. |
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#27
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Maybe Stevie was being a raging diva and this is their way of punishing her?
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#28
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Barnes and Noble said they don't have this magazine. Where can we get it?
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#29
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That artist who painted Kate the Duchess of Cambridge must be related.LOL....
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Skip R........ the Wildheart at Edge of Seventeen and the Gypsy..... My sweet Buttons .I love you. RIP 2009 to 08/24/2016 |
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#30
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http://www.relix.com/news/2013/03/28...-rock-and-roll
Dave Grohl & Stevie Nicks: The Old Dreams & New Realities of Rock and Roll We are extremely excited about our latest cover story that centers on a conversation between these two legends. While decades separate these artists, a shared passion and drive to make music—with their steady bands, solo or with newfound friends—unites them. Over the course of more than 5,000 words, the candid conversation explores the triumphs and challenges that each has faced while illuminating the rapidly changing landscape faced by newer artists. Below is an excerpt from the cover story. Though you two came of musical age at different times, the industry was healthier at either of those times, whether it was the mid-‘90s or the early ‘70s. Musicians today face a much tougher reality between a lack of monetary support from record labels, the new economics of music sales in the digital age and even higher gas prices. Stevie: They’re hardly getting paid and [companies are] taking all their merchandising and part of their salary. They have nothing. How do the new Stevie Nicks and Dave Grohls fight to be heard? Stevie: It’s very hard. Dave: The reason why Stevie Nicks is really popular is because she’s Stevie Nicks. There weren’t 10,000 Stevie Nickses trying to get a record deal back then or now. There’s just one. The reason why she’s so popular is because of what she does and not everyone can do what she does. It’s the same thing with, “Why did Nirvana become popular? Were there seven other Nirvanas in line waiting to put out a record at that time?” Not really. Kurt [Cobain] was an amazing songwriter with an incredible voice. Stevie: And incredible charisma. Dave: He was such a gifted person that if you had met another Kurt Cobain and given him a record deal, do you think the same thing would have happened? If you handed those songs to someone else and said, “Hey, record this record,” it wouldn’t have sounded like Nirvana because it wasn’t Nirvana. The reason why those things happened was because it was what it was, but at the same time, the industry didn’t really…they weren’t waiting for Nirvana to become the biggest band in the world. They pressed 3,500 copies of Nevermind the week it came out, because they thought it would take six months to sell those ****ing records. The reason why musicians become popular is because—I can’t say that, because a lot of really ****ty musicians become very popular—if you’re really great at what you do and you’re, in some way, able to share it with everyone, then you’ll be recognized for it. I believe that. You [also] have to define success. What do you consider success? I used to think, “All I want to do is ****ing be able to buy corn dogs with money from playing music. Instead of selling equipment, I’d like to be able to play a show and feed myself. That would be awesome.” Stevie: And have a cool little place. Dave: I don’t think people should consider a career in music—I honestly don’t because, ultimately, you’re probably going to be disappointed—but it shouldn’t stop you from making music. Playing crazy, noisy punk rock in 1987 wasn’t going to kick Michael Bolton out of the charts, but everybody did it because they loved doing it. Look at the people in the Sound City movie: Neil Young. Why is Neil Young Neil Young? Because he’s ****ing Neil Young, that’s why. Why is Paul Paul? Because he’s Paul. All of those people, I honestly believe, the reason why people appreciate what they do is they’re the only people that do what they do. Stevie: Now, the record companies don’t have any money because a record used to sell for a certain amount of money or a CD sold for 18 bucks. The record company got $10 and then they put that in their coffers and they built that up so they had money to sign the new Dave Grohl or the new Stevie Nicks. [They] helped her or him to morph into the great person they were going to be or the great band they were going to be. Now, kids don’t have that because these record companies—****ing record companies—they can’t do anything for you. My record [2010’s In Your Dreams], that I love more than anything I’ve ever done, my record company didn’t help me with that. I went out and toured for two ****ing years and said, “I’m on a mission. I’m going to play these damn songs, six of them, every night in every city I can until I can walk away and feel like I’ve done everything I can possibly do.” And I’m Stevie Nicks! So how is it for that little girl that’s 22 years old and is as good as me and writes great songs and is really cute and is ready to rock, but can’t support herself? There’s no record company that’s going to sign her or, if they do sign her, they’re going to change her into a slightly pseudo-rap artist and they’re going to make her wear creepy clothes and make her sing lyrics she hates and tell her she can’t do her own songs. Then her soul is going to die and then what is she going to do? Stevie was pretty fiesty. ![]()
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