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#16
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From what I understand, only John Shanks had recorded "Everyday" and Stevie essentially replaced his voice with hers (apparently in one take) directly over the existing instrumentation which made it's way onto the album untouched. I recall her saying in an interview that she sensed the song meant a lot to him and so she was happy to bring the song to completion.
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#17
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Stevie's IYD singles performance on these AC charts are practically identical to her TISL charting radio releases on the same radio format. "Everyday" peaked at #17 & "Sorcerer" peaked at #21 on Billboards AC charts. "Say You Will" also peaked at #17 on the AC charts. So in 10 years Stevie or FM have charted 6 x's on Billboards AC charts: 1 Top 25 song (For What It's Worth) 4 Top 20 songs (Everyday, Sorcerer, Say You Will & Secret Love) 1 Top 10 song (Peacekeeper) In addition Stevie charted high on Billboards dance/club charts: #1 Planets Of The Universe remix/single in 2001 #2 Stand Back remix single in 2007 #26 Dreams remix single in 2006, which also charted in 7 other countries, including peaking at #14 on UK's Top 20 pop song chart! Not too shabby for a 50 something to sixty something female pop/rock recording artist. Who else is there of Stevie's contemporaries from her generation besides Cher, that have nabbed that many top 20 charting songs. I believe Stevie has even charted more songs than Cher in the last 10 years. |
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#18
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#19
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__________________
I'm not the man you think I am. My love has never lived indoors - I had to drag it home by four, hired hounds at both my wrists, damp and bruised by strangers' kisses on my lips. But you're the one that I still miss. Neko Case |
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#20
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I recall that as well, then I cross referenced Deep Dish on Wiki and it said 26? But that can't be right
. I remember it peaked at #3 0r #2 in 06'. |
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#21
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(don't want to offend anyone, but I really dislike her music). I think, that Stevie is probably the only female rocker of her genereration that is still successful on the charts (where is Pat Benatar? I think her latest album "Go!" didn't enter Top 200, and Linda Ronstadt? "Adieu False Heart" briefly made Top 200, and what about Heart? They had their latest album for about 2 weeks in the charts and then disappeared, even with semi-successful tour). Considering Stevie's age she's even more successful than Tina Turner and her latest chart entries ("Twenty Four Seven" in 1999 which was supported by gigantic world tour). Maybe Carly Simon... but she records only lullabies or cover albums now... |
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#22
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I always loved Love Changes, but I never thought it sounded like a "hit song" to me. Stevie even said in the commentary for Talk To Me that she doesn't set out to write "hit songs" and that she's sometimes given them to do by the record label. I'm amazed that Fall From Grace wasn't used as a single. Sure they would have had to edit it down for radio play but it had hit single all over it. Plus, it was a really strong performance from Stevie. TISL also had a really radio friendly sound but it too would have needed to be trimmed for time and that would have ruined the whole narrative of the song.
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#23
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too funny about Stevie saying she doesn't set out to make "hit" songs. I recall the moment in the Destiny Rules movie where she mentions "praying to the hit gods" (or something like that) when submitting "say you will"
__________________
“When you’re hurt or angry, let go by tapping into your humbleness. You want people to remember you for your grace.” —Stevie Nicks, 62, singer and songwriter, “In Your Dreams” |
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#25
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Back when TISL came out, I was carpooling. Of course, I had the cd playing and as soon as "Love Changes" came on a coworker (non fan) said, "now i like that!"
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#26
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great vocal and the production really gives her voice "space"! not to mention, Stevie does bitter lyrics very well,
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#27
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I always say that the Universe speaks to me through Stevie Nicks. Every time I have some sort of issue in my life, Stevie releases an album or I discover an unreleased track, or a changed lyric in a live recording that puts things into perspective for me.
When TISL came out I was just ending a really bad relationship. He was a total sociopath and knew just what to say to control me. I was moving out and setting out on my own and trying to make sense out of it all. The guy was really bad for me and damaged my self-esteem to the point that even though I knew I was doing the right thing, he made me feel like a horrible person for leaving. Every time I hear this song it gets me right down to the soul. "It wasn't that I didn't love you, I just couldn't make you see that as hard as I tried to make it all better, it was not better for me. The love that I gave you was all around you there was nothing left for me." That made me see that it was okay to leave and that I had a very good reason to. It was so empowering. If I ever had a chance to thank Stevie for all the pieces of "advice" she's given me over the years I'd end up boring her to tears with all the stories. But somehow "thank you" wouldn't seem enough. But it is a life long dream of mine to be able to thank her someday. Oh well. |
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#28
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was LC a Dallas Austin produced song originally?? it really feels a little RnB to me. (aside) i'd LOVE to hear his production of her. anyone ever heard it? also, i feel LC is a much more unique "organic" song, whereas Everyday just seems like Single by Committee (sp?)
Last edited by johnnystorms; 12-14-2011 at 02:05 AM.. |
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#29
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Yeah, The Dallas Austin recordings would be interesting to hear.
__________________
"...every time, you don't come..." "my little demon..." oh dear...
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#30
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